Found 133 collections related to Programs %28documents%29

Fritz Mahler was a Austrian-American conductor, composer, music teacher and radio personality . The collection contains memorabilia related to his work, including clippings, recital programs, correspondence, photographs, writings (articles and radio notes) and scrapbooks. less

The Otto Luening papers contain the composer's scores, correspondence, writings, subject files, and other professional papers; and family papers of his siblings, parents, extended family, and ancestors, including the scores of his father, Eugene Luening. less

Meyer Kupferman was a composer and professor of music. He was a prolific writer, penning several concertos, chamber and solo pieces, operas, ballets, symphonies. He taught at Sarah Lawrence College for over 40 years and was known as a composer of both jazz and 12-tone techniques. less

The records of the Composers' Forum document the history of the organization from 1935 to 2002. They hold correspondence, concert programs, press releases, clippings, grant applications and other development files, board meeting minutes and correspondence, photographs, membership files, concert production files, concert discussion transcripts, historical essays and scrapbooks. less

The papers of the composer Charles Turner, one of Samuel Barber's few students, contain scores, sketches and notes, libretti, correspondence, diaries, photographs, programs, scrapbooks, yearbooks, clippings, and audio recordings documenting his life and career as a violinist, composer and pedagogue. less

The bulk of the J.K. Randall Collection consists of the composer's scores and other papers documenting his compositions. The remainder is comprised of Randall's personal files containing his writings, theoretical notes and analyses, correspondence and concert programs. less

Hilda Simms (1920-1994) was an actress best known for playing the title role in the American Negro Theater production of Anna Lucasta that moved successfully to Broadway in 1944. Her acting career also included film, television, and radio broadcasts. The Hilda Simms papers date from the 1930s to 1994 (bulk dates 1940s-1950s) and document her career as an actress; her work on creative arts and drug treatment programs in New York; and her personal life. less

The League of Composers / International Society for Contemporary Music records contain the papers of the League's co-founder and first Executive Director, Claire Raphael Reis; the records of both the League of Composers and the United States section of the ISCM before their 1954 merger; and the post-1954 records of the combined League/ISCM. less

The Leon Kirchner papers document the career of the composer, conductor and pianist from the 1950s to the early 2000s. They include scores and sketches, correspondence with important musical figures, writings, programs, clippings, photographs and posters. less

Werner J. Deiman was a professor of literature at Bates College in Lewiston, Maine from 1964-1991. He was also an avid music and opera fan. The Werner J. Deiman Collection consists of classical music and opera memorabilia from Mr. Deiman's personal collection containing correspondence, concert programs, autographed photos, clippings, and postcards. less

Tom Scott was a folk-singer and arranger, and a composer of symphonic and chamber works, as well as music for live television and film. His papers contain scores, correspondence, photographs, biographical and publicity files, a scrapbook, and project and subject files. less

Carola Strauss Trier (1913-2000) was a dancer, acrobat, and roller-skating contortionist who worked closely with Joseph Pilates to develop and popularize the Pilates Method. Her papers, which date from 1932 to 2000, document her early life, her career as a performer and as a Pilates instructor. The collection includes photographs, correspondence, studio records, research files, clippings, files pertaining to a children's book she wrote, performance programs, immigration documents, and artifacts. less

Bertha Des Verney was a pianist, composer, arranger, writer, singer, playwright, concert promoter, and music teacher. The Bertha Des Verney papers include programs and flyers for musical events that she was involved in, annotated musical texts, scripts, holograph music of her arrangements and compositions, correspondence, and news clippings. From the Washington Music School there are reports, financial records, and a history of the school (1931). Material for the National Association of Negro Musicians includes programs for conventions. The collection also includes two scrapbooks, one of which contains news clippings and programs for musical concerts, primarily featuring African-American artists (1929-1957). The second scrapbook contains news clippings about the assassination of President John F. Kennedy and other noteworthy events in the Kennedy and Lyndon Baines Johnson families, as well as obituaries of a number of black personalities, and some musical programs (1936, 1959-1974). There are also a few letters in the collection. less

Anna Case (1889-1984) was an American soprano and composer who performed with the Metropolitan Opera from 1909 to 1920, and toured as a concert soloist until 1931. Her papers hold concert programs, scores by Case and other composers, correspondence, photographs, clippings, writings, and financial records. less

The Dessoff Choirs is a Manhattan-based amateur choral group founded by Margarete Dessoff. The choirs encompass both a symphonic choir and a chamber choir, and perform a broad repertory of classical music from Renaissance to contemporary compositions. This collection documents the choirs' administrative activities and performance history through administrative files, correspondence, financial records, programs, and scrapbooks. less

Harold Vincent Milligan (1888-1951) was an American organist, composer, and writer on music. The longtime organist for Riverside Church in Manhattan, his papers hold correspondence, scores, clippings, concert programs, diaries, writings, financial records, awards and citations, and a photograph. less

The Stefan Auber papers hold concert programs, images, scrapbooks, clippings, scores, promotional material, touring files, posters, and correspondence. The collection primarily documents the cellist's life and career from 1920 until the mid-1960s. Concert programs and images make up the largest portions of the papers. less

The Schomburg Programs and Playbills collection consists of thousands of programs, playbills, and other ephemera, spanning the nineteenth to twenty-first centuries, documenting Black theatrical, musical, and dance performances, as well as events put on by Black academic, community, religious, and political organizations. less

The American Music Center was a non-profit organization dedicated to promoting the creation, performance, and appreciation of new American music. For much of its history, one of its principal activities was the creation of a research and circulating library of scores and recordings submitted by its members. The American Music Center collection of score manuscripts, dating from 1935 to 1996, holds music by ten composers: Gerald Busby, Ron Carter, Wendy Mae Chambers, Arthur Cohn, Judith Dvorkin (also known as Judy Spencer), Virginia Samuel, Les Thimmig, William Turner, Grace A. Yeager, and an unidentified composer who wrote incidental music for plays by Laurence Klavan. less

Theodore Walter "Sonny" Rollins (born September 7th, 1930) is an American jazz tenor saxophonist. His papers, dating from the 1910s to 2015 (the bulk dates from the 1950s onward), document the musical, personal, and career development of one of the most important musicians and artists of the 20th and early 21st centuries. This development can be most clearly observed in his music manuscripts and practice material; personal writings; letters; and professional business records. Rollins's career is also illustrated by an extensive set of photographs and a large collection of unique sound and video recordings. less

Henderson M. (Henderson Malcolm) Wolfe (1873-1951) was a banker who held executive positions in several New York City banks; he also served as Chief Auditor of Accounts in New York City’s Finance Department in 1911. He was born in Muhlenburg, Pennsylvania and graduated from New York University Law School in 1904. The Henderson M. Wolfe scrapbook, dated 1908-1917, contains pasted business correspondence, news clippings, receipts, event programs and other printed ephemera reflecting his career as an executive banker and civil servant in New York City. Materials document Wolfe's association with the Corn Exchange Bank and other institutions, his service in the City’s Finance Department, and his return to the banking industry. Affiliations with charitable, social, and professional organizations are also represented. Letters are chiefly congratulatory messages on his appointments; a few carbon copies of outgoing letters are also present. The scrapbook (1 volume in 1 box) also includes some biographical data and two photographic portraits of his son Henderson W. Wolfe Jr. as a child. Loose items and letters stored in pasted envelopes have been separated to a folder. This is the second of two scrapbook volumes; the first is not found less

Wolfgang Roth (1910-1988) was a set designer, costume designer, and artist. Roth began his career in Germany in the 1920s, and immigrated to the United States in 1938. He designed for Broadway and off-Broadway plays and musicals, operas, and national and international touring productions. The Wolfgang Roth designs and papers date from 1928 to 1987, and consist of Roth's scenic and costume designs, technical drawings, photographs, sketches, production notes, scripts, programs, clippings, and a small amount of correspondence. Also present is material related to Roth's art exhibits and musical projects. less