Found 168 collections related to Scores

Frederick Schreiber was a prolific 20th century composer, choir director, and organist. The collection primarily consists of Schreiber’s original compositions, supplemented by arrangements he produced of other composers’ works, and a small amount of ephemera, notes, and correspondence. less

Fritz Rikko (1903-1980) was a musicologist and conductor who was an authority on music of the Baroque era. The collection documents Rikko's scholarly work on the composers, Salamone Rossi and Alessandro Scarlatti, and consists mainly of correspondence generated by Rikko, research materials he gathered, and scores for musical compositions written by these two composers. less

The Otto Luening papers contain the composer's scores, correspondence, writings, subject files, and other professional papers; and family papers of his siblings, parents, extended family, and ancestors, including the scores of his father, Eugene Luening. less

The Martin Kalmanoff Papers document the career of an American composer of operas, musicals, choral works, religious services and popular song. The papers consist of scores, correspondence, financial and business papers, writings, notes, concert programs, photographs and media clippings. less

This collection contains the music and professional papers of the Italian organist and composer Melchiorre Mauro-Cottone. He performed in New York from 1905 until his death in 1938. Included are correspondence, programs, clippings, photographs, writings and diplomas. less

The Mendelssohn Glee club is the oldest singing organization still current and the second oldest musical organization in the United States. The collection includes many scrapbooks, along with administrative files, correspondence, ledgers, photographs, publicity material, and vocal scores less

Michael Stewart (nee Rubin), librettist, lyricist, playwright, and novelist, was born in New York City, where he attended Queens College. He received a Master of Fine Arts in drama from Yale in 1953. Prior to his work on Broadway, Stewart wrote for television and contributed sketches and lyrics to revues. His first effort on Broadway, Bye Bye Birdie, opened in 1960 and won Stewart his first Tony as its author. During his career in the musical theater Stewart also worked on Carnival!, Hello, Dolly!, 42nd Street, George M!, Barnum, I Love My Wife, Mack and Mabel, and The Grand Tour. Among his collaborators were the writer Mark Bramble, and the composers Cy Coleman, Jerry Herman, Bob Merrill and Jule Styne. less

Mischa Levitzki was one of the most popular American pianists of his era. The collection contains materials related to his work; including scores (published and manuscript), a scrapbook (photocopy), a leaflet, a poster, a program, a music journal, and some photographs. less

The Myra Russel Collection of Musical Settings of James Joyce consists of music scores for songs set to the words of the writer by a variety of contemporary composers, which were amassed by Myra Teicher Russel, a professor and authority on the works of James Joyce. less

Susannah McCorkle (1946-2001) was an important American jazz / pop singer as well as a talented writer. Her papers consist of her writings, correspondence, business and personal papers, scores, concert programs, clippings, publicity material, photographs and books. less

Ted Royal was an arranger and conductor and composer for Broadway musicals, radio programs, big bands and film. This collection consists mainly of scores for Royal's band and radio arrangements, as well as Broadway arrangements and his own compositions. Also included are production files for shows Royal worked on and writings by Royal and a correspondence course by Joseph Schillinger. less

The Patricia Brooks papers (1867, 1897-2009) document the professional vocal career of the artist, focusing on her operatic performances. The papers contain professional and personal correspondence; reproductions of photographs documenting her operatic career, including photographs of Brooks with Placido Domingo and Frank Corsaro; financial records and advanced ticket sales regarding Brooks' recital in 1977; as well as correspondence, notes, ticket lists, and potential performers relating to the New York City Opera's tribute to Brooks in 2008. Annotated, published scores make up the majority of the collection. less

Paul B. Affelder (1915-1975) was a music critic and the founder of Program Note Service. The collection consists primarily of Affelder’s writings, as well as press releases, programs and other promotional materials compiled by Affelder from the mid-1950s through 1975. The collection also includes an incomplete set of orchestral parts for the Emmerich Kálmán–George Marion, Jr. operetta, Marinka. less

Paul Trueblood is a pianist and musical director based in New York whose work has focused on cabaret, Broadway, popular songs, and standards. This collection consists primarily of score manuscripts and published sheet music representing a range of songs and composers. less

The American composer Ross Lee Finney enjoyed a long, prolific and illustrious career. His papers document his life and career and consist of correspondence, professional writings and lectures, press clippings, concert programs, photographs, and published and unpublished music scores and manuscripts. less

This collection contains manuscripts, manuscript copies, printed scores, and parts belonging to choreographer, director, dancer, and composer Richard Barstow, whose varied career included directing for Ringling Brothers Barnum and Bailey Circus, industrial shows, and for stage, screen, and television. less

The Richard Maltby Sr. papers hold scores, correspondence, business papers, photographs, clippings, and scrapbooks. The vast majority of the collection consists of scores and parts for arrangements and compositions by Maltby as well as by his staff arrangers (primarily Al Muller and Red Bone), most of which are for jazz big band. less

Rick Besoyan was a California-born librettist, composer, director and lyricist. He is best known for his musicals Little Mary Sunshine, (1959), The Student Gypsy or “The Prince of Liederkranz”, (1963), and Babes in the Woods, (1964). The Rick Besoyan Papers include correspondence, scripts, scores, photographs, newspaper clippings, programs and posters. less

The Robert Chesley Scores contains music composed by Chesley, in the form of manuscript scores and sketches. Personal papers which pertain to his work as a composer include correspondence, reviews and programs, and publications of the Society of Gay and Lesbian Composers based in San Francisco, California less