Found 7 collections related to Schwartz, Arthur, 1900-1984

Beatrice Lillie, comedienne, actress, singer and author, was born May 29, 1894 in Toronto, Ontario, Canada. The Beatrice Lillie papers consist of 37.8 linear feet spanning the 1910s to the 1990s. The collection consists of correspondence, biographical papers, skits, lyrics, music, photographs and clippings documenting her personal life and career. less

Donehue was a director working primarily for the New York stage and television in the 1950s and 1960s. He also directed two films in Hollywood. The collection includes personal correspondence; production files containing notes, letters, partial scripts, cast lists, contracts and financial papers; complete scripts, many for television shows; clippings of reviews; and a few manuscripts and photographs. less

Theatrical producer, Dwight Deere Wiman produced 56 plays and musicals in 26 years on Broadway making his most distinctive imprint in the musical comedy and revue fields. He was born on August 8, 1895 in Moline, IL, a direct descendant of John Deere, inventor of the steel plow and founder of what became Deere and Co., the farm equipment company and family business in Moline. After World War I service, graduation from Yale, and two years in the family business, Wiman and friends organized an independent film production company, Film Guild, in Astoria (Queens), 1920-1924. When that dissolved due to marketing difficulties, he formed a partnership in 1925 with William A. Brady, Jr. presenting 23 plays in New York of which 5 or 6, including Road to Rome, were profitable. That partnership ended on friendly terms in 1929 as only Wiman was interested in musical theater. From 1930 until his death on January 20, 1951, Wiman produced and occasionally directed his own shows including works by Paul Osborn, John Van Druten, Clifford Odets and others, and had a long association with Rodgers and Hart. During World War II he was director of entertainment for the Red Cross in Britain. Papers consist of draft and mimeo scripts by Marc Connelly, Howard Lindsay, Clifford Odets, Paul Osborn, Robert E. Sherwood, John Van Druten, and others; programs and playbills; press books; and miscellaneous production materials including set designs by Jo Mielziner. Represented are "Babes in Arms" (1937), "Command to Love" (1927), "The Gay Divorce" (1932), "I Married an Angel" (1938), "Letters to Lucerne" (1941), "The Little Show" (1929), "Morning's At Seven" (1939), "On Borrowed Time" (1938), "The Racket" (1927), "The Road to Rome" (1927), and many other titles. Also included are miscellaneous business records and correspondence, as well as several orchestrations by Frederick Loewe and Arthur Schwartz. A single 1922 contract is all that pertains to his film production company. There is no personal material in the collection. less

Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance and exhibition files, photographs, scrapbooks and subject files documenting the life and career of Jo Mielziner. less

The Romney Brent papers document his career and contain correspondence, photographs and two scrapbooks. The collection is incomplete in that it contains only correspondence from his later years and photographs and scrapbooks from his early career. Correspondents include: Ilka Chase, Helen Hayes, Lillebil Ibsen, Alfred Lunt, Armina Marshall, Mary Martin, Cornelia Otis Skinner, Emlyn Williams and Peggy Wood. There is a large gap in the materials for the 1940s and 1950s. Some production photographs were separated to the Theatre Collection photo files. The photographs remaining in the collection are special appearances, the State Department sponsored tours and personal photographs. less

Robert Baral was a free-lance writer and sometime publicist. The collection consists of photographs, clippings, programs, and correspondence relating to Ziegfeld, the Ziegfeld Follies, and the revue era. With its roots in the late nineteenth century Europe, the revue has been defined as a form of light entertainment that consisted of topical sketches, comedy, music and dance, which was loosely held together by a theme. In America, the revue evolved full of spectacular effects under the inspired direction of Florenz Ziegfeld, Jr., who was often imitated but never surpassed. less