Part 1

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unitid

{"value"=>"1126400", "type"=>"local_mss"}

unittitle

{"value"=>"Part 1"}

scopecontent

{"value"=>"<p>[Assorted materials and notes concerning Form].</p> <p>Envelope in which items 1-21 were found.</p>"}

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1. Recto: Notes
2. Verso: Notes
3. "Offener Brief an Saint-Saëns" by Paul Zschorlich. Clippings, Tägliche Rundschau
4. "Saint-Saëns gegen Breitkopf u. Härtel". Clipping, Vossische Zeitung
5. Recto: Notes
6. Verso: Continuation of notes from recto
7. Recto: Notes and citation to an article in Die Musik
8. Verso: Blank
9. Recto: Text in an unidentified hand [possibly Jeanette Schenker], labeled [Op.] 111
10. Verso: Blank
11. Recto: Notes
12. Verso: Continuation of notes from recto
13. Recto: "Memorandum". Text in Jeanette Schenker's hand
14. Verso: Blank
15. Recto: "Den Deutschen ist die Kraft zur Synthese angeboren". Text in Jeanette Schenker's hand
16. Verso: Blank
17. Recto: Notes
18. Verso: Fragment of a text soliciting support for homeless people
19. Recto: "Memorandum". Text in an unidentified hand
20. Verso: Fragment of a form letter from the Erste Oesterreichische Versicherungs-Gesellschaftgegen Einbruch
21. "Eine Sammelstelle für Handschriften-Photogramme" by K.; "Besinnliches" by Auguste Supper. Clipping, Frankfurter Zeitung
22. "Ekstase der Religionsität" by Paul Westheim. Clipping, Frankfurter Zeitung
23. "Zur Frage der Bilderrestaurierungen in der kaiserlichen Gemäldegalerie" by the Vereinigung bildender Künstler "Sezession". Neues Wiener Tagblatt
24. "Der Krieg und die Kunst" by Wilhelm Trübner. Clipping, [unidentified periodical]
25. "Ueber Künstler und Kunsthistoriker" by Jehudo Epstein. Clipping, Wiener Sonn- und Montags-Zeitung
26. "Der neue wiener Tizian und die Stellungnahme der Wiener Künstlerschaft gegen die
27. Kunsthistoriker". Page 17, Neue Freie Presse
28. Recto: Citations
29. Verso: Handbill for Julyius Meinl, a manufacturer of coffee pots
30. "Nachklänge zur Alpensinfonie" by Paul Bekker. Clipping [unidentified periodical, probably Frankfurter Zeitung]
31. Listing by Ernst Oster of the significant graphs contained in file 38
32. Original folder cover for file 38
33. Folder labeled" (Tonalität) / Gegenbeweis"
34. Recto: "Freier Satz / Vorder- u. Hintergrund". Text in Jeanette Schenker's hand with emendations by Schenker
35. Verso: Blank
36. Recto: "§61 Der Ursatz u. die Prolongationen als Mittel der Unterscheidung zwischen Gut u. Schlecht in der Musik" text in Jeanette Schenker's hand with emendations by Schenker
37. Verso: Blank
38. Recto: Continuation of "Der Ursatz u. die Prolongationen". from item 24, labeled page 49
39. Verso: Blank
40. Recto: Conclusion of "Der Ursatz u. die Prolongationen". from item 25, labeled page 50
41. Verso: Blank
42. Recto: Text concerning "Unterscheidung von Gut und Böse in der Musik" in Jeanette Schenker's hand with emendations by Schenker. Originally labeled page 8, then relabeled page 5
43. Verso: Blank
44. Recto: Continuation of text from item 27, labeled page 6
45. Verso: Blank
46. Recto: Continuation of text from item 28, labeled page 7
47. Verso: Conclusion of text from recto
48. "Besuch bei Professor Einstein in Oxford". Clipping, Neue Freie Presse
49. Recto: Notes labeled "Tonalität II 3"
50. Verso: Citations to Anton Schindler's Biographie von Ludwig van Beethoven
51. Recto: Notes labeled "Tonalität" and "Gegenbeweis"
52. Verso: Blank
53. Recto: Notes labeled "moderne" and "forts [etzung] Tonalität"
54. Verso: Fragment of a circular for an election of
55. Recto: Sketch for a graph of Frederic Chopin, Concerto No. 1, Op. 11, E Minor, 1st movement
56. Verso: Fragment of an advertisement for an event on
57. Recto: Notes, labeled "Gegenbeweis" with a list of three mazurkas by Frederic Chopin
58. Recto: Sketch for a graph of Frederic Chopin, Mazurka, Op. 30, No. 2, B Minor
59. Verso: Notes on counterpoint
60. Recto: Sketch for a graph of Anton Bruckner, Symphony No. 3, and 3rd movement
61. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
62. Recto: Notes concerning Anton Bruckner, Symphony No. 4, 3rd movement
63. Verso: Fragment of a form containing the date
64. Recto: Notes concerning Bruckner, labeled "Tonalität. "
65. Verso: Fragment of a proof sheet from Kontrapunkt
66. Recto: "Fantasie". Text in Jeanette Schenker's hand with a sketch for a graph of Robert Schumann, Phantasie, Op. 17. Labeled page 1
67. Verso: Blank
68. Recto: Continuation of "Fantasie" from item 40, labeled page 2
69. Verso: Blank
70. Recto: Conclusion of "Fantasie" from item 41, labeled page 3, and
71. Verso: Blank
72. Recto: Notes and sketch for a graph of Johann Sebastian Bach, Johannespassion, BWV 245, No.31, Arioso, "Betrachte, meine Seel'"
73. Verso: Fragment of a newspaper article
74. Recto: Sketch for a graph of Carl Philipp Emanuel Bach, Sonata, W. 49, No. 5, E Flat Major, 2ndmovement
75. Verso: Miscellaneous notes
76. Recto: Sketch for a graph of Ludwig van Beethoven, String Quartet, Op. 18, No. 6, 4th movement, "La Malinconia"
77. Verso: Fragment of the article "Joh. S. Bach: Sechs Sonaten für Violine, Partita III (E-Dur)" in Jeanette Schenker's hand with emendations by Schenker (page 87 of the version published in Das Meisterwerk in der Musik, vol. 1)
78. Recto: Sketch for a graph and diagram of Ludwig van Beethoven, Grosse Fuge, Op. 133
79. Verso: Fragment from an inventory of books
80. Recto: Musical examples and sketch for a diagram of Ludwig van Beethoven, Grosse Fuge, Op. 133
81. Verso: Fragment from an inventory of books
82. Recto: Musical example from Richard Wagner, Tannhauser, Overture
83. Verso: Fragment of a proof sheet from an unidentified article
84. Recto: Notes and musical examples from Richard Wagner, Tristan und Isolde
85. Verso: Fragment of the article "Haydn: Die Schopfung / Die Vorstellung des Chaos" in JeanetteSchenker's hand with emendations by Schenker
86. Recto: Sketches for graphs of Richard Wagner, Tristan und Isolde
87. Verso: Fragment of an advertisement
88. Recto: Sketch for a graph of Richard Wagner, Tristan und Isolde, Act I, beginning of Scene 5
89. Verso: Fragment of a graph of an unidentified work
90. Recto: Notes concerning a passage in Richard Wagner, Götterdämmerung
91. Verso: Exercises in trigonometry
92. Recto: Notes and musical example concerning Richard Wagner, Tristan und Isolde, and sketch for a graph of Ludwig van Beethoven, Sonata, Op. 10, No. 2, F Major, 1st movement, development
93. Verso: Fragment of an unidentified article in Jeanette Schenker's hand with emendations by Schenker
94. Recto: Sketch for a graph of Ludwig van Beethoven, Trio, Op. 97, B Flat Major, 1st movement, development
95. Verso: Fragment of a receipt
96. Recto: Sketches for a graph of Richard Wagner, Tristan und Isolde, Act II, "So stürben wir, um ungetrennt"
97. Verso: Fragment of an inventory of music
98. Recto: Notes on works by Wolfgang Amadeus Mozart
99. Verso: Blank
100. Recto: Musical example from a work by Wolfgang Amadeus Mozart
101. Verso: Fragment of an inventory of music
102. Recto: List of works to be studied with Gerhard Albersheim
103. Verso: List of names, probably in GerhardAlb ersheim's hand
104. Recto: List of works to be studied with Gerhard Albersheim
105. Verso: Fragment of an unidentified article in Jeanette Schenker's hand with emendations by Schenker
106. Recto: Notes and sketches for graphs of Ludwig van Beethoven, Quartet, strings, Op. 127, E FlatMajor, Finale
107. Verso: Page from an inventory of books
108. Recto: Notes and sketch for a graph of Ludwig van Beethoven, Quartet, strings, Op. 95, F Minor
109. Verso: Advertisement by the Deutscher Schulverein Südmark
110. Recto: Notes concerning Richard Wagner, Tristan und Isolde, "So stürben wir, um ungetrennt"
111. Verso: Fragment of an advertisement
112. Recto: Notes and sketch for a graph of Ludwig van Beethoven, String Quartet, Op. 18, No. 1, FMajor, 1st movement
113. Verso: Fragment of a proof sheet of page 186 from Kontrapunkt, vol. 2
114. Recto: List of pieces and notes for lessons with Gerhard Albersheim
115. Verso: Fragment of a proof sheet of page 150 from Kontrapunkt, vol. 2
116. Recto: Sketches for graphs from Richard Wagner, Die Walküre, and from Hugo Wolf, Italienische Serenade
117. Verso: Fragment of a proof sheet from Kontrapunkt, vol. 2
118. Recto: Note concerning Richard Wagner, Tristan und Isolde
119. Verso: Fragment of exercises in algebra
120. Recto: Examples of counterpoint
121. Verso: Examples of counterpoint
122. Recto: "Stil-Eigentümlichkeiten". Text in Jeanette Schenker's hand with emendations by Schenker
123. Verso: Blank
124. Recto: Continuation of "Stil-Eigentümlichkeiten" from item 68
125. Verso: Blank
126. Recto: Continuation of "Stil-Eigentümlichkeiten" from item 69
127. Verso: Blank
128. Recto: Conclusion of "Stil-Eigentümlichkeiten" from item 70
129. Verso: Blank
130. Recto: Sketch for a graph of Richard Wagner, Lohengrin, Act I, "Einsam in trüben Tagen"
131. Verso: Page from an inventory of books
132. Recto: Notes and sketch for a graph of Johannes Brahms, Rhapsodie, Op. 79, No. 1, B Minor
133. Verso: Notes for lessons with an unidentified student
134. Recto: Notes on declamation
135. Verso: Fragment of a page from an inventory of books
136. Recto: "Bruckner". Text in Jeanette Schenker's hand with the word "Gegenbeweis" written by Schenker
137. Verso: Blank
138. Recto: Notes labeled "Vortrag"
139. Verso: A page from the article "Joh. S. Bach: Sechs Sonaten für Violine. Sonata III, Largo" in Jeanette Schenker's hand with emendations by Schenker (page 71 of the version published in Das Meisterwerk in der Musik, vol. 1)
140. Recto: Notes
141. Verso: Fragment from a form letter
142. Recto: Text in Jeanette Schenker's hand with emendations and labeled "Vortrag" by Schenker
143. Verso: Blank
144. Recto: Notes on "Artikulation" in Hector Berlioz, Benvenuto Cellini, Overture
145. Verso: Fragment from the article "Joh. S. Bach: Sechs Sonaten für Violine. Partita III (E-Dur) Präludio" in Jeanette Schenker's hand with emendations by Schenker (page 82 of the version published in Das Meisterwerk in der Musik, vol. 1)
146. Recto: Notes
147. Verso: A bill from Leopold Blässy (a house painter)
148. Recto: Notes labeled "Haydn oder Vortrag? "
149. Verso: Text of an unidentified article in Jeanette Schenker's hand with emendations by Schenker. Labeled page 2
150. Recto: Notes labeled "Vortrag"
151. Verso: Text of an unidentified article in Jeanette Schenker's hand with emendations by Schenker, labeled page 8
152. Recto: Notes and sketches for a graph of Frederic Chopin, Ballade, Op. 23, G Minor
153. Verso: Fragment of a handbill advertising the March-June 1922 semester at the Volksbildungsheim in Simmering
154. Recto: Notes concerning figure 35 of Der freie Satz (Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), A Major, 1st movement)
155. Verso: Fragment of an unidentified text in Jeanette Schenker's hand
156. Recto: Fragment of an unidentified text in Jeanette Schenker's hand
157. Verso: Blank
158. Recto: Notes concerning figure 35 of Der freie Satz (Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), A Major, 1st movement)
159. Verso: "Die beiden Brechungen erzeugen den Schein einer Gliederung der Urlinie". Fragment of a text in Jeanette Schenker's hand with emendations by Schenker, labeled page 31
160. Recto: Sketch for a graph of an unidentified work and a note concerning Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), A Major, 1st movement
161. Verso: Sketches for a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 1st movement (figures 7 and 8 of the article "Beethovens Dritte Symphonie" from Das Meisterwerk in der Musik, vol. 3)
162. Recto: Notes and sketch for a graph of Ludwig van Beethoven, Sonata, Op. 49, No. 2, 1st movement
163. Verso: Fragment of an unidentfied text in Jeanette Schenker's hand with emendations by Schenker
164. Recto: Notes and sketches for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), A Major, 1st movement, Theme
165. Verso: Fragment of a proof sheet of an unidentified article
166. Recto: Sketch for a graph of Franz Schubert, Symphony, D. 759, B Minor, 1st movement
167. Verso: Fragment of a form letter
168. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 1st movement (an earlier version of figure 72, 3 of Der freie Satz)
169. Verso: Sketch for a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 1st movment (used for figure 6 of the article "Beethovens Dritte Symphonie" in Das Meisterwerk in der Musik, vol. 3)
170. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 1st movement, Theme
171. Verso: Fragment of a proof sheet from Kontrapunkt, vol. 2
172. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 1st movement, Theme
173. Verso: Fragment of a sketch for a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 2nd movement, measures 80-84
174. Recto: Notes concerning Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 1st movement, Theme
175. Verso: autograph letter signed [fragment] from A. Fuchs
176. Recto: Notes concerning Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 1st movement, Theme
177. Verso: Fragment of a proof sheet from an unidentified article
178. Recto: Sketch for a graph of Frederic Chopin, Waltz, Op. 64, No. 2, C Sharp Minor
179. Verso: Fragment of a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 2nd movement
180. Recto: Sketch for a graph of Frederic Chopin, Ballade, Op. 23, G Minor (an earlier version of figure 153, 1 of Der freie Satz)
181. Verso: Possibly a list of examples for Der freie Satz
182. Recto: Sketch for a graph of Ludwig van Beethoven Sonata, Op. 2, No. 1, F Minor, 1st movementwith citations to other works
183. Verso: Fragment of an unidentified article in Jeanette Schenker's hand with emendations by Schenker
184. Recto: Sketch for a graph of Johannes Brahms, Liebeslieder, Op. 52, No. 4, F Major
185. Verso: Fragment of a page from Radio-Wien
186. Recto: Sketch for a graph of Johannes Brahms, Liebeslieder, Op. 52, No. 1, E Major
187. Verso: Fragment of a page from Radio-Wien
188. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 1st movement, Theme (an earlier version of figure 157 of Der freie Satz)
189. Verso: Fragment of a page of a sketch of Ludwig van Beethoven, Symphony No. 3, Op. 55, 2nd movement, measures 1-18
190. Recto: Notes
191. Verso: "Die höchsten Töne des Umweges sind im Grunde Oktavtöne" fragment of a text in Jeanette Schenker's hand with emendations by Schenker
192. Recto: Fragment of a text in Jeanette Schenker's hand with emendations by Schenker
193. Verso: Blank
194. Recto: Sketch for a graph of an unidentified work
195. Verso: Fragment of an unidentified work in piano reduction
196. Recto: Label: "Form / Choral" used to wrap items 106-111
197. Verso: Page from a calendar for the week of
198. Recto: Sketch for a graph of Johann Sebastian Bach, Matthäuspassion, BWV 244, No. 16, "Ich bin's, ich sollte büssen"
199. Verso: Blank
200. Recto: Notes concerning the chorale
201. Verso: Fragment of a proof sheet of an unidentified article
202. Recto: Fragment of a text in Jeanette Schenker's hand, labeled page 527
203. Verso: Blank
204. Recto: Notes concerning the chorale
205. Verso: Proof sheet of "Beethovens Dritte Sinfonie", page 57 of Das Meisterwerk in der Musik, vol. 3
206. Recto: Sketch for a graph of Hans Leo Hassler, Lustgarten, No. 24 "Mein Gmüth ist mir verwirret" (an earlier version of figure 116 of Der freie Satz)
207. Verso: Continuation of Hans Leo Hassler, Lustgarten, No. 24 "Mein Gmüth ist mir verwirret" from the recto side. Also contains an incomplete fragment of an unidentified composition for piano
208. Recto: Notes concerning motive
209. Verso: Fragment of a form letter
210. Recto: Sketch for a graph of Ludwig van Beethoven, Quartet, Op. 135, 1st movement, measures 1-10
211. Verso: Fragment of a typed letter
212. Recto: Sketch for a graph of an unidentified work in E Minor
213. Verso: Blank
214. Recto: Notes
215. Verso: Fragment of an unidentified text in Jeanette Schenker's hand
216. Recto: Notes
217. Verso: Fragment of a proof sheet from an unidentified article
218. Recto: Sketch for a graph of Felix Mendelssohn-Bartholdy, Lieder ohne Worte, Op. 102, No. 4, G Minor
219. Verso: Sketch for a graph of an unidentified work
220. Recto: Notes on rondo form
221. Verso: Fragment of a typed letter from the General-Anzeiger für Bonn und Umgegend to Schenker
222. Recto: Notes concerning the section on form in Der freie Satz
223. Verso: Fragment of a proof sheet from the article "Beethovens Dritte Sinfonie" (p. 33) from Da Meisterwerk in der Musik, vol. 3
224. Recto: Notes concerning form in Franz Schubert, Nacht und Träume, D. 827
225. Verso: Fragment of a page of an inventory of books
226. Recto: Notes concerning form in Ludwig van Beethoven, Sonata, violin and piano, Op. 24, F Major, 2nd movement
227. Verso: Fragment of a proof sheet of examples from the article "Ein Gegenbeispiele: Max Reger Op. 81" from Das Meisterwerk in der Musik, vol. 2
228. Recto: Notes concerning 2-part form
229. Verso: Fragment of a proof sheet from the article "Rameau oder Beethoven?" page 13 from Das Meisterwerk in der Musik, vol. 3
230. Recto: Notes concerning form of the Da capo aria
231. Verso: Fragment of a page of an inventory of books
232. Recto: Sketch for a graph of an unidentified work by Richard Wagner in C Sharp Minor
233. Verso: autograph note unsigned, Universal-Edition to Schenker
234. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 332 (300k), F Major, 1st movement
235. Verso: Fragment of an unidentified article in Jeanette Schenker's hand. Item 114 was cut from this page
236. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 332 (300k), F Major, 1st movement
237. Verso: Fragment of an unidentified article in Jeanette Schenker's hand
238. Recto: Notes and sketch for a graph of sonata form
239. Verso: Fragment of a proof sheet for the article "Rameau oder Beethoven?" page 1 od Das Meisterwerk in der Musik, vol. 3
240. Recto: Sketch for a graph of sonata form
241. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
242. Recto: Sketch for a graph of sonata form
243. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
244. Recto: Sketch for a graph of Ludwig van Beethoven, Sonata, Op. 14, No. 1, E Major, 1st movement, measures 61-90
245. Verso: Fragment of a proof sheet of an unidentified article
246. Recto: Sketch for a graph of sonata form
247. Verso: Fragment of a proof sheet of an unidentified article
248. Recto: Notes concerning rondo form
249. Verso: Fragment of a page from an inventory of music
250. Recto: Notes concerning rondo form
251. Verso: Blank
252. Recto: Marking
253. Verso: "Generalbass" fragment of a text in Jeanette Schenker's hand with emendations and a musical example by Schenker
254. Recto: Sketch for a graph of Ludwig van Beethoven, Sonata, Op. 2, No. 3, C Major, 4th movement
255. Verso: Fragment of a page from an inventory of books
256. Recto: Sketch for a graph of Ludwig van Beethoven, Sonata, Op. 2, No. 3, C Major, 4th movement, and notes concerning Symphony No. 8, Op. 93, 4th movement
257. Verso: Fragment of a page from an inventory of books
258. Recto: Notes and sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 3rd movement, measures 25-32
259. Verso: Fragment of a proof sheet of page 12 of the article "Rameau oder Beethoven?" from Das Meisterwerk in der Musik, vol. 3
260. Recto: Sketch for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 3rd movement, measures 1-24
261. Verso: Fragment of a proof sheet of page 9 of the article "Rameau oder Beethoven?" from Das Meisterwerk in der Musik, vol. 3
262. Recto: Sketches for a graph of Wolfgang Amadeus Mozart, Sonata, K. 331 (300i), 3rd movement
263. Verso: Sketches for a graph of an unidentified work
264. Recto: Citation to a page from Richard Wagner's Götterdämmerung
265. Verso: Fragment of unidentified markings
266. Recto: Notes and sketch for a graph of Franz Schubert, Quintet, A Major, D. 667, 1st movement
267. Verso: Fragment of a page from an inventory of books
268. Recto: Sketches for graphs of Franz Schubert, Quintet, A Major, D. 667, 1st movement
269. Verso: Fragment of a page from an inventory of books
270. Recto: Sketch for a graph of Franz, Schubert, Sonata, B Major, D. 575, 1st movement
271. Verso: Fragment of an unidentified book or article
272. Recto: Sketches for graphs of Ludwig van Beethoven, Sonata, Op. 31, No. 1, G Major, 1st movement; and Symphony No. 2, Op. 36, 3rd movement
273. Verso: Blank
274. Recto: Sketches for graph of Ludwig van Beethoven, Sonata, Op. 31, No. 1, G Major, 1st movement; and Symphony No. 9, Op. 125, 1st movement
275. Verso: French exercises in an unidentified hand
276. Recto: Notes and musical examples labeled "Sonaten Form"
277. Verso: Fragment of a page from an inventory of books
278. Recto: Notes labeled "Choral"
279. Verso: Fragment of an typed letter signed, Siegfried Türkel to Schenker
280. Recto: Notes labeled "Form" and "Choral"
281. Verso: Fragment of text in the hand of Angi Elias
282. Recto: Sketch for a graph of Johann Sebastian Bach, Singet dem Herrn, BWV 225
283. Verso: Notes and fragment of a graph of Ludwig van Beethoven, Symphony No. 9, Op. 125, 1st movement
284. Recto: Sketch for a graph of Johann Sebastian Bach, Singet dem Herrn, BWV 225
285. Verso: Blank
286. Recto: Notes and sketch for a graph of Johann Sebastian Bach, Singet dem Herrn, BWV 225
287. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
288. Recto: Sketch for a graph of Franz Schubert, 23. Psalm, D. 706. Verso: A page from an inventory of music
289. Recto: Notes concerning form and sketches for graphs of Joseph Haydn, Capriccio, H. XVII/1, G Major
290. Verso: Handbill advertising the March-June 1922 semester at the Volksbildungsheim in Simmering
291. Recto: Sketches for a graph of Joseph Haydn, Sonata, XVI/48, C Major, 1st movement
292. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
293. Recto: Sketches for a graph of Ludwig van Beethoven, Sonata, violin and piano, Op. 24, F Major, 3rd movement, Trio
294. Verso: "Vom Halbschluss und vom Teiler", beginning of text in Jeanette Schenker's hand with emendations by Schenker
295. Recto: Notes
296. Verso: Portion of a autograph letter signed, Moriz Violin to Schenker
297. Recto: Notes on the structure of Ludwig van Beethoven, Sonata, Op. 31, No. 1, G Major 1st movement
298. Verso: Unidentified text in Jeanette Schenker's hand with emendations by Schenker
299. Recto: Notes
300. Verso: Fragment of a daily calendar
301. Recto: Fragment of text used for the footnote to §315 of Der freie Satz, in Jeanette Schenker's hand with emendations by Schenker
302. Verso: Blank
303. Recto: Continuation of item 158, in Jeanette Schenker's hand with emendations by Schenker
304. Verso: Blank
305. Recto: Sketch for a graph of Ludwig van Beethoven, Sonata, violin and piano, Op. 47, A Minor, 2nd movement, Theme
306. Verso: Fragment of a proof sheet of page 97 of Kontrapunkt, vol. 2
307. Recto: Fragment of text concerning "Übergreifen", in Jeanette Schenker's hand with emendations by Schenker
308. Verso: Blank
309. Recto: Sketches for graphs of Joseph Haydn, Symphony, H. I/104, D Major, 1st movement; andWolfgang Amadeus Mozart, Symphony, K. 543, 1st movement
310. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
311. Recto: Sketch for a graph of Carl Philipp Emanuel Bach, Sonata, W. 56/2, G Major
312. Verso: Blank lines from a photoreproduction of graphs for Das Meisterwerk in der Musik, vol. 3
313. Recto: "Vom Mittelteil in der Sonatenform, der sogenannten Durchführung" [an earlier version of §314 of Der freie Satz]. Text in Jeanette Schenker's hand [text is continued on items 165-166].Also contains sketches for graphs of Wolfgang Amadeus Mozart, Sy
314. Verso: Blank
315. Recto: Continuation of text from item 164
316. Verso: Blank
317. Recto: Continuation of text from item 165
318. Verso: Three fragments of graphs of Ludwig van Beethoven, Symphony No. 3, Op. 55
319. Recto: Notes concerning Ludwig van Beethoven, Sonata, Op. 31, No. 2, 1st movement
320. Verso: Advertisement from a dress shop
321. Recto: Notes concerning Ludwig van Beethoven, Sonata, Op. 31, No. 2, 1st movement
322. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker