Found matches for augusta savage in 9 collections.

Augusta Savage (1892-1962) was a Harlem Renaissance sculptor and the first director of the Harlem Community Art Center. Arriving in New York in 1921, Savage graduated from Cooper Union and received fellowships to study in France. Her works include The Harp which was commissioned for the 1939 World's Fair. The collection includes press clippings about her sculpting career, manuscripts from her retirement period, and some posthumous correspondence. less

The Guy C. McElroy Papers provide information on his college education as he worked toward his goal of becoming an art historian, in addition to documenting the various positions he held in the museum and art history fields - particularly as guest curator for the exhibition "Facing History: The Black Image in American Art, 1710-1940." Aspects of his personal life are represented in the papers as well. less

The records of the Schomburg Center document the activities of the six individuals who managed the library, dating to its establishment by Ernestine Rose. The records are divided into the following series: General Correspondence, Reference Correspondence, Memoranda, Subject Files and Visitors' Registers. The majority of the material consists of subject files containing a considerable amount of correspondence. less

Case files from the Louisiana Civil Rights Congress including pamphlets, legal transcripts and briefs, press releases, news clippings, and correspondence which documents the legal activities of the Congress, particularly its attempt to secure justice for Paul Washington and Ocie Jugger, both sentenced to death on rape charges. Material from Johnson's hearing before the House Un-American Activities Committee, 1957; and manuscripts and materials from his research for several writing projects, including "Marxism and the Negro," "Mask of Justice," and a "Glossary of Twenty-five Historic Civil Rights Cases." Also, notes, source materials, and manuscripts of his extensive writings on civil liberties and segregation, together with material concerning a trip through the South in 1957. less

The records of the Negro Ensemble Company (NEC), 1967-1993 document the work of the most successful African-American theatrical company in the United States to date. In addition to information about the productions, the records also document the growth of the company through the development of its administrative structure and of the funding base that keeps a theatrical company alive. The collection is divided into three series, thirteen subseries, and eighteen sub-subseries. less

Personal Papers consisting of correspondence, 1926-1946; educational and financial papers; resumes detailing Bennett's teaching and literary career; photographs; and diaries, 1925, 1936, and 1958. Bennett's Professional and Literary Activities are documented by research material consisting of newspaper and magazine articles written by or about Bennett and the Welfare Council of New York, for whom Bennett worked as a journalist; class notes and printed material from the School for Democracy, predecessor of the Jefferson School of Social Science, a Marxist adult education center, and the George Washington Carver School, two controversial schools investigated by the House Un-American Activities Committee for Communist infiltration. Also, typescripts of Bennett's poems and book reviews, 1928-1941. Frank Horne Literary Estate papers consist of typescripts of Horne's published and unpublished poems and letters, 1926-1963. Scrapbooks consist of news clippings, letters, and memorabilia and chronicles of her youth and published work, 1914-1934. less