Found 7 collections related to Carter,%20Jimmy,%201924-

Barbara Mae Watson (1918-1983) was a lawyer, United States diplomat, and the first female and the first Black Assistant Secretary of State, serving under Presidents Johnson, Nixon, Ford, and Carter. Watson also co-founded one of the first Black modeling agencies in 1946, served as Executive Director of the New York City Commission to the United Nations from 1964 to 1966, and was Ambassador to Malaysia from 1980 to 1981. Watson's photographs, dated from 1921 to 1983, depict her professional and personal life through prints, negatives, and illustrations. less

Barbara Mae Watson was the owner and director of the African American modeling agency and charm school, Brandford Models, Inc. (later changed to Barbara Watson Models), and the first woman and first African American Assistant Secretary of State, serving under Presidents Johnson, Nixon, Ford, and Carter. The Barbara M. Watson papers document Watson's career as a business woman, lawyer, government official, and diplomat. less

Isabel Washington Powell (1908-2007) was an actress, teacher, and the first wife of Adam Clayton Powell, Jr. The Isabel Washington Powell collection contains news clippings relating to Powell's appearance in the plays Bamboola (1929), Harlem (1929), and Singin' the Blues. Additional clippings refer to her engagement and marriage to Adam Clayton Powell, Jr. There are also several letters deal with her work as a public school teacher, speaker, and Jimmy Carter supporter. less

William Safire (1929-2009) was a political speechwriter, journalist, and longtime columnist for The New York Times. The William Safire papers contain correspondence with colleagues, acquaintances, and news sources (1973-1989); readers' mail regarding his political "Essays" column (1990-1998); and research files that Safire created to support his political reporting during the 1970s and early 1980s. less

Ken Auletta (b. 1942) is a journalist and author known for his coverage of political, governmental and economic matters, often focused on New York; since the early 1990s he has written mainly about the media and communications industries. The Ken Auletta papers contain correspondence, typescripts, galleys, research materials, sound recordings and a video recording representing his writings, including feature articles for The New Yorker, his Daily News column, and several books. Correspondence (1975-1993) contains letters from prominent figures in politics, business and the media reacting to Auletta's work. Writings are documented by typescripts and galleys with revisions by Auletta and/or Jacob Epstein, his editor at Random House, and research materials, including interview transcripts and subject files containing clippings, press releases and some correspondence. Also present are notebooks (1983-1993) used for his Daily News column and other work; sound recordings (mainly interviews and speeches recorded as research material for his books and articles); and a video (1995) recording an event at which Auletta was the speaker. less

This collection consists of J. Wayne Fredericks's personal papers (biographical information, correspondence, military materials, etc.); materials related to his careers at various institutions (mainly, the Kellogg Company, his first stint at the Ford Foundation, the State Department, his second stint at the Ford Foundation, Chase Manhattan Bank; and Ford Motor Company); materials on his post-retirement consultancies; information on the various boards for which he served; materials related to his wife, Anne (nee Curtis) Fredericks; and subject and country files (mostly printed matter). less

The New York Shakespeare Festival records (1954-1992) measure approximately 850 linear feet and consist of scripts, correspondence, inter-office memoranda, production materials, reports, financial records, photographs, and memorabilia. The records reflect the origin and activities of the New York Shakespeare Festival, its general administration, and the staging of its productions, including their creation, management, booking, and promotion. The files of the Casting Office, except in the form of carbon copies in other series, are not included in this archive. There are also gaps in the files of the Associate Producer. Contracts were removed and require special permission of the curator to access. Oral history materials in Series I and some correspondence in Series V are restricted until the year 2043 in order to protect the privacy of individual persons. Series XIV (Oversized Materials) is not fully processed and is currently unavailable for research. less