Found 24 collections related to Technical drawings

Derek McLane (born 1958) is an American set designer who has designed for theater, opera, television, awards events, and trade shows. The set designs in this collection chronicle McLane's professional career and date from 1988 to 2015. The collection contains working drawings and plans for backdrops; front and side elevations of scenery and props; construction and lighting specifications; texture, color, and paint samples; reference images; and ground plans of theaters and show spaces. less

The Mercantile Collection, 1726-1950, is a synthetic collection documenting mercantile and other business activities from the early-17th to the mid-20th centuries, especially in the northeastern United States. It consists of papers and records created by persons, firms, and companies engaged chiefly in trade, finance, insurance, mining, railroad management, shipping, and whaling. A few items pertain to manufacturing and real estate. Transatlantic commerce in the colonial and early-national period, and the early railroad industry in America, are strongly represented. Notable material includes the assorted papers of New York City and Philadelphia merchants, among them members of the Pemberton family of Philadelphia; Vice-Admiralty court proceedings; and the incomplete ledger of an 18th-century New York City druggist. less

Wolfgang Roth (1910-1988) was a set designer, costume designer, and artist. Roth began his career in Germany in the 1920s, and immigrated to the United States in 1938. He designed for Broadway and off-Broadway plays and musicals, operas, and national and international touring productions. The Wolfgang Roth designs and papers date from 1928 to 1987, and consist of Roth's scenic and costume designs, technical drawings, photographs, sketches, production notes, scripts, programs, clippings, and a small amount of correspondence. Also present is material related to Roth's art exhibits and musical projects. less

Richard Hoover (b. 1947) is an American scenic designer, production designer, and art director for theater, television, and film. The collection represents Hoover's professional work as a scenic designer for theater and as a production designer and art director for television and film. It contains designs, production binders, photographs, sketches, and video recordings related to his career from 1969 to 2015. less

The Theatre Guild Technical Drawings and Other Production Materials primarily consist of miscellaneous technical drawings and other items documenting various productions put on by the independent production company. The contents of the individual files on productions, mainly dating from the 1920s and 1930s, vary, but may include ground plans, stage plans, and light and/or property plots. less

Bion J. Arnold (1861-1942) was an engineer who advised Chicago and other cities on the development of their electric transit systems. He devised the plan for the electrification of Grand Central Terminal in New York City. Collection consists of mainly engineering papers with some personal papers of Arnold. less

Captain Percival Drayton (1812-1865) of Charleston, South Carolina and Philadelphia, Pennsylvania was a distinguished U.S. Navy officer who served in the Union Navy during the Civil War. The Percival Drayton family papers, 1827-1967, chiefly document Percival Drayton's naval career, particularly during the Civil War. Drayton's papers, 1827-1865, comprise correspondence, naval orders and reports, a diary, financial papers, and certificates. The remainder, 1845-1967, consists of papers created or received by other Drayton family members and relatives, as well as ephemera, photographs, and printed material, mostly pertaining to Percival Drayton. Also included are letters written by an unidentified relative, a naval notebook, and later family correspondence regarding Drayton's naval service, as well as two manifest books for shipments of tobacco in the Maryland-District of Columbia area, 1803-1817, their connection to the Drayton family being unclear. less

Desmond Heeley (1931-2016) was a British-born costume and set designer for theater, ballet, and opera who worked internationally. Through original sketches, prints, production bibles, reference files, photographs, and correspondence, the Desmond Heeley designs and production files primarily document the North American portion of Heeley's career. less

Richard Harrison Senie (1916-1986) was an artist and scenic designer. The Richard Harrison Senie papers, dating from the 1920s to 1964, document his life and career through stage and set designs, visual art, photographs, programs, letters, scrapbooks, and writings. less

Ben Edwards (1916-1999) was an American scenic designer and art director, and occasional lighting designer, costume designer, and producer, working in theatre, industrial shows, film, and television. The Ben Edwards designs and papers (1884-1999, bulk dates: 1938-1999) document his career and personal life with designs, drawings, research files, letters, and other files. less

George A. Harwood was the chief engineer for the New York City and Hudson River Railroad Company during the construction and electrification of Grand Central Terminal between 1903 and 1913. His collection of material related to Grand Central Terminal consists of reports and photographs documenting the background and construction of the terminal and its electrification dating from 1906 to 1914. Also included are maps and plans created by the West Side Improvement Engineering Committee in May 1927, for the project which later became the High Line. less

Scenic designer Richard Harrison Senie, born in 1916 in New Hampshire, designed sets for several television shows, many of which were produced by NBC Studio, such as I remember Mama, the Armstrong circle theatre, and The Gabby Hayes show. In 1951, Senie also designed the sets for Broadway's St. Joan, which opened in Oct. 1951 at the Cort Theatre. He died in 1986 in New York City. Originals and copies of set designs, sketches, and technical drawings such as elevations, floorplans, and hanging plots. Designs are primarily for television sets of shows produced by NBC, but also include designs and a three-dimensional stage model for St. Joan, Senie's only theatrical production. less

The USO (United Service Organizations, Inc.) was formed in 1941 by Pres. Franklin D. Roosevelt, as the outgrowth of several organizations wishing to support the military troops as the U.S. entered World War II. During its initial years of operation (1941-1947), the Camp Shows brought entertainment to United States and Allied service men overseas, at home, in hospitals, and in occupied territories. Theater productions as well as entertainment featuring Hollywood personalities and novelty performers entertained servicemen all over the world. Original drawings of color painter's elevations, set designs, elevations, other technical drawings, and sketches for USO Camp Shows productions that played nationally and internationally during the 1940s. Although the majority of the designs and elevations are by Bradford Ashworth and Paul Morrison, other designers represented include Ralph Alswang, Howard Bay, Frederick Fox, Carl Kent, Arthur Knorr, Bruno Main, Raymond Sovey, Miles White and Edward E. Wolf. Perry Watkins, the first African-American set designer on Broadway, also designed a number of Camp Shows productions. Girl crazy, Junior miss, Panama Hattie, Porgy and Bess, and Shuffle along are especially well-documented and include production-related papers, such as property lists and memoranda. less

Award winning designer of sets and costumes and a theatrical producer, Lemuel Ayers (1915-1955) had a brief but brilliant career with extensive Broadway credits including High button shoes and Oklahoma! He was born in New York City and received a degree in architecture from Princeton University and a degree in drama from the University of Iowa. Original set designs, working drawings and sketches, blueprints, elevations, floor plans, and sections by Lemuel Ayers for the following productions: Ariadne auf Naxos (opera; Central City Opera House, Central City, Colorado), 1954; Angel street (also titled Gaslight) by Patrick Hamilton, 1941; Bloomer girl by Sig Herzig and Fred Saidy, adapted from a play by Lilith and Dan James; music by Harold Arlen; lyrics by E.Y. Harburg, 1944; Camino real by Tennessee Williams, 1953; Cyrano de Bergerac by Edmond Rostand, adapted by Brian Hooker, 1946; Inside U.S.A. (revue, book by Arnold Auerbach, Moss Hart, Arnold B. Horwitt, Joseph Stein, and Will Glickman; music by Arthur Schwartz; lyrics by Howard Dietz), 1948; Kiss me Kate (book by Sam and Bella Spewack; music and lyrics by Cole Porter), 1948; The pajama game (book by George Abbott and Richard Bissell, based on the novel, 7 1/2 cents, by Richard Bissell; music and lyrics by Richard Adler and Jerry Ross), 1954; The pirate by S. N. Behrman, adapted from a play by Ludwig Fulda; music by Herbert Kingsley, 1942; and St. Louis woman (book by Arna Bontemps, Countee Cullen; music by Harold Arlen; lyrics by Johnny Mercer), 1946. less

Nat Karson, producer and designer of costumes, sets, and lighting in theatrical and television productions in New York, was born in Zurich, Switzerland in 1908, and moved to Chicago at an early age. He moved to New York in 1929, and worked in theatre productions at the Federal Theatre Project, including the all-black-cast production of Macbeth (1936), directed by Orson Welles. Karson also produced and created set, costume and lighting designs for theatrical productions on Broadway and elsewhere, such as the 1939 New York World's Fair. He served as the art director of Radio City Music Hall (1936-1943), and in 1948 he became consultant producer at the Columbia Broadcasting Company. His credits include The Hot Mikado (1939), Keep off the grass (1940), and Hamlet at the Kronberg Festival in Denmark (1949). Nat Karson died in New York City in 1954. Originals and copies of color costume and set designs; sketches and costume plots; technical drawings; and storyboards by Nat Karson for theatrical and television productions in New York during 1931-1949. The collection also includes 2 sketchbooks of set designs, several cut-outs of stage models, 1 caricature, 2 posters, and some black & white photographs. less

The Dennis Parichy lighting designs and papers, dated 1964 to 2009, document Dennis Parichy's career as an American lighting designer for Broadway, Off-Broadway, and regional theatres. This collection holds lighting designs, scripts, contracts, playbills, memos, notes, production calendars, fabric swatches, and audio recordings. less