Found 195 collections related to Authors, Black

Born in Toledo, Ohio, activist, entrepreneur, and writer Kevin McGruder attended Harvard University (BA in Economics) and Columbia University (M.B.A. in Real Estate Finance). In 2007, he began his doctoral studies in History at the Graduate Center of the City University New York. In 1990, McGruder opened Home to Harlem, one of the first souvenir shops in Harlem, and currently co-owns Harlemade, a souvenir shop also located in Harlem. He was a board member of Other Countries, a black gay writers collective, and the executive director of Gay Men of African Descent (1997-2001). McGruder's essay, "Colleagues", appears in Other Countries' second journal, Sojourner: Black Gay Voices in the Age of AIDS; his essay, "I Hate Basketball", appears in Fighting Words: Personal Essays by Black Gay Men, edited by Charles Michael Smith, and his essay, "To Be Heard in Print: Black Gay Writers in the 1980s", appears in Obsidian III: Literature in the African Diaspora. The collection contains biographical and genealogical information for McGruder and his family; his writings; correspondence, business and financial records, promotional materials, and news clippings for Home to Harlem; minutes from board meetings, strategic plans, journals, membership information, newsletters, flyers, and news clippings related to McGruder's involvement with Other Countries and Gay Men of African Descent. less

Alan L. McLeod is emeritus professor of literature at Rider University, New Jersey, as well as a literary critic and editor of several volumes. McLeod researched and wrote about the life and work of Jamaican born, Harlem Renaissance writer Claude McKay from 1971-1992. His work on McKay includes editing The Negroes in America (1979), a work by McKay. The Claude McKay research collection (1971-1992) consists of printed material and photocopies of letters, poems, and articles from various manuscript collections. The printed material consists of copies of poems by McKay. The photocopies include letters from McKay to his daughter, Hope; William Stanley Braithwaite; Carl Cowl (Harvard University); Ivy and Harold Jackman; Arna Bontemps; Max Eastman; and Carl Van Vechten (Atlanta University). There is also a folder of McLeod writings on McKay, and a folder of articles about McKay by other authors. less

Harriet Pickens joined the WAVES (Women Accepted for Volunteer Emergency Service) in 1944 as a member of the Women's Reserves in the U.S. Naval Reserve. She was one of two African American women to be sworn in as an officer, and she was commissioned as a lieutenant following her training, the first to receive this high rank. The Harriet Pickens papers primarily contain documentation regarding her military service as a lieutenant in the WAVES (1944-1946) and her public service work. less

Ron Simmons, an early Black LGBTQ (Lesbian, Gay, Bisexual, Transgender, and Queer or Questioning) rights activist in the 1970s and 1980s. The Ron Simmons papers contain manuscripts for several of his writings, correspondence, research material, and material related to his professional work. less

Ira L. Jeffries author, playwright and journalist, had a productive career in New York City's off-off Broadway Theater and African American communities. The Ira Jeffries papers consist of biographical material including correspondence, memoirs, notebooks, and journals. less

African-American composer, musician, and arranger, Hall Johnson is best known as a choral director and for his arrangements of spirituals. In 1925, Johnson formed the Hall Johnson Negro Choir, which performed spirituals in the traditional style. The Hall Johnson Choir, which he organized in 1928, performed on Broadway in Marc Connolly's play Green Pastures (1930), for which Johnson was music director. Johnson was known for his compositions as well as the articles he authored that discussed the history of spirituals and their performance practice. The Hall Johnson Collection contains a miscellaneous assortment of material including correspondence and news clippings regarding a workshop Johnson held in East St. Louis, Missouri, in 1969; and a letter to Katherine Dunham explaining his need to give more time to the inexperienced chorus. There is a music book with some holographic music; a poem he authored "Changelessness" (1956); and a few notes. This collection also includes biographical notes and personal recollections written in 2001, by Madeline Preston, a friend and member of his choir, along with a letter Johnson wrote to her in 1956. less

The Wallace Bass Boyd collection is comprised of forty-seven journals, biographical accounts and geographical descriptions of Black life in the South, as well as drafts of his writings from 1985-2007. The journals primarily capture Boyd's day-to-day experiences spanning across his undergraduate, graduate, and post-graduate years. Four of the forty-seven journals are written to family members and aspiring artists. Notations about art and his artistic practice can also be found throughout the collection. less

Pearl Bailey (1918-1990) was an African American actress and singer. In films, she was known chiefly for two roles: Maria in Porgy and Bess(1959) and Frankie in Carmen Jones (1954). She was also known for her starring role on Broadway in an all-Black cast version of Hello Dolly. During World War II, Bailey toured with the USO, performing for American troops. Beginning in 1946, she was a top attraction in nightclubs, variety houses, and television programs in the United States and Britain. At age 67, in 1985, she graduated from Georgetown University with a bachelor's degree in theology. Between 1968 and 1989, she published six books on her life, cooking, and educational experiences. Bailey served as a special ambassador to the United Nations in 1975 and 1989, and in 1988, received the Presidential Medal of Freedom. The Pearl Bailey letters (1943-1989) consist of correspondence between Bailey and her friend, Lillian Morrison, a published author, compiler, and editor of children's and young adult books as well as a librarian at the New York Public Library, 110th Street Branch. Most of the letters were written by Bailey, and refer to her various endeavors, including her USO work at Fort Huachucha in Arizona; recordings of the song "Tired", which was one of her hit songs; Disney's The Fox and the Hound, for which she provided one of the voices; and her service with the United Nations. As both women were published authors, several of the letters make reference to this fact and to their long friendship and shared birthday, March 29, 1918. The letters do not provide a great amount of detail about Bailey's show business career. less

These interviews consist of six oral history interviews conducted by Theodore Kornweibel in 1970-1972, to provide firsthand accounts for his book No Crystal Stair: Black Life and the "Messenger," 1917-1928, published in 1975. The book examines the political, economic, and social alternatives available to Black people in the 1920s, including Garveyism, socialism, and trade union movements. Interviewees are: Arna Bontemps, James Ivy, Theophilus Lewis, Ernest Rice McKinney, A. Philip Randolph, and George S. Schuyler, all of whom either contributed articles to the Messenger or were on its board. less

This collection includes Witherspoon's published and unpublished poetry, including his best known works: An American Haiku Novel and On the Stair, both in his signature style of linked-haiku or renga. A travel journal kept in Africa, a critique of the Kenyan educational system, a play about the Black hijacker of a bus, an educational program report, various printed material, notebooks, and miscellaneous correspondence complete the collection. less

Father Divine (aka George Baker) was an African American religious leader and founder of the Peace Mission movement. The Father Divine collection consists primarily of material related to the broadcasting of Father Divine's sermons and messages over two radio stations. less

John A. Kenney, an African American physician, was a graduate of Hampton Institute and Leonard Medical School at Shaw University. From 1902-1924, he served as resident physician and director of Tuskegee Institute's Hospital and Nurse Training School and was a founder of the John A. Andrew Memorial Hospital, also in Tuskegee. Forced to leave Tuskegee, Kenney relocated to New Jersey, and with his own money, built the Kenney Memorial Hospital in Newark, New Jersey, to serve African Americans. This private hospital opened in 1927 and in 1934, Kenney converted it to a community hospital, renaming it the Community Hospital of Newark. Kenney was also the founder and editor of the National Medical Association Journal. The NMA is the largest and oldest organization representing African American physicians in the United States. Kenney died in 1950 at age 67. The John A. Kenney writings consist of seven addresses which Kenney presented to various academic bodies. The speeches cover his medical background and accomplishments at Tuskegee Institute, including the construction of an infantile paralysis unit at the John A. Andrew Memorial Hospital; his service for the National Medical Association; African Americans' contributions to surgery; and a description of the way that he used his personal investments to fund the construction of the Kenney Memorial Hospital and other medical causes. less

Best known for her performance in the title role of the original 1943-1944 Broadway production of Carmen Jones, Muriel Rahn (1911-1961) developed a reputation as a performer who was equally talented as a singer and an actress. The Muriel Rahn papers contain materials related to her performing career. less

Pearl Primus (1919-1994) was an internationally recognized dancer, choreographer, and anthropologist. She is best known for presenting African dances, which she researched in Africa; studying their function and meaning; and performing before American audiences. She and her husband and partner, Percival Borde, conducted research in Africa from 1959 through the 1960s, and established a performing arts center in Liberia. However, Primus found her creative impetus in the cultural heritage of African Americans, exploring racism, as well as the dignity, beauty, and strength of Black people. Primus received an M.A. in education (1959) and a Ph.D. (1978) in dance education from New York University. In addition to teaching at such colleges as the five college consortium in Massachusetts, she founded several schools, one of which is the Pearl Primus Dance Language Institute, where her method of blending African American, Caribbean, and African influence with modern dance and ballet was taught. The Pearl Primus collection consists of two interviews conducted by Marcia Ethel Heard (1989) and James Briggs Murray (1992) with Pearl Primus, covering her dance career in the 1940s, the late 1980s, and the meaning of dance to her personally. There are a few programs, news clippings, and articles, as well as eight colored costume sketches for unidentified and undated dances. less

Successful in animation and film for four decades, Tee Collins was the first creative designer to produce the premiere animated spot for Sesame Street. Known primarily for his creation of "Wanda the Witch" (1969), a character on Sesame Street, Collins also received the Children's ACT award for his invention of the first animated Black princess, "The Songhai Princess." He developed his own studio in New York, working in both national and international television for which he created many award winning animated spots. Collins also taught animation at the University of Central Florida for 11 years. The Tee Collins collection is made up of biographical matter, including a resume, lists of awards and credits, University of Central Florida material and Collins's basketball memorabilia; tribute materials celebrating Collins's 40 years in animation and film, consisting of flyers, brochures, and programs (some photocopies) of events that took place at UCF, the Schomburg Center, and the Harlem Collective; correspondence, including a letter from Joan Ganz Cooney; and articles covering Collins's accomplishments in his career in animation. less

Samuel Carroll Buchanan received his Ph.D. from New York University in 1987 with a dissertation on Black quartets in the United States. He also sung with several groups, including the Charioteers, the Carr-Hill Singers, and the Gulf Coast Community Choir. Buchanan taught music in the New York City school system as well as at Five Towns College in Seaford, New York. Additionally, he worked as an administrator in the Peace Corps, serving in Nigeria, Ghana, and Kenya. Buchanan died in December 2010. The Samuel Carroll Buchanan collection contains letters, sheet music, programs, and research materials related to quartet singers. There are two letters from Harry Douglass, a leader in the famous quartet the Deep River Boys, which began in 1936 at Hampton Institute (now Hampton University) and a score by Douglass, "Come Rain or Shine". Additionally, there are two programs in the collection, the United in Group Harmony Association's "20th Anniversary Weekend Celebration" (1996) and the Blues and Rhythm Jubilee's "Whisky, Women, and ..." (1982). The research materials consist of photocopies of correspondence mainly from and to George F. Ketchum of Hampton Institute, detailing various opportunities involving the Hampton Quartette. less

Helen Armstead-Johnson (1920-2006) was an English professor and the founder/director of the Armstead-Johnson Foundation for Theater Research, whose purpose was to collect, preserve, document and exhibit African-American contributions to the American stage. The Helen Armstead-Johnson papers reflect some aspects of the personal life and professional career of this African American theater historian and educator. less

Cecil Anderson, also known as the "Duke of Iron," was an internationally known Calypso performer and composer. A native of Trinidad, Anderson moved with his family to New York in 1923. During his active years (1930s-1960s), he was influential in promoting the spread of this Afro-Caribbean music genre throughout the United States. Among his most popular songs are "Matilda", "Out De Fire", "Last Train to San Fernando", "Ugly Woman", "Big Bamboo", and "Don't Stop the Carnival.". The Cecil "Duke of Iron" Anderson collection contains newspaper clippings, a scrapbook, performance flyers and programs, invoices, booking requests, and copyright certificates. Some materials pertain to his daughter, Velma M. Anderson. less

Chester Higgins (born 1946 in Lexington, Kentucky) has worked as a New York Times staff photographer since 1975 and has exhibited in museums and galleries throughout the world. Higgins is the author of several books including Black Women (1970), Drums of Life (1974), Some Time Ago: A Historical Portrait of Black America from 1850 to 1950 (1980), Feeling the Spirit: Searching the World for the People of Africa (1994), Elder Grace: The Nobility of Aging (2000), Ancient Nubia: African Kingdoms on the Nile (2012), and his memoir, Echo of the Spirit (2004). The Chester Higgins artist file consists of an extensive curriculum vitae (2008), postcards of selected photographs, announcements and invitations to his solo exhibitions (1974, 1990-2012), and a press kit for the exhibition "Invoking the Spirit: Worship Traditions in the African World", which was on view at the Schomburg Center for Research in Black Culture. Also in the file are announcements to his lectures; copies of his weekly column, "Lens", which was published in The New York Times (1992, 2006); reviews of two of his books; a sales blad for Feeling the Spirit; and a calendar and teacher's resource manual for his book Elder Grace. Articles featuring his photographs in The New York Times Magazine" and a variety of other magazines complete the collection (1990-2007). less

Joan Ross Sorkin is a playwright, opera librettist, musical theater bookwriter, lyricist, and screenwriter. Sorkin was born in New York City and attended the University of Rochester, as well as the London School of Economics and Political Science, where she studied history and politics. She went on to work as a research analyst in the Civil Rights Division of the U.S. Department of Justice, where she gained interest in race relations, a theme which has influenced several of her theatrical works. After earning a law degree and practicing law on Wall Street, Sorkin began writing plays and musical theater including the opera Strange Fruit and the play (mis)UNDERSTANDING MAMMY: The Hattie McDaniel Story. . Her plays, operas, musicals, and cabarets have been presented off-Broadway and at regional theaters, earning her national acclaim. Sorkin is currently a member of The Dramatist Guild, BMI Musical Theater Workshop, and New Vic Collaboratory. The Joan Ross Sorkin collection, 2003-2010, is comprised of materials documenting two of her works, the opera Strange Fruit and the play (mis)UNDERSTANDING MAMMY: The Hattie McDaniel Story, which are based on race relations and events from American history. The collection contains libretti, a piano score, programs, press releases, and reviews pertaining to the two works. less

Cheryl Boyce-Taylor was born in Arima, Trinidad, and migrated to St. Albans Queens at the age of thirteen. Boyce-Taylor attended a Seventh Day Adventist high school in the Bronx, and completed undergraduate studies at City College of New York. Boyce-Taylor later completed an MFA in Creative Writing at the University of Southern Maine, Stonecast. She married Walt Taylor at the age of 19, and gave birth to her son, Malik Isaac, a year later. In the early 1970s, she formed the Boyce-Taylor Theatrical Company and began performing her poetry. She began taking her poetry more seriously after completing a course at Hunter College with Audre Lorde during this same time period. Boyce-Taylor has published several full-length poetry monographs including: As A Woman I Laugh and Cry: Poems, Birthsounds, Rhythms and Other Contractions, Convincing the Body, and Raw Air. Her work has been featured in magazines and journals such as Callaloo, in addition to her notable work with choreographer Ron K. Brown's Evidence Dance Company. The Cheryl Boyce-Taylor papers, 1982-2014, partially document the artistic and personal life of poet, visual and teaching artist, Cheryl Boyce-Taylor. The collection contains biographical material, such as correspondence and interview transcripts; writing material, such as manuscripts, drafts; and printed matter, such as programs, flyers, and clippings. less

Shirly Stark, born in New York City in 1927, was an African American artist, an art professor who specialized in sculpture, and a poet. Stark moved to Detroit, Michigan, with her second husband where she discovered her love of sculpting and began studying art at Wayne State University. Only five years later, Stark left her job at the Internal Revenue Service to study art in Italy. When Stark returned from Europe, she received a grant for a residency at MacDowell Colony in New Hampshire and a work-study grant from the Wurlitzer Foundation in New Mexico to continue her work as an artist. In 1972, Stark's experience with carving basalt helped her become assistant to Dimitri Hadzi, internationally renowned sculptor, while he worked on a project in Eugene, Oregon. Stark was later appointed as the first female Mellon Chair in Sculpture at Carnegie-Mellon University in 1975. She died in Denver, Colorado, in 2006. The Shirley Stark Papers contain very little biographical information and no documentation of her work as an artist. It contains a small amount of letters (1996-2001), poetry (1996-2006), drafts, and a publication. Most of the letters are written by Stark to poet Gale Jackson. The poems include a selection of Stark's completed works and drafts; some were written in Taos, New Mexico during a 1998 Wurlitzer writing fellowship. less

Sonja Dumas is a performer, choreographer, writer, arts consultant, film director, producer, and founder and artistic director of a dance company called Continuum Dance Project. She was born on December 9, 1961 and grew up in the United States, Ethiopia, and the Republic of Trinidad and Tobago. Dumas attended Princeton University and earned her MBA from Columbia University. As a dancer and choreographer, Dumas has toured and performed in the Caribbean and Europe. Dumas has also worked as the curator of several art exhibitions showcasing the works of Caribbean artists, directed and produced several short films and one documentary, and written stories for children and young adults. She also lectures in dance and performance studies at the University of Trinidad and Tobago. Dumas has received several awards and fellowships including the Trinidad and Tobago Film Festival Best Local Film award in 2010 for her film Julia and Joyce, a choreography award in 1996, and a Kennedy Center Fellowship for choreography. The collection is comprised of the exhibition catalogues from the art and photography exhibits curated by Sonja Dumas. The exhibits were located at The Gallery at CLICO in Trinidad, Meridian International Center in Washington D.C., and Campbell's of London in the United Kingdom. Among the many Caribbean and Trinidadian artists represented in the exhibition catalogues are Boscoe Holder, Peter Minshall, Jackie Hinkson, and Lisa O' Connor. less