[Arrangements of choral music by various composers] / Deems Taylor

1917-1920?

Deems Taylor was born on December 22, 1885 in New York City, and attended Ethical Culture for secondary school there. While a student at New York University he wrote four comic operas with William LeBaron, one of which received the attention of theatrical producer Charles Dillingham and was produced by him. Taking the advice of Victor Herbert, Taylor studied music theory with Oscar Coon. Meanwhile Taylor also began to publish music criticism, first for the New York Press, and later for the New York Tribune (1916-1917), Collier's Weekly (1917-1919).

Sometime during the mid 1910s Taylor formed a close friendship with Percy Rector Stephens, a vocal instructor and conductor of the Schumann Club. The purpose of the Schumann Club was to deliver programs for women's vocal ensemble that would follow as closely as possible the structure of the artist recital programs. Taylor approached the task with enthusiasm. In addition, Taylor published arrangements and translations of songs and choral music up through 1920.

Deems Taylor was music critic for the New York World from 1921 through 1925. He continued musical criticism by becoming editor of Musical America (1927-1929) and critic for the New York American 1931-1932). He was pressed into service for radio broadcasts and had a well-received series on music appreciation. He was also commentator for broadcasts of the Metropolitan Opera and the New York Philharmonic. As a result of his reputation as educator, he was selected by Walt Disney as commentator for the film Fantasia (1940). He published articles and several books, The Well Tempered Listener (1940), Walt Disney's Fantasia (1940), Music to My Ears (1949), Some Enchanted Evenings: The Story of Rodgers and Hammerstein (1953).

After the 1920s Taylor composed large scale works. His orchestral suite Through the Looking Glass was well received. His reputation grew after the premiere of his first mature opera, The King's Henchman (1927), which had its premiere at the Metropolitan Opera. Excerpts from The King's Henchman were selected for the inaugural broadcast of the Columbia Broadcasting System (CBS) in September 1927. This was surpassed by his next opera, Peter Ibbetson which also premiered at the Metropolitan Opera in 1931 which stayed in the repertory for four seasons. Succeeding works were less well received. They include the operas Ramuntcho (1942) and The Dragon (1958), as well as orchestral works and cantatas.

Deems Taylor died in New York City on July 3, 1966.