Found 10 collections related to Opera -- Production and direction

Under the name of his birth Hans Wohlmuth, John Wolmut was a stage director for City Center Opera ca. 1945. He emigrated from Austria in 1938 and taught at Mannes and Curtis Institute before going to the Midwest in 1947. Four published piano-vocal scores of operas with Wolmut's holograph stage directions interleaved and with mounted typescript notes and markings by Wolmut. less

This collection contains materials related to the Metropolitan Opera’s basso singer Lorenzo Alvary. In addition to the many photographs and clippings, there are several legal documents, correspondence and production materials relating to his co-production with Salvador Dali of The Spanish Lady and The Roman Cavalier. less

Richard Waslav Rychtarik was an American set and costume designer of major productions at the Metropolitan Opera and other companies. Photographs, marked scores and librettos, letters, sketches, and clippings pertaining to productions, and some non-theater related designs. less

Franco Vittadini's opera Anima allegra had its United States premiere at the Metropolitan Opera, New York, on February 14, 1923, in a production staged by William Wymetal (then known as Wilhelm von Wymetal). Consists of chiefly handwritten (with two typed) documents relating to the staging and production of Franco Vittadini's opera Anima allegra, by William Wymetal. These include lists of staging cues, costumes, characters, and miscellaneous items. Many leaves refer to pages in the annotated vocal score of Anima allegra, cataloged as JOF 04-4. less

Harry G. Schumer was the librarian of the Metropolitan Opera from 1938-1968. The collection includes color photographic transparencies, color slides, and black and white negatives taken by Schumer of Metropolitan Opera cast and crew during his term as librarian. less

Mary Jane Phillips-Matz (1926-2013) was an American scholar and writer, noted for her many articles on opera and her biographies of composers Giuseppe Verdi and Giacomo Puccini, as well as her translations of opera libretti for the Metropolitan Opera. The Mary Jane Phillips-Matz collection consists mainly of research files and drafts of Phillips-Matz’ biography of Verdi. Research files on Adelina Patti, Gian Carlo Menotti, Samuel Barber, and other topics and are also included. less

Since his arrival in New York City in 1939, Viennese-born Fred Fehl has devoted his life to photographing the performing arts. A pioneer in taking candid photographs during performances with available stage lighting, Fehl has documented productions from Broadway, the New York City Opera and Ballet, and American Ballet Theater. The Music Division collection consists primarily of image documentation of the New York City Opera from its inception in 1944 through 1980, as well as City Opera related images (staff, functions, etc.). There are also undated photographs of many rehearsals and some performances at Lewisohn Stadium, a small collection of photographs of composers in action, chiefly in the 1940's, and some images of other musical activity in New York City. The Music Division acquired the collection in two parts; an earlier set of photographs was added to the General Iconography and Opera Files. This later collection is separate, although it includes the negatives for many photographs from the earlier set. Wherever possible, concordance has been provided by the finding aid. less

Wieland Wagner, grandson of Richard Wagner, was involved in various aspects of production of his grandfather's operas at Bayreuth. The recipient was his mother, Winifred Wagner, Richard's daughter-in-law. English translation of letter beginning "Dear Mama" about Hitler's request for a 1945 Bayreuth Festival. Wieland asks for more autonomy for himself and his brother Wolfgang in the productions and disputes Winifred Wagner's choice of Heinz Tietjen as artistic director. Translated from the German by Lt. Joseph Stein who was attached to G-5 Intelligence of General Patton's army during World War II. less

Walt Witcover (1924-2013) was a director and acting teacher who worked primarily in New York City. He founded the Masterworks Laboratory Theatre (MLT) company in 1969 after staging a modern revival of La Traviata (Act I) with the Actors Studio in 1968. The collection, dated from 1926 to 2011, illustrates Witcover's fifty-year theatre career via correspondence, scripts, director's notes, class outlines, published and unpublished writings, and photography. less