Scope and arrangement
The collection dates from 2005 to 2015 and is comprised of digital photographs of eighty-three different flamenco artists performing live in Southern California, and fifteen electronic promotional posters designed by Bisenz. The photographs are all candid shots that utilize natural lighting, refrain from the use of a flash, and depict the performers as they appeared to the audience. Many of the photographs have been edited by Bisenz to include added text and graphics.
The Bruce Bisenz flamenco photographs are arranged in four series:
-
2005-20153.4 gigabytes (40 computer files)
This series contains an overview of Bisenz's photographs, and features thirty images handpicked by the photographer that represent the highlights of his body of work. There are twenty different artists depicted in this series, including Yolanda Arroyo, Lakshmi Basile, Maria Bermudez, Leilah Broukhim, Rafael Campallo, Richard Chavez, Marlon Dorantes, Adrianna Maresma Fois, Joaquín Grillo, Manuel Gutierrez, Carmen Ledesma, Lyn Nacif, Timo Nuñez, Paloma Rios, Antonio Rodriguez, Mizuho Sato, and Briseyda Zárate.
-
2005-201535.5 gigabytes (312 computer files)
The photographs in Series II consist of digital images of eighty-three performers which are arranged alphabetically by last name. There are one to twenty-two photographs of each artist, some of which span as much as a decade of a single performer's career. The photographs showcase performances at the Fountain Theatre in Los Angeles; the Morgan-Wixson Theatre in Santa Monica; and the Topa Tower Club in Oxnard.
-
2013-2015493 megabytes (6 computer files)
This series contains digital photographs used to promote the 2011 documentary, Kumpanía: Flamenco Los Angeles.
-
2005-2015446 megabytes (11 computer files)
Series IV includes promotional posters designed by Bisenz that utilize his digital photographs. The items in this series were used to promote performances at the Fountain Theatre, Morgan-Wixson Theatre, the Topa Tower, and 2013 screenings of Kumpaníea: Flamenco Los Angeles.