Scope and arrangement
The collection, dating from 1927 to 1928, contains unbound printed page proofs and maquettes (drafts with hand-cut text and drawings) of A.A. Milne and E.H. Shepard's final two Winnie-the-Pooh books, Now We Are Six and The House at Pooh Corner. There are also six letters from Milne and Shepard to publisher Frederick Muller at Methuen & Co. about changes to the books and the delivery of pages. The maquettes do not include Shepard's original illustrations, but rather printed copies that are pasted on the pages.
The proofs and maquettes feature Milne's corrections, annotations, and deletions in pencil. The maquettes in particular feature Milne's instructions for changes in the position of text and illustrations, as well as directions regarding lineation and pagination. The Now We Are Six maquettes contain Milne's own manuscript rendering of the book's preliminary pages, including his sketch of Christopher Robin on the title page that was ultimately unused in published editions; the final version by Shepard is included with a later page. The House at Pooh Corner maquettes similarly feature Milne's manuscript rendering of the preliminary pages.
Proofs for both books contain publisher stamps indicating pages that need revisions. The Now We Are Six stamps are dated from March 18 to August 17, 1927; the House at Pooh Corner stamps are dated July 14, 1928.
Correspondence for Now We Are Six consists of two letters from Milne and two from Shepard. Milne's letters regard the page count and order of poems, while Shepard's discuss his drawings for specific poems. Correspondence for The House at Pooh Corner consists of one letter from Milne and one from Shepard. Both letters discuss the delivery of proofs and illustrations to Muller, with Shepard's letter also touching on his recent move.