Troupe, Quincy
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 635
83.51 linear feet (193 boxes, 5 volumes, 3 tubes); 3.51 gigabytes (575 computer files)
Quincy Troupe (born 1939) is a poet, author, and editor, perhaps best known for co-writing
Miles: The Autobiography (1989) with the influential jazz trumpeter Miles Davis. His father, Quincy Trouppe, Sr., was an all-star...
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Quincy Troupe (born 1939) is a poet, author, and editor, perhaps best known for co-writing
Miles: The Autobiography (1989) with the influential jazz trumpeter Miles Davis. His father, Quincy Trouppe, Sr., was an all-star catcher in Negro league baseball. The Quincy Troupe papers, dating from 1915 to 2008, mainly document Troupe's career from the mid-1970s to 2008. They also hold the scrapbooks of Quincy Trouppe, Sr.
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Williams, W. Hazaiah, 1930-1999
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 760
7.42 linear feet (8 boxes)
Wlliam Hazaiah Williams, Jr. was an African-American minister and educator. The W. Hazaiah Williams papers contain material related to his personal life, ministry, and other professional ativities.
Rahn, Muriel
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 848
0.71 linear feet (3 boxes)
Best known for her performance in the title role of the original 1943-1944 Broadway production of
Carmen Jones, Muriel Rahn (1911-1961) developed a reputation as a performer who was equally talented as a singer and an...
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Best known for her performance in the title role of the original 1943-1944 Broadway production of
Carmen Jones, Muriel Rahn (1911-1961) developed a reputation as a performer who was equally talented as a singer and an actress. The Muriel Rahn papers contain materials related to her performing career.
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Buchanan, Samuel Carroll
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 863
0.21 linear feet (1 box)
Samuel Carroll Buchanan received his Ph.D. from New York University in 1987 with a dissertation on Black quartets in the United States. He also sung with several groups, including the Charioteers, the Carr-Hill Singers, and the Gulf Coast...
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Samuel Carroll Buchanan received his Ph.D. from New York University in 1987 with a dissertation on Black quartets in the United States. He also sung with several groups, including the Charioteers, the Carr-Hill Singers, and the Gulf Coast Community Choir. Buchanan taught music in the New York City school system as well as at Five Towns College in Seaford, New York. Additionally, he worked as an administrator in the Peace Corps, serving in Nigeria, Ghana, and Kenya. Buchanan died in December 2010. The Samuel Carroll Buchanan collection contains letters, sheet music, programs, and research materials related to quartet singers. There are two letters from Harry Douglass, a leader in the famous quartet the Deep River Boys, which began in 1936 at Hampton Institute (now Hampton University) and a score by Douglass, "Come Rain or Shine". Additionally, there are two programs in the collection, the United in Group Harmony Association's "20th Anniversary Weekend Celebration" (1996) and the Blues and Rhythm Jubilee's "Whisky, Women, and ..." (1982). The research materials consist of photocopies of correspondence mainly from and to George F. Ketchum of Hampton Institute, detailing various opportunities involving the Hampton Quartette.
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New York Jazz Museum
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 346
23.96 linear feet (32 boxes)
The New York Jazz Museum was founded in 1972 to preserve jazz as an art form and to educate the public about jazz. The New York Jazz Museum records consist of materials related to the administration of the museum.
Negro Actors Guild of America
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 259
18.83 linear feet (40 boxes)
The Negro Actors Guild (NAG) was formed in 1936 and began operation in 1937 in New York City as a welfare and benevolent organization for Black performers. The Negro Actors Guild (NAG) records document the functions and activities of this...
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The Negro Actors Guild (NAG) was formed in 1936 and began operation in 1937 in New York City as a welfare and benevolent organization for Black performers. The Negro Actors Guild (NAG) records document the functions and activities of this professional organization.
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Miller, Flournoy E., 1886-1971
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 599
1.3 linear feet (4 archival boxes)
Flournoy Miller (1889-1971) was an actor, comedian, playwright, lyricist and producer. Collection contains personal papers that include biographical information and correspondence; professional papers, including contracts, memberships, writings...
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Flournoy Miller (1889-1971) was an actor, comedian, playwright, lyricist and producer. Collection contains personal papers that include biographical information and correspondence; professional papers, including contracts, memberships, writings and production files.
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WWRL
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 916
0.21 linear feet (1 box)
Founded in 1926, WWRL originally had a multi-lingual format serving the various ethnic communities of New York City. The radio station took on a mostly Spanish identity in the 1950s. In the mid-1960s, under the direction of news director Dick...
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Founded in 1926, WWRL originally had a multi-lingual format serving the various ethnic communities of New York City. The radio station took on a mostly Spanish identity in the 1950s. In the mid-1960s, under the direction of news director Dick London, the station oriented towards African Americans living in New York City. As the station became an advocate for legislative change, London invited community leaders to voice their concerns publicly on air. The music and news advocacy was an integral part of the Black American community. WWRL played rhythm and blues music from 1964 to 1982, before changing to urban contemporary gospel music and religious programming from 1982 to 1997. DJ's for WWRL in the 1960s included Frankie Crocker and Jocko Henderson. Today, WWRL is the New York City outlet of the Black Information Network (BIN). This collection consists of one-page WWRL weekly newsletters which listed the "Soul 16", or the top 16 soul songs in the United States. These newsletters were available for free at various record stores. The newsletters listed songs under various headings, such as "New Sounds", "Boss Blues", and "On the Move". Around 1969, the newsletter's title changed to "WWRL Soul 16 Survey" and in the early 1970s, it changed again to "The Big 16 WWRL". Additonally, new category names included "Hit Bound" and "Top of the Dome". The collection contains newsletters from 1966-1972, but some years are incomplete.
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Carpenter, Elliot
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 599
The Elliot Carpenter Papers document his musical career and consists of personal and professional correspondence, handwritten music, programs, lyrics, scripts and newsclippings.
Neilson, Kenneth P.
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 218
1.29 linear feet (4 boxes)
Kenneth P. Neilson is an educator, artist, composer, author, and founder of All Seasons Art, a multimedia production center which seeks to gain exposure for developing African American and Hispanic artists. The Hughes-Neilson music collection...
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Kenneth P. Neilson is an educator, artist, composer, author, and founder of All Seasons Art, a multimedia production center which seeks to gain exposure for developing African American and Hispanic artists. The Hughes-Neilson music collection consists of musical settings of the poetry and lyrics of Langston Hughes.
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Clemmons, François
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 658
.42 linear feet (1 box)
The Harlem Spiritual Ensemble Collection contains organizational correspondence for both the Harlem Spiritual Ensemble (HSE) and the American Negro Spiritual Research Foundation (ANDRF). The correspondence consists of introductory letters,...
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The Harlem Spiritual Ensemble Collection contains organizational correspondence for both the Harlem Spiritual Ensemble (HSE) and the American Negro Spiritual Research Foundation (ANDRF). The correspondence consists of introductory letters, acknowledgements, tour arrangements, grant documents and performance requests. Also included in the collection are contracts, proposals, sheet music, clippings, programs and a scrapbook of HSE and ANSRF materials. The scrapbook includes acknowledgements, ANSRF board of director meeting minutes, invitations, clippings and programs.
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Glover, George Washington, 1888-1993
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 488
12 linear feet
Printed material relating to the National Association of Negro Musicians (NANM) including programs and playbills from NANM and other small groups; and annual breakfast, convention and conference materials, and other records of the New York and...
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Printed material relating to the National Association of Negro Musicians (NANM) including programs and playbills from NANM and other small groups; and annual breakfast, convention and conference materials, and other records of the New York and New Jersey chapters of NANM and the National Association for the Study of Afro-American Life and History. Other material relating to concert performances by black artists consisting primarily of programs and playbills, scrapbooks, and news clippings. Also programs, playbills, news clippings, newsletters, and financial reports pertaining to the Thomas Music Study Club, founded by Blanche K. Thomas, which was affiliated with NANM since 1946. Papers of Glover and his wife, Martha Seabrook Glover, contain personal and professional correspondence, and documents concerning the Schomburg Center for Research in Black Culture, Free-Masonry, the Oddfellows, the Republicans and Democratic parties, church groups, the A. Philip Randolph Leaders of Tomorrow Scholarship Fund, the Patriotic American Society, the Harlem Cultural Council, and news clippings about Glover. Also, personal papers of Martha Seabrook Glover relating to the Seabrook family.
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Brown, Lawrence, 1893-1972
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc Micro R-3597
4.5 linear feet; l0 microfilm reels
Composer, pianist, arranger. Brown worked as Paul Robeson's accompanist for thirty-eight years. The Lawrence Brown papers encompass correspondence reflecting Brown's wide-ranging travels, and his friendships (mostly letters written by his friends...
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Composer, pianist, arranger. Brown worked as Paul Robeson's accompanist for thirty-eight years. The Lawrence Brown papers encompass correspondence reflecting Brown's wide-ranging travels, and his friendships (mostly letters written by his friends and business associates); personal papers; travel file consisting mostly of itineraries for tours; financial records comprised largely of royalty and earnings statements; programs for Brown and other artists; scrapbooks of news clippings and telegrams covering the Brown and Paul Robeson concert years (1928-1968); news clippings of concert reviews; and original scores and sheet music written by Brown and other composers. Papers relate to Brown's life and times, including World War I, Harlem Renaissance, World War II, spirituals, and his collaborator, Paul Robeson. Correspondents include Amanda Aldridge, Ethel Gardner Dingle, Jannett Hamlyn, Roland Hayes, Langston Hughes, Zaidee Jackson, William Lawrence, John Payne, Paul and Eslanda Robeson, Clara Rockmore, Robert Rockmore, Mrs. Corinne Sawyer (Brown's landlady), and Greta and I. W. Sequeira.
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Heyward, Sammy, 1904-
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 160
Collection reflects Heyward's professional life and activities, particularly his career as a performer; a significant portion of the collection consists of music manuscripts arranged and/or composed by him. Heyward's personal papers contain...
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Collection reflects Heyward's professional life and activities, particularly his career as a performer; a significant portion of the collection consists of music manuscripts arranged and/or composed by him. Heyward's personal papers contain biographical data, sketches and programs, performance materials, contracts, family papers, and financial records, 1917-1982. Correspondence consisting of letters received from organizations concerning programs, acknowledgements and solicitations reflecting Heyward's involvement in charitable affairs, organizations, and musical events. Heyward's writings and music consisting of manuscripts of his compositions, lyrics and arrangements, as well as music and lyrics which Heyward copied, and musical arrangements for guitar. Organizational records consisting of Heyward's files from his membership in the New Amsterdam Musical Association, Duke Ellington Society, Overseas Jazz Club, and Sisters of the Blessed Sacrament Alumni. Also, programs of Heyward's performances, and programs of other artists, along with news clippings.
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Riemer, Walter
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 454
.17 linear feet (1/2 archival box)
The Porgy and Bess collection documents the 1954-1956 touring company of the opera Porgy and Bess by George Gershwin, produced by Robert Breen and Blevins Davis, and directed by Breen.
Price, Sammy
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 465
10.21 linear feet (11 boxes)
Sammy Price was a recording artist, house pianist, recording supervisor, and band leader at Decca Records in New York. Additionally, he was the Executive Director of Neighborhood Board no. 2. The Sammy Price Papers, 1929-1992, consist of materials...
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Sammy Price was a recording artist, house pianist, recording supervisor, and band leader at Decca Records in New York. Additionally, he was the Executive Director of Neighborhood Board no. 2. The Sammy Price Papers, 1929-1992, consist of materials pertaining to his musical and political career.
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Razaf, Andy, 1895-1973
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 35
1.2 linear feet
Songwriter, poet. Material reflecting Razaf's career as a songwriter, lyricist, and poet. Papers consist of correspondence concerning the performance or publication of Razaf's work, and with Jean Blackwell Hutson, his second wife and the chief of...
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Songwriter, poet. Material reflecting Razaf's career as a songwriter, lyricist, and poet. Papers consist of correspondence concerning the performance or publication of Razaf's work, and with Jean Blackwell Hutson, his second wife and the chief of the Schomburg Center. Manuscripts of his published and unpublished poetry including POEMS FOR A MIXED UP WORLD and THE NEGRO HAS TO LAUGH AND OTHER POEMS. Also, printed matter, citations, and bound volumes of Razaf's collected songs.
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Morrison, Allan, 1916-1968
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc Micro R-3537
Correspondence, writings, speeches, research files on notable persons and organizations, personal papers and speeches, news clippings, and printed material (chiefly political) relating to Morrison's career and interests. Includes material from his...
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Correspondence, writings, speeches, research files on notable persons and organizations, personal papers and speeches, news clippings, and printed material (chiefly political) relating to Morrison's career and interests. Includes material from his experiences as the first black correspondent for STARS AND STRIPES during World War II, and with the NEGRO WORLD DIGEST, THE PEOPLE'S VOICE, EBONY, DOWNBEAT, the Johnson Publishing Company, Symphony of the New World, and HARYOU-ACT, a Harlem youth program. Also includes writings and speeches of other authors.
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Spiller, Isabele Taliferro, 1888-1974
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 62
Collection consists of a few of William Spiller's personal papers, programs, and news clippings of William and Isabele Spiller's European and American tours, 1912-1942, and of the Spiller School of Music. Bulk of papers contain material pertaining...
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Collection consists of a few of William Spiller's personal papers, programs, and news clippings of William and Isabele Spiller's European and American tours, 1912-1942, and of the Spiller School of Music. Bulk of papers contain material pertaining to Isabelle Spiller's work as a music supervisor and orchestra conductor in New York City public schools. Of particular interest is her work as head of the Federal Music Project in New York. Also, a scrapbook containing her published articles.
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Thomas, Blanche K., 1885-1977
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 179
1.25 linear feet (2 boxes)
African American music teacher and composer Blanche K. Thomas was the founder of the Thomas Music Study Club. The Blanche K. Thomas papers reflect the musical career of this teacher and composer.
Walker, Wyatt Tee
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 216
The Wyatt Tee Walker Papers consist principally of manuscripts of published and unpublished works, a few sermons and programs of events held at Canaan Baptist Church, including an anniversary souvenir journal. The manuscript titles are "The...
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The Wyatt Tee Walker Papers consist principally of manuscripts of published and unpublished works, a few sermons and programs of events held at Canaan Baptist Church, including an anniversary souvenir journal. The manuscript titles are "The Scaffold of Faith," "Hush! Somebody's Calling My Name" (a history of the music of the African American religious experience), "Spirits that Dwell in Deep Woods," and "Past Traditions and its Meaning for Future Ministry.".
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Boatner, Edward
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 82
The Edward Boatner papers reflect his activities as composer, choral conductor, music professor and author of music textbooks. The music in the collection consists of scores for "Freedom Suite," his musical comedy "Julius Sees Her in Rome,...
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The Edward Boatner papers reflect his activities as composer, choral conductor, music professor and author of music textbooks. The music in the collection consists of scores for "Freedom Suite," his musical comedy "Julius Sees Her in Rome, Georgia," and his opera "Troubled in Mind." There are also scores for four gospel songs written by Boatner, and voice parts for selections from his musical play, "He Will Answer.".
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Des Verney, Bertha
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 449
.46 linear feet (2 boxes)
Bertha Des Verney was a pianist, composer, arranger, writer, singer, playwright, concert promoter, and music teacher. The Bertha Des Verney papers include programs and flyers for musical events that she was involved in, annotated musical texts,...
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Bertha Des Verney was a pianist, composer, arranger, writer, singer, playwright, concert promoter, and music teacher. The Bertha Des Verney papers include programs and flyers for musical events that she was involved in, annotated musical texts, scripts, holograph music of her arrangements and compositions, correspondence, and news clippings. From the Washington Music School there are reports, financial records, and a history of the school (1931). Material for the National Association of Negro Musicians includes programs for conventions. The collection also includes two scrapbooks, one of which contains news clippings and programs for musical concerts, primarily featuring African-American artists (1929-1957). The second scrapbook contains news clippings about the assassination of President John F. Kennedy and other noteworthy events in the Kennedy and Lyndon Baines Johnson families, as well as obituaries of a number of black personalities, and some musical programs (1936, 1959-1974). There are also a few letters in the collection.
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Green, Jeffrey P.
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 333
.33 linear feet (One archival box)
This collection consists of personal and professional papers reflecting Jenkins's career as a musician and composer, and encompasses four series: personal and professional papers; family papers; Jenkins Orphanage documents; and research material....
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This collection consists of personal and professional papers reflecting Jenkins's career as a musician and composer, and encompasses four series: personal and professional papers; family papers; Jenkins Orphanage documents; and research material. The personal and professional papers contain letters from Jenkins to his father and stepmother, Eloise C. Harleston Jenkins and letters to Jenkins from friends and professional associates, including a letter from composer Will Marion Cook. The family papers consist of letters written to the family following Jenkins's death in 1926 and documents related to his death and the disposition of his estate. The Jenkins Orphanage documents include letters, programs and playbills, and financial papers. The research material was gathered by Jeffrey P. Green, the donor and author of
Edmund Thornton Jenkins: The Life and Times of an American Black Composer, 1894-1926 (1982). This material includes Green's correspondence and interviews with people who knew Jenkins; a listing from SACEM (Society of Authors, Composers and Publishers of Music) of the songs composed by Jenkins; and photocopies of articles regarding Jenkins, the Orphanage, Jenkins family members, and prominent musicians who had some sort of affiliation with the Jenkins Orphanage and the Band.
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Dixon, Dean, 1915-1976
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 324
10 linear feet (8 record cartons, 2 print boxes, 1 archival box, and a 1/2 archival box)
The Dean Dixon Papers reflect Dixon's career as a conductor of philharmonic orchestras; the majority of the material covers his time in Europe (1950s - 1960s) and his American tours in the early 1970s.
Mills, Florence, 1895-1927
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division
.9 linear feet (2 boxes)
Florence Mills (1886-1927), world renowned entertainer during the 1920s. She starred in Lew Leslie's Plantation Revue and Blackbirds after a successful run as the lead in more
Florence Mills (1886-1927), world renowned entertainer during the 1920s. She starred in Lew Leslie's
Plantation Revue and
Blackbirds after a successful run as the lead in
Shuffle Along. Collection contains personal papers that include biographical information and letters; and professional papers, including letters, contracts and printed materials.
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Stock, Mildred
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 177
7.42 linear feet (15 boxes)
Mildred Stock was a writer and researcher, best known for the work,
Ira Aldridge: The Negro Tragedian", which she co-authored with Herbert Marshall. The Mildred Stock research collection consists of research files...
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Mildred Stock was a writer and researcher, best known for the work,
Ira Aldridge: The Negro Tragedian", which she co-authored with Herbert Marshall. The Mildred Stock research collection consists of research files concerning Stock's studies of African American and European stage actors, slavery, and other subjects.
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Wheeler, Elizabeth A., 1959-
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 724
0.21 linear feet (1 box)
Elizabeth Wheeler, a former editor of St. Martin's Press, is an Associate Professor in the Department of English at the University of Oregon. She also is the Director of Disability Studies Minor. She teaches and researches in the fields of...
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Elizabeth Wheeler, a former editor of St. Martin's Press, is an Associate Professor in the Department of English at the University of Oregon. She also is the Director of Disability Studies Minor. She teaches and researches in the fields of disability studies, young adult and children's literature, comics studies, post-1945 U.S literature and popular culture, and community-based education. She wrote
HandiLand: The Crippest Place on Earth about young people with disabilities. Steven Hager is a journalist and the author of
Hip-Hop: The Illustrated History of Rap Music, Break Dancing and Subway Graffiti (1984), the first book documenting hip hop music and culture. He is a former reporter for the
New York Daily News and former editor of
High Times (1988-2003). This collection provides information on the development of hip hop and the individuals who made its rise possible, as recorded by journalist Steven Hager and collected by Elizabeth Wheeler. Documenting hip hop during the early 1970s to mid-1980s, the collection covers the emergence and recognition of this then-new subculture. Included are an outline, manuscript draft, and photocopies of Hager's published writing, along with notes from the initial meeting with the publisher to discuss the publication of Hager's book,
Hip-Hop: The Illustrated History of Rap Music, Break Dancing and Subway Graffiti. Marketing and promotional correspondence for the book, as well as articles and reviews of films and books on hip hop, are in the collection. The process, from the decision to publish Hager's manuscript to the marketing of the book, is highlighted in the correspondence to and from the editor, Elizabeth (Betsy) Wheeler of St. Martin's Press.
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Jessye, Eva, 1895-1992
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 233
0.25 linear feet (1 box)
Eva Jessye, African American choral director, composer, arranger, and music historian was born in Coffeyville, Kansas, in 1895. In 1914, she graduated from Western University of Kansas City with a degree in music and then went on to Langston...
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Eva Jessye, African American choral director, composer, arranger, and music historian was born in Coffeyville, Kansas, in 1895. In 1914, she graduated from Western University of Kansas City with a degree in music and then went on to Langston University in Oklahoma. She moved to New York in 1926 and by 1930, Jessye had formed and directed a professional choir. She was the first musical director for the original production of George Gershwin's
Porgy and Bess. Acknowledged as the first African American woman to win international distinction as a director of a professional choir, Jessye was the recipient of numerous awards and honorary doctoral degrees throughout her life. She died at 97 in Ann Arbor, Michigan. The Eva Jessye collection contains clippings, correspondence, writing, and programs that document Jessye's professional career and recognition in her field.
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Howard, Bob, 1906-1986
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 328
1.04 linear feet (3 boxes)
The Bob Howard papers consist of numerous programs for dinner engagements, benefits, and other performances; three scrapbooks of news clippings; and lyrics, musical scores, and arrangements by Howard and his wife, Ruth (Joyner) Howard. Other...
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The Bob Howard papers consist of numerous programs for dinner engagements, benefits, and other performances; three scrapbooks of news clippings; and lyrics, musical scores, and arrangements by Howard and his wife, Ruth (Joyner) Howard. Other material includes biographical information, correspondence, contracts and correspondence with his agent, broadsides, handouts and announcements, notices in guidebooks and magazines, feature stories in magazines, and miscellaneous radio, television, and performance material.
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