Found matches for diary OR diaries in 96 collections.

William Holmes Dyer was an African American physician in Kansas who served in World War I. While in Kansas, he was a member of the staff at Old General Hospital and was the medical examiner for Standard Life Insurance Company. Dyer was appointed a First Lieutenant in the Medical Reserve Corps of the 92nd Division, which saw action in France. He was trained at the special training camp for Black officers at Ft. Des Moines, Iowa, and was later assigned to the 317th Sanitary Train at Camp Funston, Kansas. In June of 1918, he set sail for France. These memoirs are written in a narrative form, and begin at the point that Dyer decided to enlist in the Army, continue through the Armistice and his return to the States, and end wtih his discharge from the Army. Dyer briefly discusses the period spent at Ft. Des Moines and Camp Funston and the voyage to France. He gives his impressions of the people and his surroundings in Brest, France, where his Division landed, and other cities and towns where they traveled as they made their way to the Western Front. Once at the front, there are no descriptions of battles, only of the death and destruction caused by the bombings and battles. He barely discusses his medical duties and only makes some mention of racial incidents, segregation, and racism in the Army. The memoir is handwritten and bound. Pasted into the volume are photographs of soldiers at Camps Funston and Riley in Kansas, postcards from France, and The New York Times clipping, "Buffaloes Return Colors from War". Also included are memoranda from Headquarters, copies of circulars from the 317th Ammunition Train, and his orders from the War Department. A photograph of Dyer is located on the page fronting the section titled "Brest, France". A transcription of the memoirs accompanies the manuscript. less

Edward Demby was the first black Bishop of the Protestant Episcopal Church, his wife Antoinette M. Demby was a member of the first graduating class of nurses from Howard University's Freedmen's Hospital. Bishop Demby's collection, 1893-1957, consists of an autobiographical sketch, correspondence, 1930s-1950s sermons and scrapbooks of printed material including a golden anniversary scrapbook. Mrs. Demby's collection consists of a journal, 1901-1955, personal papers and several notebooks kept by her while a nursing student. less

The Schuyler family included George Samuel Schuyler (1895-1977), his wife Josephine Schuyler (d. 1969), and their daughter, Philippa Duke Schuyler (1931-1967). George Schuyler was a black conservative journalist, and Philippa was a pianist, composer, and journalist. Family correspondence, writings, news clippings, photographs, music programs, serials, and awards. Most material pertains to Philippa's life and her professional career, including her travels in Southeast Asia and the memorial foundation established in her memory by Josephine Schuyler. Philippa's papers include personal correspondence, a complete set of programs for her national and international tours, published and unpublished writings for her books, articles and plays, and manuscript music for her own compositions. George Schuyler's papers consist of typescripts of his writings including "How to be Happy Though Colored," "The Negro in America," "The Plantation American Negro," "Robert Clifton Weaver," and "Portrait of a Public Servant." Also, a smaller amount of material concerns Josephine Schuyler, including her writings under the name Heba Jannath, her diaries, and her work in the memorial foundation established for Philippa. less

Reginald Harris (1960-) is an African American poet, author, editor, and library administrator. Harris's experience as a gay man is a frequent subject of his writing. His papers date from 1970 to 2016 and document Harris's creative work, professional career and personal life through journals, correspondence, and files of his writing and public poetry readings. less

Principally sermons, together with speeches, biographies of distinguished Afro-Americans, and personal papers including two journals, one kept while he was ministering in Bermuda, 1889-1892, and the other while on a trip to England in 1891 to raise funds for a school in Bermuda. less

Personal Papers consisting of correspondence, 1926-1946; educational and financial papers; resumes detailing Bennett's teaching and literary career; photographs; and diaries, 1925, 1936, and 1958. Bennett's Professional and Literary Activities are documented by research material consisting of newspaper and magazine articles written by or about Bennett and the Welfare Council of New York, for whom Bennett worked as a journalist; class notes and printed material from the School for Democracy, predecessor of the Jefferson School of Social Science, a Marxist adult education center, and the George Washington Carver School, two controversial schools investigated by the House Un-American Activities Committee for Communist infiltration. Also, typescripts of Bennett's poems and book reviews, 1928-1941. Frank Horne Literary Estate papers consist of typescripts of Horne's published and unpublished poems and letters, 1926-1963. Scrapbooks consist of news clippings, letters, and memorabilia and chronicles of her youth and published work, 1914-1934. less

The collection consists of the papers, 1910-1991, of Melva L. Price, a professional educator, community activist, and performing arts supporter, who lived in Harlem most of her life. The bulk of the collection is comprised of correspondence to and from Price, and includes letters from friends, colleagues and officials of the organizations to which Price belonged. There are also personal diaries, 1922-1936 (scattered); two of Price's grade-school notebooks; autograph books for 1916 and 1920; and souvenir journals from the Alpha Kappa Alpha Sorority's Mississippi Health Project (1930s) for which Price did field work, collecting data and giving support to the medical team. less

Internationally known cabaret personality Bricktop, was born Ada Beatrice Queen Victoria Louise Virginia Smith in Alderson, West Virginia in 1894. Nicknamed "Bricktop" for her red hair, she began her career as an entertainer at the age of 16, performing on the vaudeville circuit with Flournoy Miller and Aubrey Lyles in McCabe's Georgia Troubadours minstrel show, then later with the Oma Crosby Trio, and the Panama Trio with Florence Mills and Cora Green. She also performed in saloons in Chicago such as the Roy Jones' saloon and Cabaret de Champion, also known as Café Champ owned by boxer Jack Johnson, and in Harlem at Barron's Exclusive Club and Connie's Inn. Bricktop went on to own her own nightclubs in Paris (1920s and 30s), Mexico City (1940s), and Rome (1950s). Towards the end of her career she made appearances on radio broadcasts, performed at various establishments such as The Club Tango in Chicago, and introduced Josephine Baker for her "come-back" engagement at Carnegie Hall in 1973. She co-authored "Bricktop" (1983), her autobiography, with James Haskins. The Ada "Bricktop" Smith DuConge Papers, 1920s-1984, primarily document the latter part of Bricktop's life and career. The Papers consist of letters and cards, daily planners and address books, notes on religious thoughts and other subjects, financial papers, sheet music, and news clippings. The diaries range from the 1920s to 1983 and in some instances serve as daily planners and account books. The volumes hold information pertaining to both her personal and professional life. The earliest letters date from the 1950s, after she moved to Rome. Primarily they are from people Bricktop worked with during her career including Jack Jordan, James Haskins, Hugh Shannon, David Hanna, and Earl Blackwell. Additionally, there are promotional materials that relate to her career as an entertainer, e.g. fliers, programs; invitations, among them two from Bricktop's in Paris in 1937; letters from broadcasting agencies; magazines noting her appearance dates; and news clippings that include featured stories about Bricktop in arts, entertainment and society columns. less

SDiane Adamz-Bogus (b.1946) is a writer, educator, and new age healer; she is also known as Shariananda Adamz and "The Oracle Soul-Joiner". The SDiane Adamz-Bogus papers date from 1946 to 2002, and document her work and life through correspondence, journals, photographs, scrapbooks, teaching files, files for the Woman in Moon publishing company, and writing files. less

Alma John was a radio talk show producer, registered nurse, and newspaper columnist. She was the first African-American female director of a school of practical nursing in New York State. As Executive Director of the National Association of Colored Graduate Nurses, she hosted and wrote the scripts for the radio program, Brown Women in White. The collection consists of personal papers; correspondence; radio scripts; typescripts and news clippings of her columns; and printed matter and newsletters. less

Victoria (Vicki) Garvin was an African-American trade union and political activist as well as a pan-Africanist and internationalist. The Vicki Garvin papers document aspects of Garvin's work as a trade union organizer, especially among African-Americans in the 1950s; her teaching experience in Shanghai (1964-1970); and her support of communism both in the United States and China. less

The Berry family collection consists of seven pieces of correspondence, apparently written by members of the Berry family, dating from 1863 to 1918, and spanning three states and Europe. There is also one typescript entitled "My Bit in the World War or the Story of 2921486." The correspondence begins with James Tate in West Point Georgia, although his wife and children appear to be in Mobile, Georgia, or Alabama. The other writers appear to be his wife, son, and nephew, although their relationship to Tate is not indicated. The documents cover important periods and topics in African-American history. James Tate's letter, written in 1863, expresses the anguish and difficulties African Americans faced with trying to establish and maintain a family while enslaved. A letter dated June 20, 1868 documents the role of a Black church as "post office;" the writer indicates mail for him and news for other people in town can be sent care of the church pastor. The letter from Olivia Tate dated July 28, 1887 describes her excitement at the possibility of a "Great Colored National Fair" in Georgia to exhibit the "arts, mechanics and productions of colored people throughout the union." Both of the letters written by Henry S. Berry during World War I, in 1918, tell of his experience in the Army's Medical Unit, 331st Labor Bureau. He expresses his pride in being a soldier and tells how the army built character. The autobiographical typescript, "My Bit in the World War, or the Story of 2921486," is twenty-five pages long and follows Berry, a member of the American Expeditionary Forces, from the receipt of the telegram calling him to duty to being one of fifty men chosen for the Army Medical Department, through war torn France. The typescript seems not to have been finished. Throughout this piece as well, is the theme of pride in being a good soldier. less

The collection ranges from 1927 to 1972 and consists of correspondence, manuscripts and printed matter. Gordon's writings, the bulk of the collection, are organized into three categories: Autobiographical, Fiction and Nonfiction. The autobiographical narratives range from stories of growing up black in New Orleans and rural Georgia to an enemy encounter during World War I in France. There is also a detailed diary of a writing retreat in the New Hampshire White Mountains in 1933. His fiction work includes a compilation of short stories and a complete draft of his novel "Picnic in Court House Square." The nonfiction work ranges from his 1920s articles on the black press and a series of travel articles written in the Soviet Union in the 1930s, to later articles and essays on integration, the columnist George Schuyler and the civil rights movement. "Black Women's Long Tough Course: from 'dat gal' Carline to This Woman Angela," written in defense of Angela Davis in 1972 was his last major essay. less

Hilda Simms (1920-1994) was an actress best known for playing the title role in the American Negro Theater production of Anna Lucasta that moved successfully to Broadway in 1944. Her acting career also included film, television, and radio broadcasts. The Hilda Simms papers date from the 1930s to 1994 (bulk dates 1940s-1950s) and document her career as an actress; her work on creative arts and drug treatment programs in New York; and her personal life. less

The Melvin Dixon papers consist primarily of manuscripts, correspondence, notes, and journals reflecting his experiences as a black gay writer. Most of the collection is comprised of manuscript drafts of Dixon's published works "Trouble the Water," "Vanishing Rooms," "Ride Out the Wilderness," "Change of Territory," as well as drafts for incomplete novels and stories, the fiction he called "works in progress," and short stories, poetry and plays, both published and unpublished. In addition, there are drafts and other material for Dixon's translations of "The Collected Poetry by Leopold Sedar Senghor," Genevieve Fabre's "Drumbeats, Masks and Metaphors," and works by the Haitian writer Jacques Roumain. Some essays and academic papers he presented are also included in collection. less

Lavinia Williams was an African American dancer, teacher, and choreographer who played an influential role in the development of modern and folkloric dances in Haiti, Jamaica, Guyana, and the Bahamas. Organized into fifteen interrelated series, the collection documents Williams's career as a dance teacher and choreographer in Haiti from the mid-1950s to the end of her life. less

The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann Shockley, Childress's FBI file, diaries, calendars, interviews, educational materials, family letters, files for her two husbands, and biographical information about Childress. Significant correspondents include writers Kay Bourne, Harold (Hal) Courlander and Susan Koppleman. less

The distinguished social scientist and activist St. Clair Drake only claimed the distinction of being one of the first eleven or twelve persons of color to secure graduate training in anthropology between 1900 and 1945. Divided into 18 series and spanning the years 1935 to 1990, the collection documents Drake's career as an educator and social anthropologist in the United States, Liberia, Great Britain and Ghana, and consists for the most part of correspondence, writings, office files and research materials. less

Melville J. and Frances S. Herskovits were American anthropologists who helped establish African and African American studies in American academia. The Melville J. and Frances S. Herskovits papers consist of the research data used for their seminal publications on both Old and New World African cultures, manuscripts of their books and published articles, conference papers and materials relating to their careers as academicians, as well as some personal papers. less

Kathleen Collins (1941-1988) was a playwright, filmmaker, director, novelist, short story writer, and professor of film history and production. Seret Scott is an actress who starred in Collins's 1982 film Losing Ground; she and Collins frequently collaborated. This collection consists of playscripts and screenplays written by Collins and presumably used by Scott. less

Dr. Jean Sindab (1944-1996) was an African American scholar and activist for environmental, social, and racial justice. The Jean Sindab papers date from 1970 to 1995 and contain professional files that document subjects of interest to Sindab; organizations for which she worked; conferences that she organized or attended; and local, grassroots, and governmental initiatives related to environmental and racial justice in the United States, Latin America, and Africa. The collection also holds travel diaries and appointment books. less

The Phelps-Stokes Fund Records contain administrative records including trustee and committee minutes, correspondence, memoranda, financial records, legal documents, speeches, reports, occasional papers, and printed material, such as pamphlets, brochures, clippings, articles, press releases and programs. Records concern the early work of the Fund in researching and supporting education for Africans and African Americans and improvement in housing conditions, through study commissions, reports, and project grants, as well as its engagement in contemporary debates concerning the philosophy and policies of Booker T. Washington and W. E. B. Du Bois. To a lesser extent, the Fund provided early support for surveys of American Indian schools and administration, such as the 1928 Lewis Meriam study and the 1939 Navajo Indian study. Later endeavors included administering grants for conferences on race relations, exchange and training programs, cooperative programs with other foundations, government aid programs, and a number of cultural projects. less

Akasha Gloria Hull (born 1944) is a writer, poet, and Black feminist scholar. The Akasha Hull papers, mostly dating from the 1970s to the 2000s, document Hull's writing projects, including poetry and scholarly works, her involvement in the Combahee River Collective, and her academic career as a professor of literature and women's studies, primarily at the University of Delaware and University of California, Santa Cruz. less