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Series IV: Professional Files
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Manuscripts and Notes
Manuscripts and Notes
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1521719
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3047147
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2018-10-24 18:22:05 UTC
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2026-03-30 13:02:37 UTC
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{"value"=>"3047147", "type"=>"local_mss"}
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{"value"=>"Manuscripts and Notes"}
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"Abstraction, Decoration and So Forth"
"Abstraction Revisited"
"The Academy, Postmodernism, and the Education of the Artist"
"The Acceptance of Art in America"
"After The Future"
"Allegory"
Alliance of Figurative Artists [2/1]
Art and Ecstasy
"Art As Photography"
"Art Au Go-Go"
"The Art Experience"
"The Art Historian as Critic: Robert Pincus-Witten"
"Art, Value, and Popularity"
"Benjamin Reconsidered: The Work of Art After the Age of Mechanical Reproduction"
Berend-Corinth, Charlotte
"BLAM! at the Whitney: The Logo As Icon"
Calcagano, Lawrence
Cézanne, Paul
"Childishness and Modern Art"
Cloar, Caroll
Commitment and Conversion
"Complex Representation"
Conservatism and Modern Art
"Coppola's Dracula"
Criticism [5/1]
"Cultural Permissions"
Culture and Character
"Culture in a Democracy: Three Centuries of American Painting"
"Dehumanization Reconsidered"
"Designer Go Home: High Styles at the Whitney
"The Disposable Hero: Art and Patronage and the New Philistinism"
"Do Intentions Matter?"
Drapery
"Duccio, Representation and Illustration"
"Earthworks and the New Picturesque"
"Edward Hopper and the Provincial Principle"
"Evaluations and Re-evaluations"
Expressionism
Figurative Painting [4/1]
Fischl, Eric
Formalism
"Four Painters In Search of Tradition"
Futurism and Typographical Modernism
"Gauguin and the Decorative Style"
"George Ohr: Pottery and the Liquefaction of Desire"
"Gothic Parallels: Watercolors and Luminism in American Art"
"The Handwriting On The Wall"
"A Hard-Sell World"
Held, Al
"How Good is 19th Century American Art?"
"The Ideal and the Literal Sublime: Reflections on Painting and Photography in America"
The Illustrated Book
Immendorf, Jorg
"In Rockwell's America"
"Introduction to the Hadley Lectures"
The Isolated Man
Johns, Jasper [2/1]
Katz, Alex [2/1]
Kelly, Elsworth
Kline, Franz
de Kooning, Willem [2/1]
Levitt, Helen
"Lichtenstein's Sculpture"
"Major and Minor Quality - Or Good and Bad"
"Me and Jeff"
"Michael Davis at Art Galaxy"
"Modernism Now: An Editorial"
"The Modest Greatness of Julio Gonzalez"
Mondrian, Piet
Morris, Robert
"Motherwell: The Echo of Protest"
Murray, Elizabeth
"Musée d'Orsay"
"The Mythical History of Modern Art"
Narrative Painting [2/1]
National Endowment for the Arts Symposium on Visual Arts
"Nature"
"Neo-Classicism to the Avant-Garde"
"The New Avant-Garde"
"The New Figure Painters"
Noland, Kenneth
"Notes of a New York Critic"
"Notes on Artists"
"Notes on Dewey's 'Art As Experience'"
"Notes on Kitsch"
"Old Master Art"
Olitski, Jules [2/1]
"On Gerome, Gouguerreau, Ingres, and 'They Died With Their Boots On': Notes From A Journal"
"On the Idea of Crisis"
"On Student Protest and Protest Generally"
"Optical Art: Pending or Ending?"
"Pat Johanson, Tibor Denagy Gallery"
"The Pedestals of Brancusi"
The Pedestals of Brancusi [11/1]
"Philip Pearlstein and the New Philistinism"
Photography [7/1]
Playboy
Pollock, Jackson
Poons, Larry
Pop Art
Porter, Fairfield
"Primary Structures"
"The Problem of Art in America"
"Protest, Respectability, and Belief"
"Rage Enters Modern Art..."
Rauschenberg, Robert
Reinhardt, Ad
"Renoir, Progress, and the 20th Century"
"Report on the Venice Bienniale"
"Representation, Decoration, and Belief"
"Representing Paper"
"Rethinking Manet"
Reviews [2/2]
Richard Lindner
"Richard A. Miller: Primary Realist"
Robert Frank's "The Americans"
"Romanticism, Primitivism, Freedom"
Rosenberg, Harold
"Rosenquist at the Met"
"Scale and the Future of Modernism"
"Schnabel, et al"
"Science as Cathedral"
"Sculpture as Ornament"
"Serra"
Sherman, Cindy
Showell, Ken
"A Special Taste: The Print Collection of Matthew Marks"
"Specimens of Photomechanical Printing from the Collection of Samuel Wagstaff, Grolier Club"
"The Students, the Schools, and the Avant-Garde"
"Surface and Subject / Object and Metaphor"
"Surrealism as Art"
Syracuse University: "The Class of 1950: A Memoir and Some Reflections"
"Talent, Necessity, and Modern Art"
Tansey, Mark
Terminal New York
"Tiepolo and the Decorative Style"
"Toward a Literary Revival?"
"The Underground Pre-Raphaelism of Edward Kienholz"
"A Variety of New Realisms"
"The View from Past Fifty"
"Walker Evans: Photography as Representation"
"Warhol: A Post-Operative View"
"The Way a Movie Ends"
"What Danger Am I In?"
"What Happened to Geometry?"
"William Henry Fox Talbot at H.P. Kraus"