Kyle, Howard
Billy Rose Theatre Division | *T-Mss 2013-136
.42 linear feet (1 box)
Howard Kyle (1861-1950) was an American stage and radio actor who was active from the 1880s to the 1930s. He served as secretary of the Actors' Equity Association from 1913 until 1919, when he resigned from the organization and joined the Actors'...
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Howard Kyle (1861-1950) was an American stage and radio actor who was active from the 1880s to the 1930s. He served as secretary of the Actors' Equity Association from 1913 until 1919, when he resigned from the organization and joined the Actors' Fidelity League. As a member of the Players, he worked to have an Edwin Booth memorial sculpture erected in Gramercy Park. The Howard Kyle papers date from the 1870s to 1954 and contain correspondence, photographs, theater programs, event programs, clippings, and other documents concerning his professional and personal life. The collection contains materials related to his work with Actors' Equity, the Actors' Fidelity League, the Players, and other theater organizations. The collection also contains materials concerning productions he was involved with, including the Howard Kyle Players production of
Nathan the Wise (1912) and performances by the Century Theatre Club. The majority of the photographs are of Kyle or his wife, actor Amy Urcilla Hodges. There are also unidentified photographs and photographs of fellow performers, including singer Rosa Ponselle. Some of the photographs are inscribed to Amy Hodges. The collection also contains an unidentified one-act script and a eulogy for actor Henry Miller. The collection includes Hodges' Actors' Fund of America certificate of membership, dated 1954. This collection was previously cataloged with the call number 8-MWEZ + n.c. 19,860.
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Weissman, Dora, -1974
Billy Rose Theatre Division
14.48 linear feet (36 boxes)
Dora Weissman (d. 1974) was an actor in American Yiddish theater and English-language theater, radio, television, and film. The Dora Weissman papers document her acting career; her work as a talent agent and as an acting coach; her relationships...
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Dora Weissman (d. 1974) was an actor in American Yiddish theater and English-language theater, radio, television, and film. The Dora Weissman papers document her acting career; her work as a talent agent and as an acting coach; her relationships with friends, family, and colleagues; and her activities in the Jewish theatrical community. The collection dates from the 1880s to 1973, with the bulk of material dating from the 1930s to the 1960s. Materials include photographs, scripts, correspondence, event and theater programs, scrapbooks, and Weissman's notes. Materials are chiefly in English but also in Yiddish. The collection holds scripts by Weissman's father, Yiddish playwright and translator Reuben Weissman, dating between the 1880s and 1912.
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Hughes, Barnard, 1915-2006
Billy Rose Theatre Division | *T-Mss 2012-008
11.30 linear feet (28 boxes, 1 oversize folder)
Barnard Hughes (1915-2006) and Helen Stenborg (1925-2011) were prolific stage and screen actors. Hughes was best known for his award-winning turn as the titular character in
Da, and Stenborg performed extensively with...
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Barnard Hughes (1915-2006) and Helen Stenborg (1925-2011) were prolific stage and screen actors. Hughes was best known for his award-winning turn as the titular character in
Da, and Stenborg performed extensively with the Circle Repertory Company. Their papers date from the 1880s to 2011, and chronicle their professional careers and personal collecting interests through posters, programs, photographs, correspondence, engravings, scripts, manuscripts, and award trophies. The collection also contains theater memorabilia that Hughes inherited from Thelma Chandler, a stage manager. The Chandler memorabilia includes correspondence from Margaret Webster, the American director, producer, and actress.
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Barker, Margaret, 1908-1992
Billy Rose Theatre Division | *T-Mss 1992-003
19.61 linear feet (46 boxes)
This collection of personal and family papers, correspondence, production files, scripts, writings, and ephemera provide a wealth of documents on the life of actress, producer and director, Margaret Barker, a founding member of the Group Theatre,...
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This collection of personal and family papers, correspondence, production files, scripts, writings, and ephemera provide a wealth of documents on the life of actress, producer and director, Margaret Barker, a founding member of the Group Theatre, and her family.
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MacMahon, Aline, 1899-1991
Billy Rose Theatre Division | *T-Mss 1990-011
.5 linear feet (1 boxes)
Aline MacMahon was born May 3, 1899 in McKeesport, Pa. After studying and performing with the Neighborhood Playhouse Theatre, she made her Broadway debut in THE MIRAGE (1921). She appeared in over 50 plays, among them THE EVE OF SAINT MARK (1942);...
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Aline MacMahon was born May 3, 1899 in McKeesport, Pa. After studying and performing with the Neighborhood Playhouse Theatre, she made her Broadway debut in THE MIRAGE (1921). She appeared in over 50 plays, among them THE EVE OF SAINT MARK (1942); ROMEO AND JULIET (1959); CORIOLANUS (1965); THE MADWOMAN OF CHAILLOT (1961); and TRELAWNY OF THE 'WELLS' (1975). Miss MacMahon also had a distinguished film career. Her 43 films include notable productions such as FIVE STAR FINAL (1931); ONCE IN A LIFETIME (1932); KIND LADY (1935); AH, WILDERNESS (1935); DRAGON SEED (1944) for which she won an Oscar nomination; THE SEARCH (1948) and ALL THE WAY HOME (1963). She appeared, as well, on radio and television. She died in October 1991. The Aline MacMahon Papers consist of correspondence, programs and photographs which document her career and personal life. The correspondence includes early dealings with the Shuberts and fan mail. Photographs include both personal and professional images. There are also transcripts of oral history interviews highlighting her life and career.
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Appleton, William W., 1915-2014
Billy Rose Theatre Division | *T-Mss 2001-065
The William Appleton collection consists of letters, handwritten manuscripts, "penny plains" and "two-pence coloured" materials, which were small portraits of actors created for the toy theater trade, a once-popular form of home entertainment. The...
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The William Appleton collection consists of letters, handwritten manuscripts, "penny plains" and "two-pence coloured" materials, which were small portraits of actors created for the toy theater trade, a once-popular form of home entertainment. The collection encompasses the late 17th century up through the mid-20th century, although the bulk of the material falls between the mid-18th century and the mid-19th century. The oldest item is a letter from actress Elizabeth Barry to a Lady Lisbourn, dated October 25, 1697. The latest item is a letter from playwright George Bernard Shaw to a J. T. Grien, dated November 28, 1930. The collection contains many letters from prominent theatrical figures, primarily of the English stage, including Ira Aldridge, Dion Boucicault, Edward Gordon Craig, David Garrick, Sir Henry Irving, Edmund Kean, William Charles Macready, Bernard Shaw, Sarah Siddons, Dame Ellen Terry, and others. Also included are black and white portraits known as "penny plains," and color portraits known as "two-pence coloured," depicting actors and actresses of the day in their best known roles. These images were intended for home use in puppet theater-type settings, and most date from the early to mid-1800s, though some date as far back as 1799.
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Bradigan, Kevin, 1951-1993
Billy Rose Theatre Division | *T-Mss 1993-052
7.7 linear feet (19 boxes, 4 oversized folders)
Kevin Bradigan was a photographer, actor, theater technician, and a member of John Vacarro's Play-House of the Ridiculous. The Kevin Bradigan papers primarily document Bradigan's personal life and involvement in the Play-House of the Ridiculous...
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Kevin Bradigan was a photographer, actor, theater technician, and a member of John Vacarro's Play-House of the Ridiculous. The Kevin Bradigan papers primarily document Bradigan's personal life and involvement in the Play-House of the Ridiculous and other experimental theater from the late 1960s to the 1980s. The collection also holds some papers of performers Jackie Curtis and Douglas Fisher.
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Sheffer, Isaiah
Billy Rose Theatre Division | *T-Mss 2014-186
27.9 linear feet (70 boxes, 1 oversized folder, 2 tubes); 483.9 mb (1943 computer files)
Isaiah Sheffer (1935-2012) was a creative force in the New York theatre scene for many years. He co-founded Symphony Space in New York City and served as the organization's artistic director until 2010 and founding artistic director thereafter....
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Isaiah Sheffer (1935-2012) was a creative force in the New York theatre scene for many years. He co-founded Symphony Space in New York City and served as the organization's artistic director until 2010 and founding artistic director thereafter. His papers range from writings, scripts, scores, professional correspondence, and other production-related materials to administrative records concerning his work at Symphony Space.
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Hagen, Uta, 1919-2004
Billy Rose Theatre Division | *T- Mss 2007-001
The Uta Hagen/Herbert Berghof papers document the lives and careers of actress, master teacher, and author Uta Hagen and her husband--actor, director, and master teacher Herbert Berghof. The papers consist of correspondence, personal and family...
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The Uta Hagen/Herbert Berghof papers document the lives and careers of actress, master teacher, and author Uta Hagen and her husband--actor, director, and master teacher Herbert Berghof. The papers consist of correspondence, personal and family papers, diaries, scripts and manuscripts, production materials, blueprints, photographs, scrapbooks, posters, clippings, ephemera, and oversized material. There are also a number of papers relating to the HB Studio and HB Playwrights Foundation, the school and developmental theater founded by Berghof.
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Pearl, Jack
Billy Rose Theatre Division | *T-Mss 1985-001
1.67 linear feet (4 boxes)
The Jack Pearl Papers consist of correspondence, contracts, scripts, programs and photographs and are primarily of his professional life and career.
Thompson, Hallett
Billy Rose Theatre Division | *T-Mss 1951-004
(1 portfolio)
Hallett Thompson (1871?-1938) was an actor and playwright, active from the late nineteenth century until well into the twentieth. While based in his hometown of Gloucester, Mass., during 1898-1900, Thompson was touring the Eastern United States...
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Hallett Thompson (1871?-1938) was an actor and playwright, active from the late nineteenth century until well into the twentieth. While based in his hometown of Gloucester, Mass., during 1898-1900, Thompson was touring the Eastern United States with a repertory company, and he later toured the Vaudeville circuit in one-act plays. His Broadway acting credits include MISTRESS NELL (1900), directed by and starring Henrietta Crosman, EXTRA (1923) with Chester Morris, and MOVE ON (1926). Hallett Thompson also tried his hand as a playwright, and his works include A CAPTAIN OF INDUSTRY and THE HOUSE OF RENAUD (1905). Hallett Thompson committed suicide in his New York apartment on Aug. 13, 1938, at the age of 67. Thompson's widow Irma La Pierre (1880-1951) was an actress who later rented out apartments in New York City. The Hallett Thompson papers consist of some correspondence, holiday cards, and two tablets of hand-written drafts of untitled plays, presumably by Hallett Thompson. It is unclear whether these drafts were ever completed or staged. One tablet is dated March 1906, but neither play is identified. There is a small address book which belonged to Hallett Thompson while he lived in Gloucester, Mass., and a date-book covering the theatrical seasons of 1898-99 and 1899-1900, with titles of plays in which Thompson's troupe performed, cities visited, etc. Thompson also used the book as a checking account ledger. There are a number of holiday cards to Thompson from his daughter Helen. Most of the correspondence dates from 1949-50, and pertains to Mrs. Irma Thompson's occupation as landlady of a building at 255 West 108th Street in Manhattan. Copies of two leases are included.
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Hayes, Helen, 1900-1993
Billy Rose Theatre Division | *T-Mss 1990-026
29 linear feet (42 boxes)
The Helen Hayes papers span the years 1817–1963 and consist of correspondence, the majority from friends and colleagues; speeches and writings, including drafts and handwritten index cards of speeches; clippings from her earliest days in theater...
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The Helen Hayes papers span the years 1817–1963 and consist of correspondence, the majority from friends and colleagues; speeches and writings, including drafts and handwritten index cards of speeches; clippings from her earliest days in theater and covering her work in film, television, and radio; programs for theatrical productions and awards ceremonies; awards and ephemera including her honorary degrees, appointments to committees, and citations for her charitable work; designs including costume designs for theatrical productions and artwork created by friends and colleagues; photographs, including family photographs, candid shots and professional portraits from childhood, production stills and publicity from theater, film, and radio, and portraits by famous photographers; and scrapbooks, some dedicated to particular theatrical productions and others that cover all aspects of her career and life.
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Milliken, J. F., (James Foster), 1847-1917
Billy Rose Theatre Division | *T-Mss 1986-010
J. F. Milliken was an agent for vaudeville entertainers. His papers contain letters documenting vaudeville in the late 1800s.
Wotherspoon, G. (George)
Billy Rose Theatre Division | *T-Mss 1990-024
(1 box + 2 portfolios)
George Wotherspoon was a theatrical and motion picture publicist, theatrical manager, stage critic, and journalist. George Wotherspoon began his theatrical career in 1889, when he managed the Australian and European tour of LITTLE LORD FAUNTLEROY....
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George Wotherspoon was a theatrical and motion picture publicist, theatrical manager, stage critic, and journalist. George Wotherspoon began his theatrical career in 1889, when he managed the Australian and European tour of LITTLE LORD FAUNTLEROY. He was a published critic as early as 1887, and in the summer 1895 he began a daily column for the New York Evening Telegram. In 1899 he began a five-year stint with the New York Evening Journal as reporter and drama editor. Wotherspoon's involvement in motion pictures began as early as 1899, when he promoted a film depicting the Tom Sharkey-Jim Jeffries boxing match. In 1911, he promoted an experimental "Kinemacolor" film of the coronation of King George V. For several years, beginning in 1904, Wotherspoon was a press agent for the Dreamland and Luna Park attractions at Coney Island. From 1917 to 1920, he worked as reporter, columnist, drama critic, and writer of feature stories for the New York Evening Telegram. Throughout this period he also acted as press agent for motion pictures such as CLEOPATRA (1917) starring Theda Bara, D. W. Griffith's ORPHANS OF THE STORM (1921), and Cecil B. DeMille's KING OF KINGS (1927). Wotherspoon continued to act as manager and advance man for stage shows through the 1920s, and, in the waning days of vaudeville, managed units of players who would perform in motion picture theaters prior to the showing of the film. The George Wotherspoon papers consist of a scrapbook of clippings and other items, documents such as letters, caricatures, and photographs, and a poster advertising the 1889 production of LITTLE LORD FAUNTLEROY which was an early milestone in George Wotherspoon's career. The bulk of the collection is found in a scrapbook which was apparently begun by Wotherspoon himself in the 1930s and completed by his daughter Elita Wilson in 1990. Wotherspoon wrote a 9-page Chronology for this scrapbook, covering the highlights of his career from 1889 to 1934. The Chronology is followed by dozens of testimonial letters from various employers speaking highly of Wotherspoon and his professional abilities. Also in the scrapbook are clippings of Wotherspoon's play reviews and theater-related feature stories from the New York Evening Journal circa 1900-1902, and the New York Telegram, circa 1917-1918. Also in the scrapbook, tucked within the front cover, are two items: a souvenir ticket made of silver which commemorates the opening night of INFORMATION, PLEASE!, the premiere attraction at the Selwyn Theatre which opened on October 2, 1918, and a booklet entitled LITTLE MESSAGES OF TRUTH AND FICTION by George Wotherspoon, published in 1917 and featuring what the author considered his best advertising lines. Also in the collection are photographs of Maxine Elliott and Mrs. Leslie Carter.
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Burt, Laura, -1952
Billy Rose Theatre Division | *T-Mss 1952-004
1.25 linear feet (3 boxes)
The Laura Burt Papers document portions of both her personal and professional life as an actress in the U.S. and England from the late 19th century through the middle of the 20th century.
Gomme, Laurence J. (Laurence James), 1882-
Billy Rose Theatre Division | *T-Mss 1993-004
Laurence Gomme was a bookseller, appraiser, publisher and collector. His collection consists of letters, programs, clippings and photographs.
Cornell, Katharine, 1893-1974
Billy Rose Theatre Division | *T-Mss 1965-002
202 linear feet (257 boxes)
: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production...
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: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production materials, programs, photographs, scrapbooks and oversized items.
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Winchester, Jack
Billy Rose Theatre Division | *T-Mss 2002-015
(1 portfolio, 2 letters)
Consists of two letters to Jack Winchester, both written in 1899. The first, dated Jan. 12, is a note of general information from Mr. Winchester's friend Violet Fanshawe, who writes from Utica, New York. The second, dated Feb. 2, is from actress...
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Consists of two letters to Jack Winchester, both written in 1899. The first, dated Jan. 12, is a note of general information from Mr. Winchester's friend Violet Fanshawe, who writes from Utica, New York. The second, dated Feb. 2, is from actress Marie Badeau, who writes from Providence, R.I., thanking Mr. Winchester for contacting a journalist named Felton, of the New London [Ct.] Day, on her behalf. Also enclosed is a clipping in which an anonymous critic, presumably Mr. Felton, praises Miss Badeau's performance in a stage farce entitled KIDNEY STEW, which had recently played the New London Academy of Music.
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Schnitzer, Robert C.
Billy Rose Theatre Division | *T-Mss 1999-028
19.25 linear feet (43 boxes)
The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory...
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The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection.
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Salsbury, Nathan, 1846-1902
Billy Rose Theatre Division | *T-Mss 1961-005
.21 linear feet (1 box)
Nathan "Nate" Salsbury (1846-1902) was producer and manager of Buffalo Bill's Wild West Show, a highly successful show business enterprise that toured the United States, Europe, and elsewhere from the 1880s well into the 20th century, and featured...
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Nathan "Nate" Salsbury (1846-1902) was producer and manager of Buffalo Bill's Wild West Show, a highly successful show business enterprise that toured the United States, Europe, and elsewhere from the 1880s well into the 20th century, and featured William F. "Buffalo Bill" Cody. Born in Illinois in 1846, Nathan Salsbury entered the U. S. Army while still in his teens, first as a drummer boy and eventually as a soldier with the 89th Illinois Regiment of Infantry, fighting in Georgia, Tennessee, and Texas. After the war, he became an actor in various stock companies, appeared for a time with his own troupe, Salsbury's Troubadours, then retired from performing in 1887. Meanwhile, in 1883, Salsbury had been a key figure in the launch of Buffalo Bill's Wild West, an outdoor extravaganza that dramatized frontier life, built around the personality of onetime soldier, scout and hunter William F. "Buffalo Bill" Cody (1846-1917). The show, which also starred sharpshooter Annie Oakley and, for one season, Chief Sitting Bull, was a worldwide success for many years, outlasting its producer and manager Nate Salsbury, who died on Christmas Eve of 1902, at the age of 56. His daughter Rebecca Salsbury James (1891-1968) was an artist who lived for most of her life in Taos, New Mexico. Consists of a typescript of Nate Salsbury's reminiscences, much of which concerns his Civil War experiences, his life as a touring actor, and, briefly, his years with Buffalo Bill's Wild West Show. In addition to Salsbury's memoir, there are four folders of correspondence, mostly written to Rebecca Salsbury, although there is one telegram to Cody and Salsbury from actor Henry Irving. There is one letter dated 1917 to Rebecca's brother Milton Salsbury from actor James O'Neill, and a number of condolence letters to Rebecca upon Milton's death in August 1927, including one from James' son, playwright Eugene O'Neill. There is also a two-page account, written in 1943 by Wild West Show factotum Harry Tarleton, of a musical production Nate Salsbury mounted around 1895 called Black America, which featured an all African-American cast, and toured several cities in the U.S. before it disbanded.
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Nichols, Anne, 1891-1966
Billy Rose Theatre Division | *T-Mss 2001-012
1.42 linear feet. (1 box + 1 oversized portfolio)
Anne Nichols was a playwright best known for the highly successful comedy ABIE'S IRISH ROSE, which opened on Broadway in 1922, ran for five years, and inspired two movies and a radio series. Born in Dales Mill, Georgia, in 1891, Anne Nichols...
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Anne Nichols was a playwright best known for the highly successful comedy ABIE'S IRISH ROSE, which opened on Broadway in 1922, ran for five years, and inspired two movies and a radio series. Born in Dales Mill, Georgia, in 1891, Anne Nichols became an actress as a teenager and appeared on stage and in two early silent movies by the age of 20. Her first full-length work as a playwright was HEARTS DESIRE, written with Adelaide Matthews, with whom Nichols also co-authored JUST MARRIED (1922). Writing alone, Nichols provided the libretto for the musical LOVE DREAMS (1921). ABIE'S IRISH ROSE, a comedy about the romance between an Irish girl and a Jewish boy and the inter-family clash that results, received poor reviews from most critics when it opened in 1922, but audiences loved it, and kept the play running for over 2,300 performances until October 1927. A silent film adaptation starring Buddy Rogers was released in 1929, and a sound version, produced by Bing Crosby, in 1946. The premise was also adapted into a radio series, which ran from 1942 to 1944. Anne Nichols wrote several other plays and directed as well, and later managed property for the Actors' Fund. She died in Englewood Cliffs, New Jersey, on September 15, 1966, at the age of 74. The Anne Nichols papers contain correspondence and writings documenting a portion of her career, with the emphasis on ABIE'S IRISH ROSE. Other materials include legal files dealing with the will of William de Lignemare. There are also files and correspondence dealing with property belonging to the Actors' Fund that Anne Nichols managed for them.
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American Play Company
Billy Rose Theatre Division | *T-Mss 1966-002
49.14 linear feet (117 boxes)
The American Play Company was a New York theatrical agency which represented authors and rights-holders and assisted in the negotiation of theatrical and film licensing. The American Play Company records contain administrative files, contracts,...
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The American Play Company was a New York theatrical agency which represented authors and rights-holders and assisted in the negotiation of theatrical and film licensing. The American Play Company records contain administrative files, contracts, literary department correspondence, and scripts relating to the theatrical rights management business.
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Neilson, Adelaide, 1848-1880
Billy Rose Theatre Division | *T-Mss 1993-003
The Adelaide Neilson Papers consist primarily of correspondence to her mother Anne Bland. Other papers include legal documents, personal items and clippings. The bulk of the materials document her life between 1870 and 1880, the rest of the...
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The Adelaide Neilson Papers consist primarily of correspondence to her mother Anne Bland. Other papers include legal documents, personal items and clippings. The bulk of the materials document her life between 1870 and 1880, the rest of the collection concern her brother's legal dealings over the disposition of her mother's estate.
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Brinker, Una Abell, 1874-1952
Billy Rose Theatre Division | *T-Mss 1989-001
The papers of Una Abell Brinker contain photographs, correspondence, personal mementos, unpublished writings and clippings of both her private life and career in the Newark theater and span the years 1895 to 1952.
Field, R. M. (Richard Montgomery), 1834-1902
Billy Rose Theatre Division | *T-Mss 2000-022
.21 linear feet. (1 box)
Richard Montgomery Field (1834-1902) was manager of the Boston Museum from 1864 to 1898. The Boston Museum began staging musical performances in 1841, then added dramatic performances in 1843 and continued presenting shows for sixty years. Located...
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Richard Montgomery Field (1834-1902) was manager of the Boston Museum from 1864 to 1898. The Boston Museum began staging musical performances in 1841, then added dramatic performances in 1843 and continued presenting shows for sixty years. Located at the corner of Tremont and Bromfield Streets, the museum was founded in 1841 and was known as the Boston Museum and Gallery of Fine Arts until 1847. The final season at the museum was 1902-3. Consists of letters written by members of the theatrical profession to R. M. Field, manager of the Boston Museum, between 1864 and 1884.
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Daly, Augustin, 1838-1899
Billy Rose Theatre Division | *T-Mss 2001-251
9 v, 28 cm; 9 v, 28 cm
Hazelton, George Cochrane, 1868-1921
Billy Rose Theatre Division | *T-Mss 1989-003
19 linear feet (36 boxes; 14 scrapbooks)
The George Cochrane Hazelton Papers consist of diaries, correspondence, ledgers, promptbooks, scripts, photographs, clippings and programs from 1848-1941, documenting Hazelton's private and professional life. After his death, his wife, as...
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The George Cochrane Hazelton Papers consist of diaries, correspondence, ledgers, promptbooks, scripts, photographs, clippings and programs from 1848-1941, documenting Hazelton's private and professional life. After his death, his wife, as executor, maintained the business correspondence and records until 1941. The collection provides detailed and extensive research materials about theater and daily life in the late 19th and early 20th centuries.
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DeMott, George, 1907-1986
Billy Rose Theatre Division | *T-Mss 1956-003
The George DeMott papers consist of correspondence, some diaries/appointment books, contracts, photographs, and scrapbooks. This material is almost all business related, and there are no significant personal papers. The papers are divided into two...
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The George DeMott papers consist of correspondence, some diaries/appointment books, contracts, photographs, and scrapbooks. This material is almost all business related, and there are no significant personal papers. The papers are divided into two distinct parts, with some overlap: items such as contracts and correspondence that relate to the career of Mr. DeMott, and items such as posters, brochures, etc., that he collected, and placed into scrapbooks. The section of the DeMott papers devoted to Booking Agencies and Agents (Series IV) is divided into 18 sub-series, and contains a great deal of correspondence detailing the difficulties George DeMott and his wife Fanny faced booking their act into schools. The scrapbooks comprise the bulk of the collection and contain a variety of items, including clippings, posters, brochures, correspondence, handbills, fliers, photographs, and programs. The oversized material includes a poster and a road map.
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Heister, George
Billy Rose Theatre Division | *T-Mss 2001-068
(1 portfolio)
George Heister was involved in the theater in America throughout much of the 19 century, and worked with many of its prominent figures. Consists of six letters written to George Heister by several professionals of the theatrical world, including...
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George Heister was involved in the theater in America throughout much of the 19 century, and worked with many of its prominent figures. Consists of six letters written to George Heister by several professionals of the theatrical world, including producer/playwright Augustin Daly, playwright Charles Fechter, E. F. Keach of the Boston Museum, and actor Junius Brutus Booth, Jr. Also includes an invitation to the American Dramatic Fund Association dated 1866, and an expression of appreciation from the Providence Theatre Building Committee dated 1838.
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McHugh, Frank, 1899-1981
Billy Rose Theatre Division | *T-Mss 2001-036
1.38 linear feet (4 boxes)
Frank McHugh (1898-1981) was an American stage and film actor, most noted for playing supporting roles at Warner Brothers in the 1930s and 1940s, often supporting stars James Cagney and Pat O'Brian. The Frank McHugh papers document McHugh's film...
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Frank McHugh (1898-1981) was an American stage and film actor, most noted for playing supporting roles at Warner Brothers in the 1930s and 1940s, often supporting stars James Cagney and Pat O'Brian. The Frank McHugh papers document McHugh's film and stage career, World War II activities and his family.
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