Found 3 collections related to Beam, Joseph

Born Yves Francois Lubin in Haiti in 1957, Assotto Saint was a New York-based gay activist, poet, and performance artist who edited two anthologies of black gay poets in the early 1990s. He founded a publishing house, Galiens Press, which published his book of poems Stations and the anthologies Here to Dare and The Road Before Us. In addition, Saint also wrote and produced several theater pieces, including Risin' to the Love We Need and New Love Song. Saint was the founder and artistic director of Metamorphosis Theater and the lead singer of the rock band Xotica. He died of HIV-related diseases in 1994. The Assotto Saint papers consist of correspondence and writings by Saint, manuscripts and letters from authors featured in his anthologies as well as other gay writers, printed matter, and some personal papers. less

The Joseph Beam Papers consist of correspondence, conference materials, prison letters, writings by Beam and other authors, files of the National Coalition of Black Lesbians and Gays and its organizational journal Black/Out, and printed matter. The Correspondence series is divided into five subgroups: Family, General, Individuals, Organizations and Prison Letters. Significant correspondents include Barbara Smith, Essex Hemphill, Daniel Garrett, Renee McCoy, Assoto Saint, Colin Robinson, Craig Harris, Isaac Julien. Beam's writings and correspondence dealt with issues of gay life and civil rights for blacks and other minorities, and with contemporary developments in Philadelphia, including the police bombing of the MOVE headquarters in 1985. Other writings in the collection were destined for publication in the two anthologies conceived by Beam and the journals Black/Out and Other Countries. Contributors included Audre Lorde, Pat Parker, Samuel Delany, Melvin Dixon, Gilberto Gerald, Michelle Parkerson, Michael J. Smith, and Alice Walker. Also included are minutes of board meetings, financial reports, correspondence, memoranda, conference papers, and printed matter of the National Coalition of Black Lesbians and Gays, and subject files on AIDS awareness and prevention, prisoners' support groups, gay and lesbian entertainers and South Africa. The collection also documents activities of Black and White Men Together, Blackheart Collective and other black gay organizations. less

The In the Life Archive (ITLA), originally known as the Black Gay and Lesbian Archive (BGLA), was created by Steven Fullwood in 1999, to aid in the documentation and preservation of cultural materials produced by and about Lesbian, Gay, Bisexual, Transgender, and Queer people of African descent. In 2004, the collection was donated to the Schombuurg Center for Research in Black Culture, and it was renamed around 2013. The name ITLA was inspired by In the Life: A Black Gay Anthology, edited by Joe Beam (1986). The ITLA contains materials dating from the mid-1950s to the present, documenting the experiences of LGBTQ men and women of African descent primarily in the United States, with some files for London and several countries in Africa. The archive is divided into two main groups: (1) Individual collections, whch include collections on individuals, such as Donna Allegra and Kevin McGruder; organizations, such as Other Countries; and research collections and (2) Miscellaneous collections, which include one-to-three folder collections containing a variety of original and printed materials including manuscripts, typescripts, galleys, correspondence, letters, reviews, and clippings. This finding aid describes the Miscellaneous collections. The bulk dates are the 1990s, but there is information about underdocumented individuals, organizations, and subjects from the 1980s, when many organizations formed in response to the HIV/AIDS crisis. These Miscellaneous collections cover productive periods for the Black LGBT movement, documenting the "Black gay and lesbian renaissance" for the 1980s, as well as the 1990s and 2000s. The collection also contains HIV/AIDS information designed to reach African American communities, during the late 1980s through the present, created primarily by white institutions and the state and federal government, as well Black AIDS service organizations instituted in the mid-1980s and early 1990s. less