- unitid
-
{"value"=>"753766", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1906 - 1981", "type"=>"inclusive", "normal"=>"1906/1981"}
{"value"=>"undated", "type"=>"inclusive"}
- unittitle
-
{"value"=>"Series VII: Oversized"}
- physdesc
-
{"format"=>"simple", "value"=>"7 boxes"}
- scopecontent
-
{"value"=>"<p>Included in this series are photographs, costume designs, artwork, testimonials to Hepburn, research materials, window cards, and theatrical memorabilia. There are numerous enlargements of production and publicity photos, as well as photos of costume sketches and research materials. Of particular note is a signed Cecil Beaton photo of Hepburn (ca. 1960s) and Hepburn’s annotated sheets of Alfred Dixon vocal exercises housed in a leather folio with “S.T.” engraved on it.</p> <p>Costume designs include one for the 1955 Old Vic Australian tour production of <span class=\"title\">The Taming of the Shrew</span>and is signed by Ruth Dolgov (although Peter Rice is listed as scenery and costume designer on the program); the other is by Muriel King for an unidentified production, possibly a film (1936).</p> <p>Also of note is a caricature of <span class=\"title\">As You Like It</span> by cast member Jan Sherwood, as well as a limited edition print of a Hepburn painting for The Fund for Animals. There is also an incomplete <span class=\"title\">Coco</span> scrapbook, probably belonging to Michael Benthall (1969–1970).</p>"}
- arrangement
-
{"value"=>"<p>By Format</p>"}
- date_start
-
1906
- keydate
-
1906
- date_end
-
1981
- date_inclusive_start
-
1906
- date_inclusive_end
-
1981