Found matches for Langston Hughes in 15 collections.

Nikos Psacharopoulos was a Greek-born director best known for his long-term association with the Williamstown Theatre Festival in Williamstown, Massachusetts. His papers include photographs, programs, clippings, production materials, correspondence and scrapbooks. less

The Rosamond Gilder Papers consist of correspondence, newspaper clippings, photographs, magazines, promotional literature and other material relating to the career of Miss Gilder. The files primarily deal with Miss Gilder's involvement with Theatre Arts Monthly. (Miss Gilder inherited the files on Theatre Arts Monthly from Edith Isaacs, the first editor of the magazine.) The collection does not include personal papers or material about Rosamond Gilder or her career as an author. less

H. A. Condell was a stage and costume designer in Germany and in the United States. He received his early training under the notable Max Reinhardt and his early work was under the auspices of the Berlin Civic Opera and the non-Aryan theater (also known as the Jewish Kulterbund), of which he was co-founder. Condell emigrated to the United States in 1938. His first major production after emigrating was SAINT JOAN directed by Erwin Piscator and starring Luise Rainer. In 1944 he began his affiliation with the New York City Opera which continued until his death in 1951. Besides working as a designer, Condell also taught stage design at the Dramatic Workshop and the Technical Institute where he was art director under Erwin Piscator. The H.A. Condell Papers consist of correspondence, contracts, publicity and promotional materials. His papers reflect Condell's professional career as a stage and costume designer for opera and theater in Germany and the United States from 1929 until his death. less

The Lincoln Center Theater was formed as a non-profit in 1985 to present and develop theatrical works and make the performing arts accessible to a wide audience through the use of low cost and free tickets for culturally under-served populations. The Lincoln Center Theater records hold production files and audio and video recordings from the group's early seasons (1985-1991) as well as files documenting the group's 1985 restructuring and transition from earlier management. There are also financial and facilities rental materials from the theater's time under the Lincoln Center Theater Company which managed the physical theater's operations from 1979 to 1985. less

The Manhattan Theatre Club was founded in 1970 by Albert E. Jeffcoat, Margaret Kennedy, Philip Barber and A. Joseph Tandet. In 1972, Lynne Meadow was hired as Artistic Director. In 1975, Barry Grove was hired as Managing Director. Due to their working relationship, one of the most long-standing in the non-profit community, the Manhattan Theatre Club produces "works of the highest quality by both established and emerging American and international playwrights" (website quote)-e.g. Bad Habits, Crimes of the Heart, Ain't Misbehavin', The Singular Life of Alfred Nobbs, and Frankie and Johnny in the Claire de Lune. Correspondence with financial and theatre related agencies, artistic personnel connected with both proposed and produced productions, and with Manhattan Theatre Club staff makes up a considerable portion of this collection. This collection also contains papers that illustrate the practical business of running a theater company such as literary office reports, meeting minutes, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, and general publicity. less

Chester Erskine (1905-1986) was a director, writer, and producer for theater, film, and television. He was active from the late 1920s through the 1980s. In his early career, he wrote under the pseudonym Paul Leslie. The Chester Erskine papers (1870-1991, bulk 1930-1987) consist largely of scripts, outlines, and film treatments written by Erskine. Not all scripts were produced; some are annotated. Programs, clippings, contracts, and other materials are present for some productions. Productions represented in the collection include Double Murder, Satyr (a script for the original 1930 play and a later screenplay), The Seven Who Resisted, and The Spencer Tracy Legacy: A Tribute by Katharine Hepburn. A photocopy of an annotated script for Harlem (1929) is present. The collection also contains biographical material and articles about Erskine; his notes and poetry; letters to Erskine; and photographs of him and show business colleagues, including two small photographs of Spencer Tracy. One cabinet card, depicting Edwin Booth and dating to about 1870, is also present. Letters date from 1952 to 1991 and discuss Erskine's scripts as well as personal subjects. Correspondents include Robert Whitehead, Garson Kanin, Robert Parrish and his wife Kathie, Arlene Francis, Irwin Shaw, and Vivien Leigh. Some letters are addressed to Erskine's wife, Sally Erskine. less

The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files. less

The New York Shakespeare Festival records (1954-1992) measure approximately 850 linear feet and consist of scripts, correspondence, inter-office memoranda, production materials, reports, financial records, photographs, and memorabilia. The records reflect the origin and activities of the New York Shakespeare Festival, its general administration, and the staging of its productions, including their creation, management, booking, and promotion. The files of the Casting Office, except in the form of carbon copies in other series, are not included in this archive. There are also gaps in the files of the Associate Producer. Contracts were removed and require special permission of the curator to access. Oral history materials in Series I and some correspondence in Series V are restricted until the year 2043 in order to protect the privacy of individual persons. Series XIV (Oversized Materials) is not fully processed and is currently unavailable for research. less

Novella Nelson (1938-2017) was an actor, singer, and director who appeared on stage on Broadway and Off-Broadway, in regional theatres and cabaret venues, and on television and film. Nelson's papers, dated 1949 to 2017, reflect her professional and personal accomplishments and interests through correspondence, subject files, writings, poetry, photographs, scores, scripts, printed matter, and sound recordings. less

The Carl Van Vechten Theatre Photographs contain over 300 black and white mounted prints of photographs taken by Carl Van Vechten, mostly at his studio from 1932 to 1943, principally of famous theatre artists, but also of renowned performers and figures in the arts, performing arts and literary world. less

Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance and exhibition files, photographs, scrapbooks and subject files documenting the life and career of Jo Mielziner. less

Documenting the history of the Off-Broadway theater company Circle in the Square and two of its founders, Paul Libin and Theodore Mann, this collection consists of material relating to Circle in the Square's produced works, development material for unproduced works and abandoned projects, correspondence, administrative documents, financial and legal records, personal and office papers belonging to Libin and Mann, photographs, and other material relating to the day-to-day operation of a not-for-profit theatrical company. less