Part 3

Description data TOP

unitid

{"value"=>"1126839", "type"=>"local_mss"}

unittitle

{"value"=>"Part 3"}

scopecontent

{"value"=>"<p>[Materials concerning Form].</p>"}

note

{"value"=>"Items 318-366, including the two issues of Die Musik (see below) were in a folder labeled by Ernst Oster \"Mappe 38, 3\". Within that folder, items 319-328, labeled by Schenker \"Paralipomena\" and found in an issue of Signale für die musikalische Welt of October 3, 1917, were interleaved as follows: 319-323, 324-325, 326, 327, 328."}

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1. Recto: Label for items 318-518
2. Verso: Unidentified text in Jeanette Schenker's hand with emendations by Schenker
3. Recto: Notes labeled form
4. Verso: Fragment of an hand-written letter, from an unidentified sender [probably] to Jeanette Schenker
5. Recto: "Die Dreiteiligkeit wird durch Dehnung der V. Stufe gewonnen" text in Jeanette Schenker's hand with sketches for graphs of "Konzertform"
6. Verso: Notes and fragment from a proof sheet of an unidentified article
7. Recto: Sketch for a graph of Johann Sebastian Bach, Brandenburgische Konzert No. 5, BWV 1050, D Major, 1st movement. Labeled page 244
8. Verso: Page from an inventory of books
9. Recto: Continuation of text from item 320 recto. Labeled page 245
10. Verso: Blank
11. Recto: Notes and sketches for graphs of types of forms
12. Verso: Proof sheet of pages 34-35 of "Beethovens Dritte Symphonie" from Das Meisterwerk in der Musik, vol. 3
13. Recto: Sketch for a graph of Frederic Chopin, Polonaise, Op. 26, No. 1, C Sharp Minor
14. Verso: Blank
15. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), A Major, 1st movement
16. Verso: Graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 2nd movement, measures 1-26
17. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Le Nozze di Figaro, K. 492, "Voi, che sapete"
18. Verso: Blank
19. Recto: Sketch for a graph of Frederic Chopin, Etude, Op. 10, No. 1, C Major
20. Verso: Fragment of a photoreproduction of graphs for "Beethovens Dritte Symphony" from Das Meisterwerk in der Musik
21. Recto: Notes and citation to works. Labeled page 241 (240 has been crossed out)
22. Verso: Fragment of a proof sheet from an unidentified article
23. Recto: Label for items 330-366: "Wolle"
24. Verso: Notes
25. Recto: Sketch for a graph of an unidentified work
26. Verso: Note
27. Recto: Sketch for a graph of Ludwig van Beethoven, Sonata, Op. 110, A Flat Major, 2nd movement. Labeled page 248
28. Verso: Fragment from a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 1st movement
29. Recto: Notes
30. Verso: Form letter from the Bund der später Erblindeten Österreichs
31. Recto: "Vom Vorder- und Nachsatz", fragment of text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 242
32. Verso: Blank
33. Recto: Notes concerning "Liedform". Hand-written on a side that also contains part of a typed text, "Der erste Teil des Liedes... "
34. Verso: Notes continued from recto side
35. Recto: Notes concerning 2-part song form
36. Verso: Blank
37. Recto: Notes continued from item 335
38. Verso: Blank
39. Recto: Notes
40. Verso: Fragment of a proof sheet from an unidentified article
41. Recto: Notes concerning 3-part song form
42. Verso: Conclusion of an autograph letter signed, Angi Elias to Schenker
43. Recto: Notes concerning 2-part song form
44. Verso: Stationery with the letterhead of Alpenhaus Fluchthorn
45. Recto: Notes concerning 3-part song form
46. Verso: autograph letter signed, Moriz Violin to Fanny Violin
47. Recto: Notes concerning 3-part song form (continuation of item 340)
48. Verso: autograph letter signed, Moriz Violin to Schenker, December 24, 1932
49. Recto: Notes concerning 3-part song form
50. Verso: Page of unidentified text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 4
51. Recto: Notes concerning 3-part song form
52. Verso: Page of unidentified text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 3
53. Recto: Notes concerning 3-part song form
54. Verso: Page of unidentified text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 2
55. Recto: Notes concerning 2-part song form
56. Verso: Page of unidentified text in Jeanette Schenker's hand with emendations by Schenker
57. Recto: Notes concerning 2-part song form
58. Verso: autograph letter signed, Moriz Violin to Schenker, December 22, 1932
59. Recto: Notes
60. Verso: Proof sheet of page 129 of "Scarlatti: Sonate D-Moll" from Das Meisterwerk in der Musik, vol. 1
61. Recto: "Von der dreiteiligen Form im Grossen". Text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 242 forts [etzung]
62. Verso: Blank
63. Recto: Continuation of text from item 348. Labeled page 243
64. Verso: Blank
65. Recto: Notes concerning 2-part song form
66. Verso: Fragment of a proof sheet from an unidentified article
67. Recto: Notes
68. Verso: Fragment of a form letter
69. Recto: Notes
70. Verso: Fragment of a proof sheet from an unidentified article
71. Recto: Notes
72. Verso: Fragment of a proof sheet from an unidentified article
73. Recto: "Die Dreiteligkeit durch Dehnung der V. Stufe bei Unterbrechnung". Text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 245
74. Verso: Blank
75. Recto: "Vom Mittelteil / a: Bei der kleinen 3 Teil Liedform". Text in Jeanette Schenker's hand with emendations by Schenker
76. Verso: Blank
77. Recto: Notes
78. Verso: Fragment of a proof sheet from an unidentified article
79. Recto: Continuation of text from item 355. Labeled page 246
80. Verso: Blank
81. Recto: "Unabhängigkeit der dreiteiligen Form von den Arten der Wiederholung im Vordergrund". Text in Jeanette Schenker's hand with emendations by Schenker
82. Verso: Blank
83. Recto: Notes
84. Verso: Page of unidentified text in Jeanette Schenker's hand with emendations by Schenker
85. Recto: Notes
86. Verso: Fragment of a proof sheet from an unidentified article
87. Recto: Notes
88. Verso: Fragment of a proof sheet from an unidentified article
89. Recto: Notes
90. Verso: Fragment of a proof sheet from an unidentified article
91. Recto: Notes for various figures
92. Verso: "Bindungen der Diminution im Vordergrund". Text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 566
93. Recto: Notes
94. Verso: Blank
95. Recto: Notes for various figures
96. Verso: Page from an unidentified text in Jeanette Schenker's hand with emendations by Schenker. labeled page 114, then crossed out and re-labeled 538
97. Recto: "Vom ersten Teil in der grossen Liedform". Text in Jeanette Schenker's hand with emendations by Schenker. Labeled page 246 forts [etzung]
98. Verso: Blank