Found 5 collections related to Clippings (information artifacts)

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Monica Moseley (1942-2010) was an American dancer, dance scholar, and former assistant curator for the Jerome Robbins Dance Division at the New York Public Library. The Monica Moseley papers date from 1886 to 2010 and consist of professional files and family history files. The collection holds correspondence, lectures, notes, promotional material for dance companies and organizations, genealogy notes, and family photographs. less

Don Redlich (born in 1929) is a dancer, choreographer, and pedagogue. The Don Redlich papers, dating from 1893 to 2019 (the bulk dates from the 1940s onward), document Redlich's life and career through written descriptions and videos from The Legacy of Hanya Holm: Don Redlich Remembers project; manuscripts and interviews for an unpublished memoir; Don Redlich Dance Company files; Dance Notation Bureau files; Redlich's teaching files; files devoted to Redlich's teachers; letters; school files; photographs; scrapbooks; programs and reviews; posters; datebooks; address books; drawings; family history papers; and audio and moving image recordings, which hold many performances by the Don Redlich Dance Company. The papers also contain a small set of photographs and letters from the collection of the dance critic Arthur Todd. less

Caird Leslie (circa 1900-1970) was an American ballet dancer and teacher. He was raised in Seattle and, after dancing in Europe, returned to teach at the Cornish School (1935-1950.) He had a longtime association with Adolph Bolm, and danced for him in his Ballet Intime and for the Metropolitan Opera. Leslie also taught ballet in New York City. The collection contains photographs, programs, clippings, flyers, drawings, several posters, and a small amount of correspondence. The photographs include professional portraits and candid images of Leslie individually, and with others on tour. There are a number of portraits of other dancers, such as Ruth Page and Adolph Bolm, and past students. Leslie's career is traced in programs, clippings and posters from the United States, Germany, and France, and in advertising material for dance lessons. less