Scope and arrangement
The Patti Bown papers (1940-2007) document her career in the performing arts, primarily as a jazz pianist and a composer. The bulk of the material concerns her work as a performer and composer from the 1960s to the 1990s. There is also a small amount of material related to her personal life. The collection contains clippings, programs, fliers, posters, scores, scripts, contracts, resumes, correspondence, photographs, and Bown's writings and notes.
Personal papers include Bown's passports; Edith Mary Bown's 1940 yearbook from the Immaculate High School in Seattle; materials about Westbeth Artist Housing, where Bown began living in 1973; and letters from friends and family, including Bown's sister, Millie Russell. A small number of drafts of Bown's own letters are also present.
Professional papers span the 1960s to the 2000s, though they date primarily to the 1980s and 1990s. The materials include resumes, biographies, and press sheets, which give overviews of Bown's career. Bown's performing career is primarily documented through printed material, such as programs, fliers, posters, and clippings. There are also contracts, letters of reference, and letters regarding bookings. Shows and performances documented in the professional papers include Free and Easy and the subsequent European tour of Quincy Jones' band; festivals such as the 1988 North Sea Jazz Festival and the 1992 Spoleto Festival USA; the film Older Women and Love (1987); and plays such as And I Ain't Finished Yet (1981) and Christchild.
Bown's other professional activities, such as teaching and public speaking, are also documented in the professional papers through printed material, correspondence, contracts, and writings. These include materials concerning the Bennington Jazz Lab, where Bown taught in 1976. Writings related to Bown's professional activities include copies of her paper, "Black Music as a Force for Social Change," presented in 1989. Other materials include a proposal and certificate of incorporation for the Universal Arts and Folklore Organization, which Bown cofounded in 1983 with writer and musician Japhet Ongati Okari. Bown's notes from workshops she attended on fundraising and non-profit management are also present.
Scores consist mostly of lead sheets and piano scores. There are also chord charts and parts for some compositions. The collection contains manuscript scores and published sheet music for many of Bown's own works, including "Back in Seattle With You," "Come and Be My Baby," "Devil's Dance," "Dimity," "Freedom Freakdom," "Goin' Home," "Glasnost: Song of Peace," "G'Wan Train," "Hopscotch," "I Love Afrika," "I'd Rather Have a Little Bit of Something," "Nacupenda," "Nirvana," "Nothin' But the Truth," "Pickin' 'Em Up and Layin' 'Em Down," "The Silver Sand," and "The World Is a Toy Shop." There are also sketches and unidentified pieces composed, arranged, or copied by Bown. Music by other composers includes songs from the television special "Monsanto Night Presents Lena Horne," conductor's scores for "God Bless the Child" as sung by Dinah Washington and for "I Can Do That" as sung by Sammy Davis, Jr., and lead sheets for songs from the musicals Hair, Little Me, and Promises, Promises. Some of the scores have Bown's annotations. Scores also include a set of parts for "Voice It!", composed by Thomas Göller. Lyrics, by Bown and others, are filed with the scores.
Scripts in the collection are from theatrical productions that Bown worked on as musical director, musician, or actor. The script for the Lena Horne television special is also present.
Photographs date from about the 1940s to 2002. The majority of the photographs are publicity shots of Bown from the 1960s to the 1980s. There are also photographs of friends, family, and colleagues, and two drawings of Bown.
Arrangement
The collection is arranged in six categories: Personal Papers, Professional Papers, Scores and Lyrics by Patti Bown, Scores and Lyrics by Other Composers, Scripts, and Photographs and Drawings.