Found 29 collections related to Clippings (information artifacts)

Anne Mitcheltree is a modern dancer and New York City-based dance therapist. This collection documents Mitcheltree's personal life and professional career with personal correspondence, writings and articles related to dance therapy, press clippings, and photographs. less

The Bill T. Jones/Arnie Zane Dance Company, established in 1982 by American dancer/choreographers Bill T. Jones and Arnie Zane, has performed worldwide in over 200 cities in 40 countries. The Bill T. Jones/Arnie Zane Dance Company records document the work of the Company and its creators from 1970 to 2016. The collection contains dance and sound cue sheets, lighting and stage plots, photographs, programs, correspondence, posters, sheet music and lyrics, financial and legal documents, and audio and video recordings. less

Dancing in the Streets is a New York City community-based dance organization dedicated to providing free public dance performances and fostering the careers of emerging and established choreographers and dancers. The Dancing in the Streets records date from 1983 to 2015, tracing the history of the organization through board of directors records; performance production files; programming files; photographs of performance events; marketing materials; and newspaper and magazine clippings. less

Anna Halprin, an American dancer known for her innovative and experimental technique, is a leading figure of the postmodern dance movement. This collection documents the artist's career with print materials, press clippings, biographies, San Francisco Dancers' Workshop newsletters, award programs, and photographs. less

Marilyn J. La Vine (1931-2009) was a dance enthusiast who dedicated her life to researching and promoting the legacy of Russian dancer Rudolf Nureyev (1938-1993). The Marilyn La Vine collection of Rudolf Nureyev materials (1939-2008) holds research files and photographs relating to the life and career of Rudolf Nureyev. The research files contain a master copy of La Vine’s compilation of volumes of clippings relating to Nureyev, as well as correspondence, ephemera, and scrapbooks. The photographs date from 1939 until after Nureyev’s death in 1993, and give a comprehensive representation of his dancing career. less

Ellen Jacobs Associates (EJA), established in 1981 in New York City, is a public relations firm that represents the performing, visual, and literary arts in the United States and internationally. Since its inception, EJA has represented several renowned dance companies and festivals, including Merce Cunningham Dance Company, Paul Taylor Dance Company, Martha Graham Dance Company, Erick Hawkins Dance Company, the Jacob’s Pillow Dance Festival, and multiple productions and festivals put on by the Joyce Theater in New York City. The Ellen Jacobs Associates records (1982-2003) hold public relations files for dance companies represented by the firm. The files consist of clippings, reviews of performances, press releases, and a limited amount of correspondence. Also present in this collection are slides of performances and bound publicity reports. The majority of the documents in this collection are photocopies. less

Garry Reigenborn was a dancer, choreographer, and teacher involved with avant-garde dance of the 1970s. He performed with companies such as the Andrew DeGroat Dancers and the Lucinda Childs Dance Company. The Garry Reigenborn papers (1977-2004) contain clippings; correspondence with dance companies, foundations, and schools; programs; posters; production notes; and teaching materials and other professional engagement papers that document much of Garry Reigenborn’s career. less

Don Redlich (born in 1929) is a dancer, choreographer, and pedagogue. The Don Redlich papers, dating from 1893 to 2019 (the bulk dates from the 1940s onward), document Redlich's life and career through written descriptions and videos from The Legacy of Hanya Holm: Don Redlich Remembers project; manuscripts and interviews for an unpublished memoir; Don Redlich Dance Company files; Dance Notation Bureau files; Redlich's teaching files; files devoted to Redlich's teachers; letters; school files; photographs; scrapbooks; programs and reviews; posters; datebooks; address books; drawings; family history papers; and audio and moving image recordings, which hold many performances by the Don Redlich Dance Company. The papers also contain a small set of photographs and letters from the collection of the dance critic Arthur Todd. less

Sophie Maslow was a choreographer and dancer. The Sophie Maslow research materials were compiled by William Korff in preparation of a biography of Maslow. The collection contains clippings, photographs, programs, promotional material, a scrapbook, and transcripts of oral history interviews. The materials are both originals and copies, and date from 1938 to 2003. less

Monica Moseley (1942-2010) was an American dancer, dance scholar, and former assistant curator for the Jerome Robbins Dance Division at the New York Public Library. The Monica Moseley papers date from 1886 to 2010 and consist of professional files and family history files. The collection holds correspondence, lectures, notes, promotional material for dance companies and organizations, genealogy notes, and family photographs. less

The New York International Ballet Competition, which ran from 1984 to 2009, was a three-week artistic education, professional training, and performance program for about 50 young, scholarship-sponsored dancers from around the world. The New York International Ballet Competition records, dating from 1943 to 2011 (the bulk dates from 1983 onward), document the history of the competition through photographs, video recordings, programs, publicity literature, costume designs, competition applications, administrative files, posters, and audio recordings. less

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Deborah Zall (1933-2018) was an American dancer, choreographer, and teacher known for her dramatic solo works depicting historical and fictional women. The Deborah Zall papers contain materials from 1947 to 2017 that trace her career, including articles, programs, photographs, correspondence, professional documents, and audio and video recordings. less

Murray Spalding (1944-2010) was an American choreographer, dancer, and teacher most known for her spiritually evocative Mandala dance series. The Murray Spalding papers date from about 1953 to 2011 and outline her career through performance production files; performance and publicity photographs; choreographic notebooks; scrapbooks; clippings; dance company records, and teaching files. less

The Nancy Reynolds collection, dating from the 1980s to 2014 (bulk dates 1990s), primarily document the George Balanchine Foundation's commitment to continuing Balanchine's legacy as well as the day-to-day operations of this non-profit foundation. Nancy Reynolds is the director of the Foundation and is considered a leading authority on George Balanchine. The collection also contains files on the publication No Fixed Points: Dance in the Twentieth Century co-written with Malcolm McCormick. less

Saeko Ichinohe (born 1936) was the founder, choreographer, and a dancer of the Saeko Ichinohe Dance Company, which she created in 1970. The Company merged traditional Japanese movement, music, and costumes with modern Western movement. The collection chronicles Saeko Ichinohe's professional career and that of her dance company from the late 1960s to 2014. It contains choreography and dance notation, photographs, costume notes, teaching material, administrative and financial documents, correspondence, biographical material, repertoire lists, programs, writings by Ichinohe, publicity, and audio and video recordings. less

David Dorfman (born 1955) is a dancer, choreographer, teacher, musician, and activist, and the artistic director of David Dorfman Dance, a modern dance company. The David Dorfman papers (1980-2017) document Dorfman's performance and teaching career, as well as the activities of David Dorfman Dance, through video and sound recordings; photographs; programs, clippings, and publicity files; and the files of Art Sweats, Inc. (Dorfman's non-profit management company). less

Maxine Glorsky is a dance production stage manager, and the co-founder of the Technical Assistance Group Foundation (TAG), a dance service organization which presented performances of small and medium-sized dance companies. She was also the stage manager for the Lar Lubovitch Dance Company for many years. Her papers, dating from 1971 to 2001, document the activities of TAG and the Lar Lubovitch Dance Company. less

Edwina Seaver Fontaine (née Seaver, 1927-2014), was a Balanchine dancer, dance instructor, and teacher of Pilates. The Edwina Seaver Fontaine papers, dated 1927 to 2003, reflect Fontaine's career mostly through her correspondence and photographs. Related material includes brochures, clippings, notes, a poster, programs, and scrapbook. less

Rudolf Nureyev (1938-1993) was a Soviet born ballet dancer and choreographer who attained political asylum in France, and spent much of his career performing in Western Europe and the United States. The Nancy Sifton collection on Rudolf Nureyev chronicles the dance career and posthumous acclaim of Nureyev through photographs, clippings, posters, and programs compiled by author, researcher, and dance enthusiast, Nancy Sifton. less

Claudia Gitelman (1936-2012), was a dancer, choreographer, author, and assistant professor at the Mason Gross School of the Arts, Rutgers University. Her artistic collaborators for productions include Alwin Nikolais, Murray Louis, and Hanya Holm. The Claudia Gitelman papers, dated 1946-2012 (bulk dates 2010-2011), focuses mostly on Gitelman's curatorial work for Alwin Nikolais' Total Theater of Motion, a centennial celebration held at The New York Public Library for the Performing Arts from 2010 to 2011. These files include correspondence, photographs of the Nikolais Dance Theatre dance performances, watercolor sketches of dancers, and programs. Gitelman's career development is represented to a lesser extent mainly through photographs, programs and writings. The electronic records contain a number of manuscripts, drafts, and planning documents for the book On Stage Alone: Soloists and the Modern Dance Canon (2012) that Gitelman co-edited with Barbara Palfy. Other materials in the collection include clippings, notebooks, and notes. less

The Sharon Lowen papers date from 1970 to the 2000s and document the career of Sharon Lowen, an American-born performer and choreographer of classical Indian dance. The collection includes newspaper and magazine clippings; programs and announcements of performances; posters; photographs; and essays on dance written by Lowen. less

Susan Jaffe (1962- ) was a principal ballet dancer for the American Ballet Theatre from 1980 to 2002. Jaffe's principal performances include the productions of Sleeping Beauty and Swan Lake; and her final performance in Giselle. She danced abroad as a guest artist for The National English Ballet, among others. Jaffe is currently a ballet mistress at the American Ballet Theatre and dean of the School of Dance at the University of North Carolina. The Susan Jaffe papers, dated 1978 to 2010, mostly reflect Susan Jaffe's performance career at the American Ballet Theatre and to a lesser extent at special performances, and internationally through articles, photographs, programs and a book entitled The American Ballet Theatre, The First Fifty Years. less

Cynthia Gregory is a retired American dancer and former prima ballerina for the American Ballet Theatre. The Cynthia Gregory papers, dated 1946 to 2017, document her dancing career and retirement activities, with emphasis on her American Ballet Theatre tenure. The collection includes articles, programs, correspondence, photographs, awards and certificates, tutus, dance shoes, video recordings, and film. less