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Ten years of American opera design [graphic]
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PHOTOGRAPHS 34-84
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DIE ENTFÜHRUNG AUS DEM SERAIL
DIE ENTFÜHRUNG AUS DEM SERAIL
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2015-05-29 01:48:19 UTC
updated
2015-10-18 09:11:23 UTC
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{"value"=>"DIE ENTFÜHRUNG AUS DEM SERAIL"}
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Act I. Attempt to unify three different acts in one setting, i. e., the plaza in front of the palace, the garden, and a hall in the palace with a view of the canal. Photographer: Gray
Act III, scene 2. A hall in the palace, achieved by lowering a tent. This tent is raised slowly at the end of the scene, making visible a ship in the canal ready to take a young couple from the shore. The lowering of the tent makes it possible to have the
Act III, scene 1. Balcony scene. Characters, from top to bottom: Constanza (Genevieve Rowe); Belmont (Joseph Marsalia); Pedrillo (Donald Dame); Osmin (Gean Greenwell). Photographer: Gray
Portrait of Gean Greenwell as Osmin. Photographer: Gray
Palace garden. Characters, from left to right: Osmin (Elwin Carter); Pedrillo (Donald Dame); Blonda (Berenice Alarie); Belmont (Joseph Marsalia); Constanza (Genevieve Rowe). Photographer: Gray. 3 copies: 71; "71 bis"; and "71 bis 2. "
Characters. From left to right: Front row: Belmont (Lee Couch); Constanza (Helen Marshall); Pasha (Charles Wistar Yearsley); Blonda (Berenice Alarie). Standing: Osmin (Gean Greenwell); Pedrillo (Frederick Loadwick). Photographer: Gray