Found 3 collections related to African Americans in the performing arts -- New York (State) -- New York

African-American impresario and director of the Manhattan Concert Bureau, previously called the Manhattan Artist Bureau, a management firm for Black performers in the 1930s and 1940s. Correspondence, financial records, miscellaneous writings and printed matter documenting Charles Marshall's professional activities as director of the Manhattan Concert Bureau from 1937 to 1940, and the career and concert appearances of Black entertainers he represented or sought to represent: Heppie Ross, pianist and lecturer; Harry T. Burleigh, composer, and Massie Patterson, Ruby Elzy, Hazel Harrison and Aubrey Pankey, singers. Also included are letters from Marshall to colleges and universities regarding possible concert engagements, and a letter with attachments from Black historian and author Alexander Gumby. less

Stella Holt was the director and producer of the Greenwich Mews Theatre, an Off Broadway theater in New York, New York. A friend of Langston Hughes, she was one of the first producers to use integrated casts. Prior to her career in theater, Holt graduated from Cornell University, worked as a social worker, and managed art exhibitions. The Stella Holt papers include correspondence, news clippings, broadsides, programs, and sheet music relating to various productions at the Greenwich Mews Theatre, as well as materials for the Citizen's Council of the Upper West Side, of which Holt was executive secretary. Also included are several essays, poems, and playscripts, some of which were produced at the Theatre, by Langston Hughes. less