Found 36 collections related to African American journalists

Papers include letters written to Bruce from black politicians, journalists, intellectuals, and activists including John Wesley Cromwell, Alexander Crummell, Richard T. Greener, T. Thomas Fortune, and Arthur A. Schomburg, as well as manuscript and printed copies of Bruce's articles, editorials, short stories, poems, addresses, and other writings concerning national and local politics, race relations, historical black figures, Haiti, Prince Hall Masons, the Ku Klux Klan, and the Universal Negro Improvement Association, among other topics. less

Quincy Troupe (born 1939) is a poet, author, and editor, perhaps best known for co-writing Miles: The Autobiography (1989) with the influential jazz trumpeter Miles Davis. His father, Quincy Trouppe, Sr., was an all-star catcher in Negro league baseball. The Quincy Troupe papers, dating from 1915 to 2008, mainly document Troupe's career from the mid-1970s to 2008. They also hold the scrapbooks of Quincy Trouppe, Sr. less

The Craig G. Harris Papers, 1986-1993, document his life as a gay, HIV-positive African-American, his work as an AIDS activist, and his prolific writing career. The collection consists of biographical information, personal correspondence, obituaries and memorial material, as well as original manuscripts of his speeches, essays, articles and poems. less

Born on March 3, 1888, in Cleveland, Ohio, Owen Middleton was an African American furniture draftsman and graduate of the Art Institute of Chicago who worked as a quick sketch artist for the Chicago Tribune. Middleton also worked as a syndicated columnist for several African American newspapers and wrote a weekly newsletter on United Nations issues relating to Blacks. Additionally, he served as a volunteer art teacher at a Congress of Industrial Organizations' Community Center in Brooklyn. Owen Middleton died in 1954. This collection consists of three certificates from the New York City Board of Elections designating Owen Middleton as a Delegate to the 1952 New York State Convention of the American Labor Party, and nine letters of recommendation supporting his application to the title of director of interracial relations at an unnamed institution (1953). Correspondents include: Howard Willard; Arthur Schutzer, New York State Executive Secretary of the American Labor Party; Rev. William Melish, minister of the Church of Holy Trinity in Brooklyn; Marvel Cooke, director of the National Council of the Arts, Sciences and Professions; and others. less

Levi Coppin Hubert (1904-1970) was an African American journalist who worked for both Black and white newspapers in New York City, Philadelphia, and Baltimore, among other cities, in the 1930s. During that time, he also worked for the Works Progress Administration (WPA) writing news stories about Blacks in Harlem for the Federal Writers' Reporting Project. Most notably, with nine other contributors, he wrote a guidebook, The History of the Negro in New York, detailing the history of Blacks in New York City from 1623 until 1936. Additionally, he headed the Publicity Unit of the Federal Music Project. Hubert's primary research interest was the history of Black soldiers in the United States Armed Forces. He wrote manuscripts for two books, "In the Name of Congress: Inspiring Stories of 47 Negroes Awarded the Congressional Medal of Honor", which he completed in 1967, and "Their Muskets Flashed the Dawning: Regimental Histories of the United States Colored Troops During the Civil War: 1962-1865"; there does not appear to be evidence that either of the manuscripts were published. Hubert also helped prepare a four-part silent filmstrip called the "History of the American Negro (1619-1865)" for use in schools. Hubert died in 1970. The Levi C. Hubert papers pertain to Hubert's research on Black soldiers in the United States Armed Forces and other topics in African American history, and include manuscript drafts, correspondence, reproductions of photographs, news clippings, notes, and printed material. Most of the material is devoted to his manuscripts, "In the Name of Congress: Inspiring Stories of 47 Negroes Awarded the Congressional Medal of Honor" (1966-1967), which discusses awardees from the Civil War era to the War in Vietnam, and "Their Muskets Flashed the Dawning: Regimental Histories of the United States Colored Troops During the Civil War," which is mostly a compilation of official Civil War records of the Union and Confederate Armies. There are drafts for both manuscripts as well as research material. Drafts for short articles that Hubert wrote can be found in this collection, while printed copies of his articles for the Federal Writers' Reporting Project are contained in a scrapbook. Also included are notes, correspondence, and printed material regarding the filmstrip entitled "History of the American Negro (1619-1865)." There is also some genealogical material concerning Hubert's family. less

The collection ranges from 1927 to 1972 and consists of correspondence, manuscripts and printed matter. Gordon's writings, the bulk of the collection, are organized into three categories: Autobiographical, Fiction and Nonfiction. The autobiographical narratives range from stories of growing up black in New Orleans and rural Georgia to an enemy encounter during World War I in France. There is also a detailed diary of a writing retreat in the New Hampshire White Mountains in 1933. His fiction work includes a compilation of short stories and a complete draft of his novel "Picnic in Court House Square." The nonfiction work ranges from his 1920s articles on the black press and a series of travel articles written in the Soviet Union in the 1930s, to later articles and essays on integration, the columnist George Schuyler and the civil rights movement. "Black Women's Long Tough Course: from 'dat gal' Carline to This Woman Angela," written in defense of Angela Davis in 1972 was his last major essay. less

John H. Hewitt was a writer, editor, instructor, and a collector of Black art. Born in 1924, in New York City, Hewitt attended Harvard College and New York University. He taught English at Morehouse College and he was a medical staff writer for the journals Frontiers of Psychiatry and Emergency Medicine. He also was an associate editor for the newspaper Medical Tribune and a managing editor of Hospital Practice, a monthly magazine. Hewitt held memberships in professional organizations including the American Medical Writer Association and National Association of Science Writers, and he was a trustee with the Manhattan Country School and The Schomburg Corporation. In 1994, Hewitt was awarded the New York Association's Kerr History Prize for his article, "Mr. Downing and His Oyster House". This collection contains Hewitt's writings on Black artists (1931-1997), including Hale Woodruff, Ernest Crichlow, Alvin C. Hollingsworth, and Haitian artist Luce Turnier. Also included are historical profiles of largely unknown, but accomplished, 19th-century African American New Yorkers, such as Thomas Downing and Elizabeth Jennings, along with writings on African American Episcopalians and St. Philip's Church in New York City. Materials include research matter, drafts, and correspondence. less

Ted Poston was the first full-time African-American reporter for the New York Post, where he worked from 1936 covering many major black-oriented news stories, until his retirement in 1972. The Ted Poston Research Collection consists of biographical information about Poston and a transcript of an interview that Professor Luther P. Jackson did with Ted Poston on "interracial reporting" in October 1968. Most of the collection consists of typescripts of articles and columns written by Poston (1927-1971) collected and prepared by the donor, Kathleen Hauke. less

Writings and research files, along with personal papers, and corrrespondence documenting Davis' multifaceted career, 1923-1972. Includes material on the AMERICAN NEGRO REFERENCE BOOK, 1966, edited by Davis; papers relating to Frederick Douglass, including letters to Douglass from his sons, Lewis and Frederick; historical novel about a frontier family in Louisville, Kentucky; compilation of biographies of black athletes called "Jump High;" short stories and poetry; and manuscript about Liberia entitled "Bitter Canaan," by Charles S. Johnson. Correspondents include Mary M. Bethune, Ralph J. Bunche, and Dwight D. Eisenhower. less

The Louis Burnham collection reflects Burnham's socialist interests and consists of a complete run of Freedom, a monthly newspaper published by Paul Robeson from 1950-1955 and edited by Burnham; newsclippings of articles Burnham wrote for the National Guardian (1958-1960); copies of various souvenir journals and other printed matter of the Southern Negro Youth Congress; and a copy of Burnham's Behind the Lynching of Emmet Louis Till. less

The Lester A. Walton Papers document his diversified careers as a journalist, diplomat, and civic leader and consist of personal papers, material on his entertainment and journalistic careers, his tenure as the American representative to Liberia, his political activities, general correspondence, and printed matter. less

Ted Poston was the first full-time African-American journalist for the New York Post. The Ted Poston Scrapbook contains newspaper articles by Poston for four series: "Dixie's Fight for Freedom" (1959) called the Little Scottsboro Case concerning three African-American youth convicted of raping a white woman in Tavares, Florida in 1949, "Nine Kids Who Dared: Human Drama in Little Rock" (1957), "Inside the Policy Racket" focusing on the Harlem numbers racket (1960), and "Prejudice and Progress in New York," n.d., all published by the New York Post. less

The Frederick D. Murphy papers consist principally of press kits and news clippings that Murphy collected on hundreds of recording artists of popular music (primarily rhythm and blues, soul, disco, rock and roll, and other genres) and executives in the music industry. The bulk of the collection consists of these files and material on organizations that Murphy represented, primarily record companies and related music associations, including the Black Music Association. The years for most of the collection span the 1970s and 1980s. less

Correspondence, writings, speeches, research files on notable persons and organizations, personal papers and speeches, news clippings, and printed material (chiefly political) relating to Morrison's career and interests. Includes material from his experiences as the first black correspondent for STARS AND STRIPES during World War II, and with the NEGRO WORLD DIGEST, THE PEOPLE'S VOICE, EBONY, DOWNBEAT, the Johnson Publishing Company, Symphony of the New World, and HARYOU-ACT, a Harlem youth program. Also includes writings and speeches of other authors. less

The T. Thomas Fortune Scrapbook consists primarily of clippings of Fortune's articles from the "New York Age," 1890-1898, in which he discussed events and issues affecting African Americans nationwide as well as overseas. There are also articles from other newspapers such as the "Evening Telegram, the "New York Sun," the "Texas Morning News, the "Galveston Daily" and the "Brooklyn Daily Eagle," some of which he authored, and articles written about him by fellow journalists, 1889-1904. less

The Crusader News Agency was a national news service based in New York City serving Blacks. Editors included Cyril V. Briggs, Benjamin J. Davis, Loren Miller, and William L. Patterson. This collection consists of press releases issued by the Crusader News Agency. less

Allan W. McMillan, a longtime columnist for The Amsterdam News and the first Black syndicated columnist, made his reputation as an entertainment writer, Broadway columnist, and publicist. The Allan W. McMillan public relations files document the public relations work of McMillan on behalf of his clients. less

Earl Brown was an African-American journalist and Harlem politician. The Earl Brown papers date from 1934 to the 1970s and document aspects of Earl Brown's journalistic and political careers, and include correspondence (1934-1960), drafts of his memoirs and other personal observational essays, copies of legislation he sponsored (1950-1952), certificates, invitations, financial records, a commencement address (1952), copies of his published articles, and a scrapbook of news clippings (1949-1961). less

Personal and professional papers consisting of biographical material, correspondence, writings, printed matter, and a subject file, primarily reflecting his career as a travel editor for several magazines. Also, his Ph.D. dissertation on the life and works of 19th century Cuban poet Gabriel de la Concepcion Valdes (pseudonym Plácido), and his translation into English, with Langston Hughes, of CUBA LIBRE by the Cuban poet Nicolas Guillen. Some material pertains to his teaching career at Howard University and the Society of Americn Writers. less

Aubrey Howard Bowser was a writer, editor, and educator. Bowser was born in La Mott, Pennsylvania, a town founded by African American Civil War veterans that were led by his grandfather. He was a 1907 graduate of Harvard College, and later worked at the New York Age where he met and subsequently married Jessie Fortune, the daughter of T. Thomas Fortune, editor of the Age. Bowser's writings included book reviews and literary criticism for the New York Amsterdam News; poetry; and an unpublished novel entitled "Black Pilgrim: A Novel of Harlem's Early Life". Bowser also taught in the New York City public schools, including at New York Vocational High School, eventually becoming dean of that school. He died in 1979. The Aubrey Howard Bowser papers consist primarily of writings, academic and school related papers, and letters. Bower's writings include a manuscript for "Black Pilgrim: A Novel of Harlem's Early Life"; a short story, "Maryelle Rose"; poetry; book reviews; and critiques. There are also two full runs of The Rainbow, a weekly literary magazine that he edited, 1919-1920. Academic papers consist of a Harvard College notebook; course lecture notes; papers written for courses taken for his Master's degree and to qualify for a New York City high school teacher's license, 1943; and the publication, "Harvard College Class of 1907 Twenty-Fifth Anniversary Report" (1935) in which his picture appears. Included are T. Thomas Fortune's book of poetry, Dreams of Life (1905). less

These oral history interviews form part of the Negro Political History series of the Earl Warren Era Project completed by the Regional Oral History Office, Bancroft Library, University of California, Berkeley. The interviews were conducted with African Americans who helped shape the history of California in the 20th century. Subjects covered include the importance of the interviewee to California history, both governmental and social. The interviews provide information about the subjects' personal lives; struggles with discrimination; achievements in public service, business, or the professional world; and unique contributions. This collection consists of oral history interviews with Frances Mary Albrier, A. Wayne Amerson, Julian Bagley, Odessa Cox, E. A. Daly, C. L. Dellums, Walter Gordon, Ira deVoyd Hall, Jr., Tarea Hall Pittman, Wilson Riles, and William Byron Rumford. Topics covered include labor, the Brotherhood of Sleeping Car Porters, education, civil rights, the Virgin Islands, journalists, legislators, and housing. less

Michele Wallace is best known for her first book, Black Macho and the Myth of the Superwoman, which is considered the first collection of essays published by a black woman, and the first book published by a black feminist. The Michele Wallace papers document her career as a cultural critic, journalist, and intellectual since the late 1970s. less

Ted Poston was the first full-time African American journalist for the New York Post. There he covered many major Black-oriented news stories as well as mainstream items, working from 1936 until his retirement in 1972. Prior to this appointment, he wrote for the Pittsburgh Courier, Amsterdam News, and the New York Contender. He was also on the staff of the Federal Writers' Project. From 1940-1945, Poston was a member of the "Black Cabinet", an informal network of African Americans serving in or advising the Roosevelt administration. During this period, he was head of the Negro News Desk in the Office of War Information and was responsible for relations with the Negro press until the end of World War II, whereupon he returned to his position with the New York Post. The Dark Side of Hopkinsville, a book of his short stories, edited by Kathleen Hauke, was published posthumously in 1991. The Ted Poston tribute album contains letters of tribute presented to Poston on September 27, 1945, upon leaving his position as a member of President Franklin Roosevelt's "Black Cabinet" and as head of the Negro News Desk. Accolades poured in from men in the military, the War Department, and other government agencies and private organizations. Campbell C. Johnson wrote of Poston's "important part in interpreting the needs and reactions of the Negro group during the war period in top level circles, particularly those close to the White House..." George M. Johnson, of the President's Committee on Fair Employment Practice, stated that Poston's "departure point[s] up graphically the need for a White House spokesman for the 13,000,000 American citizens who fall under the category of the term 'Negroes'." less

This collection contains files of biographical material; correspondence; articles written by and about Chanticleer; his fashion drawings; assorted programs from events in which he participated; material related to his role as the executive director of The Learning Tree; and material related to the African-American Wax and History Museum. less

This collection consists of one folder of papers relating to the personal and professional life of John Edward Bruce. Included is a drawing of an invention of a metal binder clasp by Bruce; an 1888 letter from Bruce to M. L. Robinson of the National Leader accepting the position of associate editor; a printed poem ("Song of the Night Child") with a picture of Bruce; an essay entitled "Great Thoughts by Great Negroes" (authorship is unclear); a copy of the "Congressional Record" (1918) in which Bruce's pamphlet, "A Tribute for the Negro Soldier", was included; and invitations such as a one for a testimonial dinner for Bruce (1905). Also included is correspondence between Bruce and friends such as Arthur A. Schomburg, J. E. Aggrey, W. M. Trotter, Rufus L. Perry, and Emmett J. Scott; and a letter of condolence to the relatives of author Frances E. W. Harper, including her obituary from the Theban Literary Circle (1911), of which Bruce was president and Arthur A. Schomburg was a member. less

This scrapbook consists of clippings, dating ca. 1918-1940, which denote Huiswoud's career as a referee as well as reflect his management of the New York Blue Belts. The clippings are from various newspapers, such as the Amsterdam News, the Tittler Tattler, and the Liberator. The scrapbook also contains general sports articles and his sports column. less

Allan Morrison was a combat correspondent during World War II and later a journalist at Ebony magazine. The Allan Morrison additions consist of several letters and a few miscellaneous items, including Morrison's naturalization certificate (1946). less

Collection depicts African Americans engaged in a variety of occupations and date from the 1900s to the 1990s with the bulk of the images being from the 1930s to the 1950s. Images capture blue-collar and white-collar workers performing their jobs. Other collections depicting people at work include Education, Businesses, Military, Farm Security Administration, and the National Youth Administration. Studio and candid portraits of noted individuals from various fields are found in the Portrait Collection. less