- unitid
-
{"value"=>"753534", "type"=>"local_mss"}
- unitdate
-
{"value"=>"1940 - 1995", "type"=>"inclusive", "normal"=>"1940/1995"}
{"value"=>"undated", "type"=>"inclusive"}
- unittitle
-
{"value"=>"Series III: Scripts"}
- physdesc
-
{"format"=>"simple", "value"=>"2.25 boxes"}
- scopecontent
-
{"value"=>"<p>This series contains scripts presumably sent to Hepburn. There are several scripts by colleagues such as <span class=\"title\">The Human Element</span> (ca. 1948) and <span class=\"title\">I Am Different</span>(adaptation) (undated) by Zöe Akins, <span class=\"title\">Liberty Jones</span> (ca. 1940) and <span class=\"title\">Second Threshold</span> (ca. 1951) by Philip Barry, and <span class=\"title\">But When All’s Said and Done</span>(<span class=\"title\">1983</span>) by Penelope Gilliatt. <span class=\"title\">Catalina on a Clear Day</span>(one of four plays found in the papers by Chester Erskine) appears to have been intended as a vehicle for Hepburn, as described by Erskine in his letter of May 27, 1958 (filed in General Correspondence).</p> <p>There is also a script for a one-woman show about Hepburn, <span class=\"title\">Kate: A Celebration by Don Hayes</span>(1993).</p>"}
- arrangement
-
{"value"=>"<p>Alphabetical</p>"}
{"value"=>"<p>Alphabetical</p>"}
- date_start
-
1940
- keydate
-
1940
- date_end
-
1995
- date_inclusive_start
-
1940
- date_inclusive_end
-
1995