Found 17 collections related to African American theater

The Workshop was founded in 1973 by playwright/director Garland Lee Thompson, along with famed actor/director Morgan Freeman, director/actress Billie Allen and journalist Clayton Riley, as a living memorial to the late actor, director, teacher and producer, Frank Silvera (1914-1970). The Workshop has been based in the heart of Harlem, New York, for the past 26 years. The Workshop has built a long time-honored and prestigious reputation as a nationally and internationally renown playwrights development theatre for up-coming and established artists of all colors, sizes and shapes. Records contain administrative files, production files, including contracts and set designs, and more than one thousand play scripts from the Writers/Directors series and the Larry Neal Memorial Seminar Series. Scripts are chiefly unpublished and unproduced and were written by members of the workshop. Among playwrights included are Mari Evans, Billy Graham, A. Marcus Hemphill, Larry Neal, Vinnette Carroll, Ruby Dee, Owen Dodson, Charles Gordone, Charles Fuller, Laurence Holder, James De Jongh, Clifford Mason, Ntozake Shange, Ed Shockley, Garland Lee Thompson, Richard Wesley, and Samm-Art Williams. less

Ernest Truesdale, whose stage name was Tad Truesdale, was a dancer, choreographer, actor, writer, producer and director. He studied acting at the New School for Social Research, and dance with Charles Weidman and at the Katherine Dunham School. A versatile performer, Truesdale's career dealt mostly with African, calypso and African American aspects of theater. His work primarily was in New Jersey and New York City. As a dancer, he had two dance acts in the 1950's: Truesdale and Francine, and Truesdale and Theral, and also danced in Broadway musicals, including "St. Louis Woman" and "Carmen Jones," and toured Europe and Asia with a variety of shows including the Harlem Blackbirds. He was a student member of the American Negro Theatre Company and appeared in the Broadway production of "Anna Lucasta." Truesdale also performed in several Off-Broadway productions, television and made recordings. From 1975-1984 he worked with La Mama Experimental Theatre Club in New York City as playwright and director. He also was active with dramatics in the public schools. The Ernest "Tad" Truesdale Papers primarily document the performer's professional career and includes biographical information, playscripts, news clippings, reviews, programs, correspondence and financial records. There are contracts (1949-1953), a script, letters and news clippings related to the American Negro Theatre; programs and news clippings related to Truesdale's career as a dancer; letters and news clippings pertaining to the Harlem Blackbirds and their performances in Ceylon (1952); and news clippings about his performance in New York City's African Room with the Richie Havens Trio. Additionally, the collection includes information about the CAN DO festival held in New Jersey of which Truesdale was director (1966); and about his involvement with the La Mama Theatre. The many scripts contained in Truesdale's papers are ones which he either wrote or performed, including "Daddy! Daddy!" which he authored and was performed at La Mama, "The Godsong," a gospel rock revival of James Weldon Johnson's "God's Trombones" (1975), "The Journeychain Show" (1976), "Nine Days of Ilo" (1976), and "The Manhattan Paul Revue" (1984). Of interest is a portfolio entitled "Back to the ANT on the Hill" referring to Truesdale's theatrical origins with the American Negro Theatre. The portfolio consists of programs, news clippings, photographs, tickets and press releases (1945-1987). Several of Truesdale's high school papers and yearbooks complete this collection. less

Lily Yuen was a singer and dancer, who also considered herself a comedienne, performer of novelty songs, parodies and specialty acts, as well as an emcee, during the 1920's and 1930's. She was a principal in the Brownskin Models, an annual touring revue produced by Irvin C. Miller in which her sister, Libo, also appeared. Yuen performed in "Broadway Rastus," "Fast and Furious" and "Yeah Man." Lily Yuen, also known as "Hoy Hoy" and "Pontop," was born in Georgia and lived her adult life in New York City. The Lily Yuen Papers provides some documentation of the dancing and entertainment career of this revue performer, in addition to containing personal family papers. A small number of papers pertain to Yuen's mother, brother, husband, and her sister and colleague, Libo (Olivia) Yuen. Of interest are two manuscript joke books containing hundreds of jokes, many titled, often about the relationship between men and women. There are also programs for the Brownskin Models, "Fast and Furious" and "Yeah Man," and sheet and manuscript music, some with parts, and most annotated, including "Can't Believe" and "Why Do I Lie to Myself About You?" A scrapbook of newsclippings documents Yuen's career as a Brownskin Model during the group's nationwide tours (1926-1930). The scrapbook emphasizes Yuen's fellow dancer, Blanche Thompson, who was a principal dancer in Brownskin Models, as well as Florence Mills of "Bye Bye Blackbirds" fame. Yuen's sister, Libo, is also mentioned in the scrapbook as a dancer. less

The Urban Arts Corps records consists of the production records for plays produced by UAC from 1967-1983 (bulk dates 1972-1979), and a separate body of material relating to Vinnette Carroll. The material has been divided into two series: Production Files and Vinnette Carroll. The Production Files contain an assortment of material; however, there is not every kind of material for each production. A sample of the file contents include cast lists, contracts, correspondence, director's notes, new releases, programs, reviews, and scripts. The second series documents Carroll's professional activities in the theater prior to her becoming the founding director of the Urban Arts Corp. Included are materials regarding her career as an actor and a director. less

The Canada Lee Papers document two of the careers of this multi-talented man: his profession as an actor and his career as a boxer. The papers consist principally of personal and professional correspondence; speeches; and contracts, correspondence and other material generated during the production of a play or movie in which he performed. A significant part of the collection is newsclippings and other material housed in a series of scrapbooks. Also included are financial records, and a few artifacts. less

The Lorraine Hansberry Papers document Lorraine Hansberry's life as an award-winning playwright and activist, and chronicles her activities during the Civil Rights Movement. Virtually all of Hansberry's writings, autobiographical materials, journals, diaries, personal and professional correspondence are included here, as well as related materials generated by her late husband, Robert Nemiroff, and his third wife, Jewell Gresham-Nemiroff, as the executors of Hansberry's state. Significant correspondents include Daisy Bates, Louis Burnham, Julian Mayfield, Robert Nemiroff, and William Worthy. less

The records of the Negro Ensemble Company (NEC), 1967-1993 document the work of the most successful African-American theatrical company in the United States to date. In addition to information about the productions, the records also document the growth of the company through the development of its administrative structure and of the funding base that keeps a theatrical company alive. The collection is divided into three series, thirteen subseries, and eighteen sub-subseries. less

Joseph Attles (1903-1991) was a singer and dancer whose career spanned six decades. The bulk of his collection consists of playscripts for shows that Attles appeared in, including Bubbling Brown Sugar by Loften Mitchell, C & W, John Henry, Jericho-Jim Crow, Prodigal Son, Troupers, and Do Lord Remember Me by James de Jongh. The collection also includes: correspondence, both professional and personal; contracts and financial documents; programs of productions Attles appeared in; lyrics; and clippings related to both himself and other show business personalities. less

The Bill Gunn Papers (1948-1994) document the extent of his career as a playwright, screenwriter and filmmaker, and contain material about his acting and directing accomplishments. Included in the collection are annotated drafts and final versions of play scripts, screenplays, teleplays, novels and short stories, and related programs, reviews, flyers and clippings, and letters. less

Collection consists predominantly of material relating to Lena Horne's one woman Broadway production and national and international tour of "Lena Horne: The Lady and Her Music" (1981-1984). Papers contain fan mail, a small amount of business, personal and family correspondence; press coverage (newspaper and magazine clippings and audio and video reviews); publicity and public relations material; programs; financial data and certificates (proclamations, awards and honors). less

The Helen Armstead-Johnson miscellaneous theater vollections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less

The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann Shockley, Childress's FBI file, diaries, calendars, interviews, educational materials, family letters, files for her two husbands, and biographical information about Childress. Significant correspondents include writers Kay Bourne, Harold (Hal) Courlander and Susan Koppleman. less

Born in Barbados, Errold Collymore immigrated to the United States in 1912 and graduated from Howard University's dental school eleven years later. His subsequent struggle to rent an office in White Plains, New York, compelled him into a life of civil rights activism which saw him organize a local NAACP chapter and become chairman of Westchester County's United Colored Republican Clubs. He was also involved with the YMCA and served on a number of committees concerned with housing equality and standards for Westchester County's black residents. Focusing on equality in the religious realm as well, Collymore and his family integrated the American Unitarian Association's White Plains Community Church when they joined its congregation in 1927. Correspondence, reports, speeches, minutes, notes, clippings, and other material document Collymore's activities at the vanguard of civil rights in Westchester County, New York. There are files for all of the major organizations with which Collymore was associated and held office, including the NAACP (White Plains Branch) and the nation-wide anti-lynching campaign; the Colored Republicans Committee with information on Black Republican activities and politics in Westchester County; the YMCA-White Plains; and American Unitarian Association (which he and his family integrated in 1927 when they joined the White Plains congregation). Correspondence and miscellaneous documents provide a glimpse into his personal and professional lives. less