{"value"=>"<p>The Professional Files document Tillim's practice as a writer, critic, lecturer, and curator. They are in four divisions: Manuscripts and Notes; Symposia and Lectures; Clement Greenberg Research Files; and Subject Files.</p> <p>Manuscripts and Notes contain Tillim's criticism and essays that appeared in such venues as <span class=\"title\">Art in America</span>, <span class=\"title\">Arts Digest</span>, and <span class=\"title\">Artforum</span>. These writings, arranged by title, subject, or correspondent, represent both published and unpublished work. The content rages from notes and early drafts, to multiple drafts with comments, to final published copy. Correspondence with editors is also present. The files for the Alliance of Figurative Artists include the text of a lecture Tillim delivered to the organization.</p> <p>Symposia and lectures are arranged by the hosting institution. A detailed, alphabetical guide to these lectures was assembled by Tillim's wife, Diane Radycki. A paper copy of this guide can be found in box 45, folder 22; it can also be viewed as an added resource through the archival portal. The files, mainly filed alphabetically, include lecture notes, written or typed full texts, programs, and correspondence with presenters or other symposia panel members. Some lectures were recorded. Sound recordings are unavailable pending digitization.</p> <p>Tillim researched a book on the life of the critic Clement Greenberg, but never completed it. His research files on Greenberg include a full transcription by Peggy Schiffer Noland of Greenberg's famed Bennington Seminars of 1971, correspondence with Noland, and notes and writings on Greenberg by Tillim and others, some bearing Tillim's annotations.</p> <p>The Subject Files, arranged by topic, document Tillim's involvement with or opinions on artists, museums, organizations, and artistic styles and movements. Also present are interviews with Tillim, and articles about him. The files hold notes, writings, letters, and photographs. The files also contain recordings of conversations with other critics broadcast on WBAI radio in New York.</p>"}