Ten years of American opera design [graphic]

id
5900
origination
Juilliard School of Music
date statement
1931-1941
key date
1931
identifier (local_mss)
20152
org unit
Music Division
call number
JPB 89-66
b-number
b11860770
total components
489
total series
11
max depth
4
boost queries
(none)
component layout
Default Layout
Extended MARC Fields
false
Extended Navigation
false
created
2013-04-01 15:05:27 UTC
updated
2026-08-16 02:16:34 UTC
status note
(missing)
Display Aeon link
true

Description data TOP

unitid
{"value"=>"JPB 89-66", "type"=>"local_call"}
{"value"=>"20152", "type"=>"local_mss"}
unitdate
{"value"=>"1931-1941", "type"=>"inclusive", "normal"=>"1931/1941"}
date_inclusive_start
1931
date_inclusive_end
1941
keydate
1931
date_start
1931
date_end
1941
unittitle
{"value"=>"Ten years of American opera design [graphic]"}
physdesc
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"7 boxes + 2 map case drawers"}], "supress_display"=>true}
repository
{"value"=>"<span class=\"corpname\">The New York Public Library. Music Division.</span> <div class=\"address\"> <span class=\"addressline\">New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center</span> <span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
abstract
{"value"=>"The collection includes photographs, original drawings for set and costume designs, and blueprints; as well as miscellaneous exhibition materials such as catalogs, labels, display case notes, programs, and periodicals containing material about the operas. Set and costume designers include Frederick John Kiesler, Nathalie Swan, Bruno Funaro, Daniel Brenner, and others. Most of the photographs were taken by Samuel H. Gottscho."}
langmaterial
{"value"=>"Materials in English"}
prefercite
{"value"=>"<p>Ten years of American opera design [graphic], Music Division, The New York Public Library</p>"}
origination
{"value"=>"Juilliard School of Music", "type"=>"corpname"}
bioghist
{"value"=>"<p>Operas represented in the Juilliard Collection: <ul class=\"chronlist\"> <li class=\"chronitem\"> <span class=\"date\">November 1931:</span><span class=\"event\">JACK AND THE BEANSTALK. Music by Louis Gruenberg; libretto by John Erskine. Settings by Margaret Linley.</span></li> <li class=\"chronitem\"> <span class=\"date\">February 1932:</span><span class=\"event\">DIDO AND AENEAS. Music by Henry Purcell; text by Nahum Tate. Settings by Alfredo Valenti.</span></li> <li class=\"chronitem\"> <span class=\"date\">April 1933:</span><span class=\"event\">IL MATRIMONIO SEGRETO. Music by Domenico Cimarosa; with new recitatives by Albert Stoessel. Adapted from II matrimonio segreto of G. Colman and David Garrick by Giovanni Bertati. Translated from the Italian by Reginald Gatty and Albert Stoessel. Settings by Alfredo Valenti.</span></li> <li class=\"chronitem\"> <span class=\"date\">December 1933:</span><span class=\"event\">LE NOZZE DI FIGARO. Music by Wolfgang Amadeus Mozart; libretto by Lorenzo da Ponte. Settings by Alfredo Valenti.</span></li> <li class=\"chronitem\"> <span class=\"date\">March 1934:</span><span class=\"event\">HELEN RETIRES. Music by George Antheil; libretto by John Erskine. Settings and costumes by Frederick John Kiesler.</span></li> <li class=\"chronitem\"> <span class=\"date\">December 1934:</span><span class=\"event\">ARIADNE AUF NAXOS. Music by Richard Strauss; libretto by Hugo von Hofmannsthal. Settings and costumes by Frederick John Kiesler.</span></li> <li class=\"chronitem\"> <span class=\"date\">January 1935:</span><span class=\"event\">ORFEO ED EURIDICE. Music by Christoph Willibald Gluck; book by Raniero de' Calzabigi. Setting by Alfredo Valenti.</span></li> <li class=\"chronitem\"> <span class=\"date\">April 1935:</span><span class=\"event\">MARIA MALIBRAN. Music by Robert Russell Bennett; libretto by Robert A. Simon. Settings and costumes by Frederick John Kiesler.</span></li> <li class=\"chronitem\"> <span class=\"date\">December 1935:</span><span class=\"event\">DIE ZAUBERFLÖTE. Music by Wolfgang Amadeus Mozart; libretto by Carl Ludwig Giesecke and Emanuel Schikaneder. Settings by Alfredo Valenti.</span></li> <li class=\"chronitem\"> <span class=\"date\">March 1936:</span><span class=\"event\">JOSEPH AND HIS BRETHREN. Ballet-pantomime by Werner Josten; choreography by Arthur Mahoney. Settings and costumes by Nathalie Swan.</span></li> <li class=\"chronitem\"> <span class=\"date\">March 1936:</span><span class=\"event\">L'HEURE ESPAGNOLE. Music by Maurice Ravel; libretto by Franc Nohain (performed in the English version of Robert A. Simon). Settings by Bruno Funaro and costumes by Graham Erskine.</span></li> <li class=\"chronitem\"> <span class=\"date\">April 1936:</span><span class=\"event\">DIE LUSTIGEN WEIBER VON WINDSOR. Music by Otto Nicolai; libretto by S. H. von Mosenthal (performed in the English version of H. E. Krehbiel). Settings by Bruno Funaro.</span></li> <li class=\"chronitem\"> <span class=\"date\">December 1936:</span><span class=\"event\">LE MEDECIN MALGRÉ LUI. Music by Charles Gounod (arranged by Marshall Bartholomew); from the play by Molière. Libretto and adaptation by Alexander Dean. Settings by Pasquale Carbonara.</span></li> <li class=\"chronitem\"> <span class=\"date\">February 1937:</span><span class=\"event\">GARRICK. Music by Albert Stoessel; libretto by Robert A. Simon. Settings and costumes by Paul Oppenheim.</span></li> <li class=\"chronitem\"> <span class=\"date\">April 1937:</span><span class=\"event\">THE POISONED KISS. Music by Ralph Vaughan Williams; book by Evelyn Sharp. Settings by Nathalie Swan and Paul Oppenheim.</span></li> <li class=\"chronitem\"> <span class=\"date\">January 1938:</span><span class=\"event\">THE SLEEPING BEAUTY. Music by Beryl Rubinstein; libretto by John Erskine. Settings by Daniel Brenner and costumes by Bruno Funaro and Giovanni Battista Repetto.</span></li> <li class=\"chronitem\"> <span class=\"date\">April 1938:</span><span class=\"event\">DIE ENTFÜHRUNG AUS DEM SERAIL. Music by Wolfgang Amadeus Mozart; libretto by Gottlob Stephanie after the play of Christoph Friedrich Bretzner (performed in an English translation from the original German by Robert Lawrence [dialogue] and Albert Stoessel [lyrics]). Settings by Nathalie Swan and Daniel Brenner and costumes by Nathalie Swan.</span></li> <li class=\"chronitem\"> <span class=\"date\">December 1938:</span><span class=\"event\">LE NOZZE DI FIGARO. Music by Wolfgang Amadeus Mozart; libretto by Lorenzo da Ponte after Beaumarchais (performed in English version by Edward J. Dent). Settings by Tom Jones, Edward McMullin, David Brenner and Cole McFarland.</span></li> <li class=\"chronitem\"> <span class=\"date\">March 1938:</span><span class=\"event\">DIDO AND AENEAS. Music by Henry Purcell; text by Nahum Tate. Settings by Alfredo Valenti.</span></li> <li class=\"chronitem\"> <span class=\"date\">March 1938:</span><span class=\"event\">L'HEURE ESPAGNOLE. Music by Maurice Ravel; libretto by Franc Nohain (performed in the English version of Robert A. Simon). Settings by Bruno Funaro and costumes by Graham Erskine.</span></li> <li class=\"chronitem\"> <span class=\"date\">December 1939:</span><span class=\"event\">LES CONTES D'HOFFMANN. Music by Jacques Offenbach; libretto by Jules Barbier. Settings by Frederick John Kiesler.</span></li> <li class=\"chronitem\"> <span class=\"date\">February 1940:</span><span class=\"event\">COSI FAN TUTTE. Music by Wolfgang Amadeus Mozart; libretto by Lorenzo da Ponte. Settings by Francesco Christofanetti.</span></li> <li class=\"chronitem\"> <span class=\"date\">April 1940:</span><span class=\"event\">LE DONNE CURIOSE. (The Inquisitive Women), music by Ermanno Wolf-Ferrari; libretto by Luigi Sugana after Goldoni (performed in a new English translation by George Mead). Settings by Frederick John Kiesler.</span></li> <li class=\"chronitem\"> <span class=\"date\">December 1940:</span><span class=\"event\">DIE ZAUBERFLÖTE. Music by Wolfgang Amadeus Mozart; libretto by Carl Ludwig Giesecke and Emanuel Schikaneder (performed in English version by Edward J. Dent). Setting by Frederick John Kiesler.</span></li> <li class=\"chronitem\"> <span class=\"date\">April 1941:</span><span class=\"event\">FALSTAFF. Music by Giuseppe Verdi; libretto by Arrigo Boito. Settings by John Stevens.</span></li></ul></p> <p>Four operas, IL BARBIERE DI SIVIGLIA, AIDA, CARMEN and LA BOHEME, which were presented by the Juilliard Graduate School in studio form only, are represented by candid camera shots only.</p> <p>Some photographs from later productions are included in the \"Miscellaneous Photographs\" section. Productions include ORFEO ED EURIDICE, SOLOMON AND BALKIS, THE MOTHER, and DER FREISCHÜTZ.</p>"}
scopecontent
{"value"=>"<p>All photographs by Samuel H. Gottscho unless otherwise noted.</p>"}
{"value"=>"<p class='list-head'>The Ten years of American opera design [graphic] is arranged in eleven series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mus/20152#c1210314'>MISCELLANEOUS EXHIBITION MATERIALS</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210341'>PHOTOGRAPHS 1-13, 16-33</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210391'>PHOTOGRAPHS 34-84</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210468'>PHOTOGRAPHS 85-110, 112-116</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210505'>CANDID CAMERA SHOTS C1-C69</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210655'>MISCELLANEOUS PHOTOGRAPHS 117-131</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210662'>Costume reproductions: may have been used with GARRICK production</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210664'>ORIGINAL DRAWINGS D1-D69</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210740'>ORIGINAL DRAWINGS D70-D79</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210752'>ORIGINAL DRAWINGS D83</a></div>\n</li><li><div class='series-title'><a href='/mus/20152#c1210770'>SPECIAL COLLECTIONS STACKS, PRESS \"0\"; CASE 3; DRAWER 2</a></div>\n</li></ul>\n", "type"=>"arrangement"}
bibliography
{"value"=>"<p>Andrea Cawelti, \"The Stage as a Well-Designed House: Frederick Kiesler's Ideal Theatre\" in Biblion 3 no. 1 (Fall 1994), p. 111-139</p>"}
{"value"=>"<p>Described in: Ten years of American opera design at the Juilliard School of Music : a list of the materials presented to the New York Public Library by the Juilliard School of Music and displayed, in part, in an exhibition held in the library from November 13 to December 10, 1941 / New York Public Library. New York : The New York Public Library, 1941</p>"}
note
{"type"=>"did", "value"=>"Title from finding aid"}
{"type"=>"did", "value"=>"From Nov. 13 to Dec. 10, 1941, the New York Public Library exhibited materials relating to 25 operas presented at the Juilliard School of Music, New York City, between 1931 and 1941. The school gave the library not only the items used in the exhibition but also much other related material"}
extent_statement
7 boxes + 2 map case drawers

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https://nyplorg-data-archives.s3.amazonaws.com/uploads/collection/pdf_finding_aid/musjpb89-66.pdf

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