Found 154 collections related to Correspondence

The collection includes some memorabilia of Artur Bodanzky: 2 batons, portrait drawings by Emil Orlik and Albert Sterner, a tiny photograph of Bodanzky swimming with the child Linda Muschenheim, 2 commemorative items including a poem by Brenda Putnam illustrated with photographs of sculptures of Bodanzky conducting, and 1 drawing inscribed to the Bodanzkys by Hendrik Willem Van Loon. The bulk of the collection consists of portrait photographs of musicians inscribed to one or both of the Muschenheims. Some of these are also postcards with handwritten messages. Musicians represented include: Adolf Busch, Kirsten Flagstad, Sigrid Onégin, Arturo Toscanini, and others. Other correspondence consists of 4 postcards with views, 1 letter and 1 telegram. There are also several clippings and a list of donors in "Mrs. Muschenheim's group" to the Philharmonic-Symphony Society of New York. less

Frederick Schreiber was a prolific 20th century composer, choir director, and organist. The collection primarily consists of Schreiber’s original compositions, supplemented by arrangements he produced of other composers’ works, and a small amount of ephemera, notes, and correspondence. less

Frieda Hempel (1885-1955) was a German soprano with the Metropolitan Opera. William B. Kahn (1882-1971) was a New York City business man and political writer who married Hempel in 1918, and who continued to serve as Hempel's business manager after their divorce in 1926. The collection primarily includes correspondence between Hempel and Kahn from the year 1950, including letters, cables, and postcards. less

Fritz Rikko (1903-1980) was a musicologist and conductor who was an authority on music of the Baroque era. The collection documents Rikko's scholarly work on the composers, Salamone Rossi and Alessandro Scarlatti, and consists mainly of correspondence generated by Rikko, research materials he gathered, and scores for musical compositions written by these two composers. less

Gabriel Banat is an American violinist who played for many years with the New York Philarmonic. He was born in Transylvania, Romania in 1926, eventually moving to Hungary. At the age of eight, he was discovered by Béla Bartók, who enabled him to be accepted at the Royal Academy in Budapest (now the Franz Liszt Academy of Music), where he won honors. In 1946 he moved to New York City where he toured with Georges Enesco, his mentor. He became a naturalized citizen in 1953. He toured in the United States, Europe and Japan, and was guest soloist with the London Philharmonic, Oslo Philharmonic, among others. In 1970 he joined the New York Philharmonic. He was a professor at Smith College where he led the violin department. He also conducted various ensembles and organizations during his career. His research on Mozart led to publication in facsimile of Mozart's five violin concertos (Raven Press, 1986). His research on the Chevalier de Saint-Georges led to a biography (Pendragon Press, 2006) as well as numerous articles. He also edited the series "Masters of the Violin" (1981-1982). The Gabriel Banat papers document the performing career and editing/writing activities of violinist Gabriel Banat through correspondence, programs, reviews, and photographs. less

The Peoples' Voice Cafe Records includes correspondence, clippings, flyers and other publicity material, and administrative records of the Peoples' Voice Cafe. The collection's contents date from 1979 to 1986, documenting the early and formative years of the organization. less

Bruce Hungerford was an American pianist and Egyptologist. Programs, clippings, and reviews of concerts and phonograph records; letters from Hungerford chiefly to Dr. and Mrs. George Dinsmore Stoddard; letters to Stoddard about Hungerford from other persons; and brochures and correspondence about an audio-visual series by Hungerford on Egyptology. less

The Cantata Singers was one of the first groups in the United States to attempt authentic performances of Baroque music and set a standard for basing performances on expert direction supported by methodical research. The Cantata Singers Records consists of those records which the non-profit organization retained over the course of some 37 years in operation including materials related to their concerts as well as correspondence, administrative files, minutes of the organization’s meetings, financial records, and documentation of their incorporation. less

The Felix Salzer Papers represents the work of Felix Salzer (1904-1986), an Austrian-born music scholar who came to the United States in 1939 and has had a lasting impact on music theory. Salzer's work in the United States was highly influential, primarily in the dissemination of Schenkerian theory and analysis. The present collection encompasses both Salzer's scholarly materials and a portion of the papers of his Viennese mentor, Heinrich Schenker (1868-1935). Broadly speaking, the collection contains music analyses, correspondence, academic notes, significant texts (both published and unpublished), and other items. less

The Otto Kinkeldey Papers include Kinkeldey's academic writings, research and teaching notes, and correspondence between the years 1908-1962. Many of the teaching notes come from his time as Professor and Librarian at Cornell University and as Visiting Professor at Harvard University, Boston University, and the University of North Texas. less

The Martin Kalmanoff Papers document the career of an American composer of operas, musicals, choral works, religious services and popular song. The papers consist of scores, correspondence, financial and business papers, writings, notes, concert programs, photographs and media clippings. less

This collection contains the music and professional papers of the Italian organist and composer Melchiorre Mauro-Cottone. He performed in New York from 1905 until his death in 1938. Included are correspondence, programs, clippings, photographs, writings and diplomas. less

The Mendelssohn Glee club is the oldest singing organization still current and the second oldest musical organization in the United States. The collection includes many scrapbooks, along with administrative files, correspondence, ledgers, photographs, publicity material, and vocal scores less

Meyer Kupferman was a composer and professor of music. He was a prolific writer, penning several concertos, chamber and solo pieces, operas, ballets, symphonies. He taught at Sarah Lawrence College for over 40 years and was known as a composer of both jazz and 12-tone techniques. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

The Nathan Broder papers comprises material documenting his professional career. With few exceptions there are no personal papers in the collection. Although there is some material from the 1930s, the bulk of the collection documents Broder's career from the 1940s through the 1960s. less

Susannah McCorkle (1946-2001) was an important American jazz / pop singer as well as a talented writer. Her papers consist of her writings, correspondence, business and personal papers, scores, concert programs, clippings, publicity material, photographs and books. less

Lincoln Center for the Performing Arts is an arts complex comprising more than a dozen institutions between 62nd St. and 66th St. on Broadway in New York City. Philharmonic Hall (later named Avery Fisher Hall) opened Sept. 24, 1962. Clippings, programs, correspondence, and other papers relating to functions such as Tea with Tina, a fashion show by designer Tina Leser at the Hotel Pierre, Jan. 23, 1962, and other events concluding with The Fashion Gala '63 held at Philharmonic Hall, Jan. 6, 1963. Much of the correspondence is from and to Mrs. William Stewart ("Sue," later Susan N. Thomas) and includes copies of letters between her and Jacqueline Kennedy, in whose honor a seat was endowed by her classmates of Miss Porter's School, and who in turn endowed a seat in honor of her father. less

Paul B. Affelder (1915-1975) was a music critic and the founder of Program Note Service. The collection consists primarily of Affelder’s writings, as well as press releases, programs and other promotional materials compiled by Affelder from the mid-1950s through 1975. The collection also includes an incomplete set of orchestral parts for the Emmerich Kálmán–George Marion, Jr. operetta, Marinka. less

The Rosa Ponselle Papers document the career of one of the most noted 20th century American soprano opera singers, and covers her beginnings in vaudeville, her Metropolitan Opera career (1918-1937), her teaching activities, her adminstrative involvement with musical life in Baltimore, and her retirement. Also included is material concerning her sister Carmela Ponselle (1892-1977). less

Rosina Lhevinne (1880-1976) was a Russian-born pianist and pedagogue who taught at the Juilliard School and privately in New York City. She was married to pianist Josef Lhévinne. Business and personal correspondence, pedagogical notes, clippings, programs, photographs, and other papers relating to the careers of Rosina and Josef Lhevinne. less

The American composer Ross Lee Finney enjoyed a long, prolific and illustrious career. His papers document his life and career and consist of correspondence, professional writings and lectures, press clippings, concert programs, photographs, and published and unpublished music scores and manuscripts. less