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Ten years of American opera design [graphic]
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PHOTOGRAPHS 85-110, 112-116
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DIE ZAUBERFLÖTE
DIE ZAUBERFLÖTE
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1210483
level (num)
2
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1137466
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created
2015-05-29 01:48:21 UTC
updated
2015-11-03 07:44:03 UTC
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unitid
{"value"=>"1137466", "type"=>"local_mss"}
unitdate
{"value"=>"1940", "type"=>"inclusive", "normal"=>"1940"}
date_inclusive_start
1940
date_inclusive_end
1940
keydate
1940
date_start
1940
date_end
1940
unittitle
{"value"=>"DIE ZAUBERFLÖTE"}
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Act I, scene 1. The opening scene of the Prince pursued by the snake is presented as a dream vision. Tamino (David Cunningham)
Superimposed proscenium of auditorium showing unit setting
Act I, scene 2. An interior
Costume for the Priest. A traditional eighteenth-century dress over which a white cape is worn. This cape shows on the back the symbol of the sun, and the collar is elaborated into a typical insignia of the Free Mason Order of that time
Act I. A rocky scene. Detail by Frederick John Kiesler
Act I, scene 2. Appearance of the Queen of the Night. Queen (Dorothy Hartigan)
Act I, scene 3. Before the temples of Reason, Wisdom and Nature. Detail by Frederick John Kiesler
Act II, scene 1. Symbol of the secret Order. Detail by Frederick John Kiesler
Act II, scene 2. A vault. Detail by Frederick John Kiesler
Act II, scene 3. A lake in the garden. Detail by Frederick John Kiesler
Act III, scene 1. A vault under the temple. Detail by Frederick John Kiesler
Act III, scene 3. The garden. Detail by Frederick John Kiesler
Act III, scene 4. Portals of Fire and Water. Detail by Frederick John Kiesler. At left, Symbol of Darkness; at right, Symbol of Light. In center, group of three actors
A wood. Detail by Frederick John Kiesler
Mechanism for arch, designed by Frederick John Kiesler. Frame construction and machinery showing mechanism for reeling off all backdrops of the opera on a roll of canvas 120 feet long. The mechanism is so designed that it can be operated by one man. He is