Found 173 collections related to Authors, Black

The W.E.B Du Bois collection consists of a small body of speeches, articles, correspondence, and related material primarily authored by Du Bois. Of special interest is a typescript, with editorial comments, of the first two chapters of Du Bois's autobiography Dusk of Dawn: An Essay Toward an Autobiography of a Race Concept (1940-1942). The collection also includes a typescript of an article entitled "Miscegenation" (1935). There are thirteen speeches and a book review, ranging in subject matter from "The Talented Tenth", a tribute to Dr. Carter F. Woodson, race relations, labor issues, Franklin D. Roosevelt, and Mahatma Gandhi. One of the speeches, "What the Negro Wants in 1948", was delivered at a meeting of the NAACP. less

Harry A. Williamson, a member of the Prince Hall Grand Lodge of New York, was a prolific writer on the subject of Freemasonry. The Harry A. Williamson papers : additions consist of writings, reports, souvenir journals, newsletters, and court depositions. less

The National Research Council Committee on the Status of Black Americans working papers consist of thirty-three essays prepared by prominent scholars in several fields as background for the publication, A Common Destiny: Blacks and American Society (National Academy Press, 1989). less

Barbara Mae Watson was the owner and director of the African American modeling agency and charm school, Brandford Models, Inc. (later changed to Barbara Watson Models), and the first woman and first African American Assistant Secretary of State, serving under Presidents Johnson, Nixon, Ford, and Carter. The Barbara M. Watson papers document Watson's career as a business woman, lawyer, government official, and diplomat. less

This collection consists of personal papers, professional and literary correspondence, office files, research notes, and printed matter documenting the professional and literary activities of Léon-Gontran Damas, an author, lecturer, and acting-chairman of the department of African Studies and Research Program at Howard University (1975-1976). less

The collection contains materials used to create the Mary Lou Williams documentary, Music on My Mind, directed by Joanne Burke. Music on My Mind focuses on Williams's enduring contribution to American culture as a jazz pianist, composer, and vocalist. This collection includes a short autobiography (incomplete), transcripts of interviews, information on the financial support of the documentary, film technical edits, reel catalog, and an information kit about the documentary. less

This collection consists of personal and professional papers of Jessica B. Davis; the majority of the collection contains materials related to Davis's role as president of the Westchester Branch of Key Women of America. Most of this material is comprised of correspondence, reports, event programs, brochures, speeches written by Davis, and clippings on the branch and its members. Additionally, there is some material pertaining to Davis's other affiliations, mostly involving her work with A. Philip Randolph. There is a limited amount of personal material, which includes resumes, some correspondence, and papers on her brother and daughter. less

The Helen Armstead-Johnson miscellaneous theater collections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less

The Larry Neal papers document his role as a writer/editor and seminal figure in the Black Arts Movement, and consist principally of Neal's diverse forms of writings, including essays, scripts, screenplays, poems, short stories, and anthologies. Published copies of some of his writings are included in the collection, as are writings by colleagues and publishers. less

Bill Strickland is a scholar, activist, and professor emeritus of the Department of Afro-American Studies at University of Massachusetts (UMass) Amherst. A native of Boston, Strickland graduated from Boston Latin School and Harvard University. After serving in the Marine Corps, he became active in civil rights and Black liberation work, serving as Executive Director of the Northern Student Movement; working in Mississippi for the Mississippi Freedom Democratic Party; and serving as the Northern Coordinator of the Mississippi Freedom Democratic Party's Congressional Challenge. He was a founding member of Malcolm X's Organization of Afro-American Unity in 1964, and in 1969, he also was a founding member of the Institute of the Black World in Atlanta. Strickland was a key member of the faculty in Afro-American Studies at UMass Amherst, teaching history and politics, and serving as Director of the W. E. B. Du Bois Papers. Strickland consulted on various documentaries including Eyes on the Prize (1987), about the civil rights movement; Malcolm X: Make It Plain (1994), for which he also wrote the companion book, also published in 1994; and W. E. B. Du Bois: A Biography in Four Voices (1996). He retired in 2013. This collection consists of the research files of William Strickland on various topics. These topics include the documentary Eyes on the Prize, for which Strickland served as a consultant, and Jesse Jackson and the Rainbow/Push Coalition (now the National Rainbow Coalition); Strickland worked on Jackson's presidential campaign in 1988. Other topics include the Black Panther Party, Black Radical Congress, Arna Bontemps, H. Rap Brown, Stokely Carmichael (Kwame Ture), Benjamin Chavis and the NAACP, civil rights leaders and movements, Katherine Dunham, Maulana Karanga, racism, and Roots (television program). Most of the files include notes and some writing by Strickland, but the majority of the files consist of printed matter (clippings, articles, mailings, conference materials), correspondence, and writing by some of the previously mentioned individuals. Additionally, there is one folder of correspondence to and from Strickland, mostly unrelated to the research files. less

A social, political, and civil rights activist, Ida Guggenheimer was involved in a wide variety of causes and projects during her adult life. She was a member of the American Labor Party, and she was involved in the women's suffrage and trade union movements. She also participated in civil rights activities and lent her support to such causes as the trials of the Scottsboro Boys and Angelo Herndon. Her protege was Ralph Ellison, the author of Invisible Man, which is dedicated to Guggenheimer. The Ida Guggenheimer papers consist of correspondence and printed matter on Richard Wright and E. Franklin Frazier. The material regarding Wright concerns his writings and his withdrawal from the Communist Party of the U.S. Frazier was a prominent educator and sociologist. His correspondence with Guggenheimer relates mainly to an incident reported in the Black Dispatch and The People's Voice alleging that he had violated a labor organized boycott against a restaurant in Harlem that did not employ African Americans (1945). Other material peripherally relates to his career and the fight against racial segregation in Washington, D.C., during World War II. Five articles written by Frazier are included in this collection. Additionally, there is printed matter concerning the Lafargue Clinic, a mental hygiene clinic in Harlem. There is a limited amount of material on Guggenheimer herself, but there are some letters and biographical information. less

David Bryant Fulton was a poet, journalist, and novelist who often published under his pseudonym, Jack Thorne. Born in North Carolina in 1863, Fulton moved to New York in 1887 and joined the Pullman Palace Car Company as a porter in 1888. In 1892, Fulton published a pamphlet entitled Recollections of a Sleeping Car Porter, under his pseudonym. He also authored a novel, Hanover, or the Persecution of the Lowly (1900), concerning violent racial conflict in the South during that period. Between 1903 and 1906, Fulton gained prominence in Brooklyn for his letters and articles in New York City newspapers. After 1907, Fulton wrote poetry, essays, and short stories; most remained unpublished. The David Bryant Fulton collection consists of his writings and two biographical sketches. The writings include poems, a manuscript of a novel, and short stories. There are also manuscripts for two short stories entitled "Cumberland" and "The Red Rosary". The biographical sketches were written by Eures Hunter, and William Andrews. There is also correspondence between Andrews and Mrs. Fulton (1973). less

This collection consists of photocopies of FBI documents related to Ralph Bunche, obtained through the Freedom of Information Act. The files include the text of his Nobel Peace Prize address, a transcription of his statements to the FBI, and summaries of interviews with former colleagues at Howard University. less

C. L. R. James was a West Indian scholar, political activist, and writer. Born in Trinidad in 1901, James began his career as a writer and sports journalist. He migrated to Great Britain in 1932, where he published his first major work, The Black Jacobins, in 1938. He became acquainted with Marxism and Trotskyism in 1934, meeting with Leon Trotsky in Mexico in 1938. In New York during the 1940s, he led a small faction of left-wing Communists opposed to the policies of the Communist Party-USA, as well as to some of the main tenets of Marxism-Leninism and Trotskyism. Following his expulsion from the United States in 1953, during the Cold War, James relocated to London, residing at times in Trinidad, where he launched an opposition party against the government of Eric Williams, and in the United States, where he lectured periodically. James died in 1989. The C. L. R. James letters consist mainly of letters written by James to his former wife and political associate, Constance Webb. James's letters discuss a wide variety of subjects including love, politics (especially Marxism), art, history, sports, literature, and popular culture. Also included are miscellaneous letters and organizational materials documenting James's political activities in the United States, 1938-1953; and letters written to Webb, regarding her writings on Richard Wright, from Arna Bontemps, Lawrence Reddick, and Ellen Wright. Numerous letters also discuss the Johnson-Forest Tendency, a faction led by C. L. R. James, under the pseudonym of J. R. Johnson, and Raya Dunayevskaya (also known as Freddie Forest) within the Socialist Workers Party, which later evolved into the group Facing Reality. The letters are voluminous, averaging 20 pages on loose leaf paper; handwritten; undated; and either signed with a majuscule N (first letter of his nickname and political pseudonym Nello) or unsigned. They were transcribed and annotated by Webb. less

Mama, I Want to Sing is a gospel musical in 2 acts. The book and lyrics are by Vy Higginsen and Ken Wydro. Original music is by Rudolph V. Hawkins, Wesley Naylor and Doris Troy. The play opened at the Heckscher Theatre, Off-Broadway, on March 25, 1983. Produced and directed by Vy Higginsen and Ken Wydro (a married couple), it depicts the real life story of Higginsen's family, and in particular, her younger sister's desire to sing. This scrapbook contains highlights in the three year life of the production, Mama, I Want to Sing. It consists of photocopies of reviews and other articles, programs, letters, and a press kit. The photographs were transferred to the Photographs and Prints Division; photocopies of the photos were left in their place. A press kit is included with the collection. The press kit contains profiles of Vy Higginsen and the actors who have preformed major roles in the musical, including Deitra Hicks, Doris Troy, Katheleen Murphy-Palmer, Rudolph V. Hawkins, Charles Stewart, and Keith Pringle. less

Allan W. McMillan, a longtime columnist for The Amsterdam News and the first Black syndicated columnist, made his reputation as an entertainment writer, Broadway columnist, and publicist. The Allan W. McMillan public relations files document the public relations work of McMillan on behalf of his clients. less

William Moore, an African American dance critic, dancer, and researcher, began his career in the 1960s. He later managed the dance companies of Eleo Pomare and Joan Miller, and participated in the creation of the Association of Black Choreographers in 1967. In 1975, he founded Dance Herald, a journal about Black dance. Moore also lectured on dance history and criticism at Lehman College and the Alvin Ailey American Dance Center. The William Moore papers consist primarily of appointment books (1966-1980) in which Moore noted his activities; some letters; writing and notes; a resume; and an annotated treatment for a documentary film by Kermit Frazier entitled The Black Tradition in American Modern Dance (1988). less

The Frederick D. Murphy papers consist principally of press kits and news clippings that Murphy collected on hundreds of recording artists of popular music (primarily rhythm and blues, soul, disco, rock and roll, and other genres) and executives in the music industry. The bulk of the collection consists of these files and material on organizations that Murphy represented, primarily record companies and related music associations, including the Black Music Association. The years for most of the collection span the 1970s and 1980s. less

Raphael Philemon Powell, a minister and native of Jamaica, served at Mount Calvary Baptist Church in Harlem. He received his preacher's license and certificate of ordination in the 1950s, and a doctorate of divinity degree from the American Bible College and Manhattan Bible Institute in 1972. Powell wrote six books, which he distributed through his own publishing company, Philemon. Topics for his books include Black history, race identity, and religion. Powell died in New York in 1995, at the age of 96. The Raphael Philemon Powell papers encompass personal and pastoral papers, professional and legal papers, manuscripts, songs, and poems. Drafts of his unpublished and published writings form the bulk of this collection. Included are manuscripts for three of Powell's books Human Side of a People and the Right Name... (ca. 1937), The Invisible Image Uprooted (ca. 1979), and The Prayer for Freedom: A Memorial of the Prayer Pilgrimage (1957). Among the titles of his unpublished manuscripts in the collection are "The Dry Years Addict"; "Biography of Adam Clayton Powell, Jr."; "The Neglected Remedy for Addicts"; and "Who Are You? The Misuse of the Word Black". There is also original music and lyrics for songs composed by Powell. less

The Theophilus G. Steward research collection includes correspondence regarding Professor Seraile's research compiled for his biography Voice of Dissent: Theophilus Gould Steward (1843-1924) and Black America. The correspondence includes letters to Steward's descendants, other individuals, and repositories. Additionally, there is research material that he gathered from a number of institutions and the second draft of the manuscript. less

Jeremy Randolph was an African American actor, poet, playwright, and founder of two independent publishing houses, Rannick Playwrights Company and Amuru Press. The Jeremy Randolph papers primarily document the activities of Randolph's small, independent black publishing company, Amuru Press, during the brief period from 1972 to 1974. less

Born in 1935 in Mexico of West Indian parents, André Emilé Begeleus lived much of his adult life in New York City and worked in education, including as an education assistant at IS 201 in Harlem. He also wrote poems, essays, short novels, and other literary works. In 1975, he published a book of poetry, We Are Betrayed and Other Poems. Begeleus died in 1978. The André Emilé Begeleus literary collection (1967-1974) consists of unedited handwritten and typescript drafts of poems, essays, short stories, and a short novel. His writings express his views about the survival of African Americans in the 1970s. Eight of his handwritten poems were published in his volume of poetry. less

The In the Life Archive (ITLA), originally known as the Black Gay and Lesbian Archive (BGLA), was created by Steven Fullwood in 1999, to aid in the documentation and preservation of cultural materials produced by and about Lesbian, Gay, Bisexual, Transgender, and Queer people of African descent. In 2004, the collection was donated to the Schombuurg Center for Research in Black Culture, and it was renamed around 2013. The name ITLA was inspired by In the Life: A Black Gay Anthology, edited by Joe Beam (1986). The ITLA contains materials dating from the mid-1950s to the present, documenting the experiences of LGBTQ men and women of African descent primarily in the United States, with some files for London and several countries in Africa. The archive is divided into two main groups: (1) Individual collections, whch include collections on individuals, such as Donna Allegra and Kevin McGruder; organizations, such as Other Countries; and research collections and (2) Miscellaneous collections, which include one-to-three folder collections containing a variety of original and printed materials including manuscripts, typescripts, galleys, correspondence, letters, reviews, and clippings. This finding aid describes the Miscellaneous collections. The bulk dates are the 1990s, but there is information about underdocumented individuals, organizations, and subjects from the 1980s, when many organizations formed in response to the HIV/AIDS crisis. These Miscellaneous collections cover productive periods for the Black LGBT movement, documenting the "Black gay and lesbian renaissance" for the 1980s, as well as the 1990s and 2000s. The collection also contains HIV/AIDS information designed to reach African American communities, during the late 1980s through the present, created primarily by white institutions and the state and federal government, as well Black AIDS service organizations instituted in the mid-1980s and early 1990s. less