Found 9 collections related to Gounod, Charles, 1818-1893

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less

Harry G. Schumer (1893-1971) was Orchestra Librarian of the Metropolitan Opera from 1938 to 1968. Schumer's private collection of printed and manuscript full scores, vocal scores, stage band scores, and parts to Italian, French, German, Russian, and Irish operas and operettas. Includes scores and parts copied by Schumer himself and by 19th century professional copyists, and Schumer's performance notes. Composers represented by more than 10 items include: Bellini, Donizetti, Gounod, Massenet, Puccini, Rossini, Johann Strauss, and Verdi. Many items had also been cataloged separately in earlier years. less

Charles Gounod was a French composer. Sapho, his first opera, was first performed in 1851. His best known opera is Faust. The letter, beginning "Cher Enfant," is written to an unnamed young singer. Gounod congratulates her for the opportunity of studying the part of Sapho under Pauline Viardot, who created the role. He discusses proposed cuts in the performance and gives advice about interpretation. He also mentions that he has just finished the finale of the 3rd act of Faust. less