Found 5 collections related to Makarova,%20Natalia,%201940-

Max Waldman (1919-1981) was an American photographer noted for creating stylized, expressive dance and theater images. The Max Waldman photographs, which date primarily from 1965 to 1981 and include over a thousand mounted black-and-white photographic prints, trace Waldman's career from its commercial advertising beginnings until his death as a distinguished performance photographer. The collection also includes some professional files relating to management of his studio during and after his lifetime, daybooks, and video recordings. less

Rouben Ter-Arutunian (1920-1992) was a scenic and costume designer best known for his long association with the New York City Ballet. The design portfolios are a comprehensive reflection of the artist's prolific forty-year career designing for theater, ballet, dance, opera, television, and motion picture productions. The portfolios are made up of materials mostly gathered together under a production's title and contain set and costume designs; set models; press material; photographs; design notes; technical drawings; business documentation; correspondence; and research and reference material. less

G.W. Davison-Ackley was a collector of photographs. His collection dates from 1974 to 1976, and holds photographs of dancers taken by the photographer, Max Waldman. The dancers depicted are Mikhail Baryshnikov, Judith Jamison, Bonnie Mathis, Natalia Makarova, and Dennis Wayne. less

The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files. less