- Creshevsky, Noah
- Call number
- *L (Special) 04-01
- Physical description
- 7 sound discs, digital stereo. 4 3/4 in.; 7 sound discs, digital stereo. 4 3/4 in.
- Preferred Citation
*L (Special 04-01), Noah Creshevsky Collection of Sound Recordings
- Rodgers and Hammerstein Archives of Recorded Sound
- Access to materials
- Access to original items by permission only. Some items may be available as service copies. Other items which need preservation work may require advance notification for use. Refer to item descriptions in individual catalog records for more information.Restrictions apply
This collection contains both commercial and non-commercial sound recordings. The majority of the recordings are of studio works. Also included in the collection are several pieces of pre-recorded music that are to accompany live performaces.
(b Rochester, NY, 31 Jan 1945). American composer. After early musical studies at the Eastman School (1950-61), he studied with Boulanger at the Ecole Normale de Musique (1963-4), with Thomson at SUNY, Buffalo (BFA 1966) and with Berio at the Juilliard School (MS 1968). In 1969 Creshevsky joined the faculty of Brooklyn College, CUNY, later becoming director of the Center for Computer Music (1994) and professor. He has held teaching positions at Juilliard and Hunter College and was visiting professor at Princeton (1987-8). He has received grants from NEA, ASCAP and other organizations.
By subjecting familiar fragments of words, songs and instrumental music to a variety of electronic processes, Creshevsky projects his music into the region between acoustic and electronic sounds. The boundaries of real and imaginary ensembles are obscured through the fusion of opposites, both in the extreme and unpredictable juxtapositions of iconographic source material in his pop-art text-sound compositions and in later pieces, in which the integration of electronic and acoustic sources produces superperformerst, hypothetical virtuosos with unattainable performance capabilities. In his compositions of the late 1990s he suggests musical environments which are simultaneously Western and non-Western, ancient and modern, and familiar and unfamiliar, by combining fragmented and reconstructed pre-existing music with new synthetic and acoustic sounds. [Cf New Grove Online].
Gift of Noah Creshevsky.
Using the collection
LocationRodgers and Hammerstein Archives of Recorded Sound
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
40 Lincoln Center Plaza, New York, NY 10023-7498
Access to materialsAccess to original items by permission only. Some items may be available as service copies. Other items which need preservation work may require advance notification for use. Refer to item descriptions in individual catalog records for more information.
Conditions Governing Use
No copying of private, non-commercial material is allowed without the written permission of the proprietary rights holder. For further information contact the Curator, The Rodgers and Hammerstein Archives of Recorded Sound
Users never directly handle sound recordings. Listening selections are transmitted through a playback system.