Found 85 collections related to Financial records

Albert Selden (1922-1987) was an American theatrical investor, composer, and producer. He worked on Broadway and for regional theaters from 1948 to 1979. The Albert Selden production files contain contracts, scripts, programs, designs, publicity materials, and financial records. less

Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence. less

Jeffrey Richards Associates is a New York City-based theatrical press agency and production office founded in 1977 by press agent and producer Jeffrey Richards. The records contain press materials for the Broadway and Off-Broadway shows that the agency represented from 1976 to 1994 and, to a lesser degree, the agency's shifted focus from publicity to production in the mid-1990s. less

Godfrey Nelson (1878-1954) was a tax lawyer, financial columnist, and New York Times executive. The Godfrey Nelson papers document much of Nelson's career at The Times, including his roles as corporate secretary, financial and legal advisor, columnist, and in various administrative roles for The Times' subsidiary companies. The collection also contains some files from Nelson's private practice advising clients on estate and tax law. less

The New Dance Group (NDG), founded in 1932, provided classes, scholarships, studio rentals, public performances, and support of new choreographic work to the New York City dance community. The Hadassah collection of New Dance Group Studio, Inc. records (1944-1977), assembled and annotated by longtime board and faculty member Hadassah, documents the activities and functions of the Board of Directors and Executive Committee following NDG's nonprofit incorporation in 1944. A selection of personal correspondence regarding Hadassah's dance career and outside affiliations is interspersed throughout. less

The New York School of Ballet (incorporated name: American Dance Foundation) and its touring troupe U.S. Terpsichore were founded by married dancers and teachers Richard S. Thomas and Barbara Fallis. The New York School of Ballet/U.S. Terpsichore records (1975-1985) document the various activities and operations of the two organizations. The collection holds correspondence, contracts, legal agreements, financial invoices and receipts, pay stubs, class schedules, press releases, venue reports, ticket order forms, programs, posters, and press clippings. less

Queer Blue Light Gay Liberation Video was a nonprofit organization formed in 1971 in Brooklyn, New York, and originally affiliated with Centers for Change, which produced and distributed videotapes on issues affecting the gay community. The records consist of one folder of incoming correspondence and financial papers, including material related to their 1972 video Lesbian Mother. Also included are letters and reports from Eckart Ranke of the Gay Liberation Center in Hamburg commenting on the status of the gay liberation movement in Germany. less

The Netherland Club of New York is a private social and professional organization centered on Dutch culture, history, and the fostering of Dutch-American relationships. The Netherland Club of New York records date from 1903 to 2013 and contain meeting minutes, annual reports, correspondence, financial records, newsletters, photographs, and other materials that document the Club's activities. less

Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s Your Show of Shows . Today she is best known as the author of the C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work. less

The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection. less

Born in 1945, Jack Briece was an American composer, organist and pianist, video artist, educator, and author, whose creative output was original and inventive. Most of this collection contains Briece’s diary, written on index cards and documenting his personal study of astrology, planetary movements, and the I-Ching, which informed every aspect of his life and inspired much of his output as an artist. However, of particular interest are the music series and the records surrounding Briece’s travels in Finland. The music materials demonstrate Briece’s use and personal development of conventional as well as modern and experimental orchestration techniques. The materials related to Finland represent a particularly active and creative time for the composer, his involvement with the newly developing videotape medium, and the culmination of much of his work up until his untimely death in 1988. less

The Jean Erdman Papers document the professional life of Jean Erdman Campbell, a dancer, choreographer, and dance instructor. Materials date from the late 1930s to the mid-1990s, and cover the early stages of her career as well as productions created during her later endeavors at the Theater of the Open Eye. This collection contains correspondence, production materials, academic papers, office files, financial and legal papers, scrapbooks, publicity materials, and photographs. This collection contains almost no materials related to Jean Erdman's personal life. less

Orvil Dryfoos (1912-1963) was a newspaper executive and the publisher of The New York Times from 1961 to 1963. The Orvil Dryfoos papers document Dryfoos's daily activities and the operations of The Times, particularly during his tenure as vice president, president, and publisher from 1954 to 1963. The collection also contains Dryfoos's private business papers and records concerning the Dryfoos family's finances, travels, and other personal matters. less

The Meredith Monk Archive documents the art of Meredith Monk and the history of The House Foundation For The Arts, Monk’s management and production company. The Archive contains correspondence, media clippings, concert programs, publicity material, writings, piece and project files, scores, business and financial papers, photographs and drawings, posters, and books. less

Primarily documenting the career of playwright and screenwriter Paddy Chayefsky, this collection consists of correspondence, material relating to production of his works, draft and development material for unproduced works and other writings, office papers, vital records, financial and legal records, photographs, and research material. less

The Chamberlain and Lyman Brown Papers are 351 linear feet and contain business and personal correspondence, scrapbooks, autographs, legal and financial papers, scripts, photographs, clipping files, and production materials documenting their work as theatrical agents, managers, and producers. The papers provide a history of the entertainment industry from the end of the 19th century through the middle of the 20th century. A number of family and personal papers are also included. less

Vincent Persichetti, American composer, educator and author, studied the piano with Olga Samaroff and composition with Paul Nordoff at the Philadelphia Conservatory, and conducting with Fritz Reiner at the Curtis Institute. In 1941 he was appointed to teach at the Philadelphia Conservatory, and in 1947 he joined the faculty of the Juilliard School. From 1952 he also served as Editorial Director for Elkan-Vogel. In 1961, Persichetti’s Twentieth Century Harmony: Creative Aspects and Practice was published by W.W. Norton and was immediately viewed as the definitive book on modern compositional techniques. Over the course of his career, he received commissions from the Philadelphia Orchestra, the Louisville Philharmonic Society, the Naumberg Foundation, the Samaroff Foundation, the Serge Koussevitzky Music Foundation, the American Guild of Organists, universities and individual performers. less

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection. less