Found 67 collections related to African American authors

Myran E. Haley (My Haley) is the third wife of the well-known writer Alex Haley. They were married in 1977 although they were legally separated at the time of his death in 1992. Myran Haley claimed she assisted Alex Haley in finishing "Roots," published in 1976. She also stated in court documents that she was a collaborator on at least three of his unpublished works: "Queen," (the story of his Caucasian ancestry), "Madame C. J. Walker," and "Henning," a collection of stories about Haley's boyhood summers at his grandmother's home in western Tennessee. The Myran E. Haley Legal Documents relate to the suit filed by Myran Haley against George Haley (Alex Haley's brother), and the Haley Estate regarding ownership of three literary works Haley was working on at the time of his death: "Merging" aka "Queen," "Madam C. J. Walker," and "Henning." She claimed co-ownership of these works and the right to complete the manuscripts. A compromise judgment was rendered giving her partial (15%) ownership rights. Documents include photocopies of Mryan Haley's complaint, her affidavit, Alex Haley's will, their prenuptial agreement, and the partial compromise judgment. less

Writings consisting of manuscripts for his book, GARVEY: THE STORY OF A PIONEER BLACK NATIONALIST; miscellaneous typescript essays and printed articles, 1946-1974; numerous examples of Fax's art such as magazine illustrations and book jackets, 1936-1962; and photocopies of some correspondence. Also, programs, invitations, broadsides, book reviews, and news clippings concerning Fax's career. less

Composer; cornetist; bandleader and publisher, W.C. Handy's fame rests upon his work as a composer. Handy wrote and published more than 150 songs and arrangements of folksongs, mainly spirituals and blues. The popularity of Handy's songs helped to make black folk blues a permanent part of America's popular music. Collection of documents relating to W. C. Handy and the Handy Brothers Music Company. Included is correspondence from Handy and his friends, programs, broadsides and invitations related to affairs honoring Handy. Also, printed material advertising publications by Handy's music and publishing companies, and a 28 page bio-bibliography, "Negro Authors and Composers of the United States" by Handy. less

Ted Poston was the first full-time African-American reporter for the New York Post, where he worked from 1936 covering many major black-oriented news stories, until his retirement in 1972. The Ted Poston Research Collection consists of biographical information about Poston and a transcript of an interview that Professor Luther P. Jackson did with Ted Poston on "interracial reporting" in October 1968. Most of the collection consists of typescripts of articles and columns written by Poston (1927-1971) collected and prepared by the donor, Kathleen Hauke. less

The bulk of the Charles Gordone Collection pertains to the author's Pulitzer-prize winning play "No Place to Be Somebody," which includes several versions of the play script, programs, letters, playbills, flyers, posters, production and showcase materials, press, and two files for awards Gordone received from the Pulitzer Prize and the National Institute of Arts and Letters in 1970 and 1971, respectively. less

The Larry Neal Papers document his role as a writer/editor and seminal figure in the Black Arts Movement, and consists principally of Neal's diverse forms of writings, including essays, scripts, screenplays, poems, short stories and anthologies. Published copies of some of his writings are included in the collection, as are writings by colleagues and publishers. less

Writings and research files, along with personal papers, and corrrespondence documenting Davis' multifaceted career, 1923-1972. Includes material on the AMERICAN NEGRO REFERENCE BOOK, 1966, edited by Davis; papers relating to Frederick Douglass, including letters to Douglass from his sons, Lewis and Frederick; historical novel about a frontier family in Louisville, Kentucky; compilation of biographies of black athletes called "Jump High;" short stories and poetry; and manuscript about Liberia entitled "Bitter Canaan," by Charles S. Johnson. Correspondents include Mary M. Bethune, Ralph J. Bunche, and Dwight D. Eisenhower. less

The Helen Armstead-Johnson miscellaneous theater collections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less

An African American career soldier, Jesse J. Johnson authored eight books and several plays about the military service of black men and women. The Jesse J. Johnson military collection consists primarily of secondary sources and printed material, along with typescripts of his plays and one of his books. less

This collection consists of typescripts of novels, biographies, essays, and poems on historical, sociological, and educational issues, and conference papers. Some of the typescripts appear as final drafts, others as working drafts with author's annotations and corrections. Manuscripts included are "A Talk to Teachers: The Negro Child, His Self Image" by James Baldwin; "Slavery and Capitalism" by Eric Williams; "Life in a Haitian Valley" by Melville J. Herskovits; "American Dilemma" by Gunnar Myrdal; and poems by Waring Cuney, among others. Other authors represented are Arna Bontemps, Horace Mann Bond, Lloyd Brown, Helen Buckler, Henrietta Buckmaster, John H. Clark, Benjamin Davis, Ralph Ellison, Arthur Huff Fauset, and E. Franklin Frazier. Conference material includes Melville J. Herskovits and the Future of Africana Studies (Schomburg Center, May 1988); Marcus Garvey Centennial Conference (Jamaica, November 1987); and the Second World Black and African Festival of Arts and Culture (Nigeria, 1977). less

The collection documents Julian Mayfield's career as a writer, educator and actor, and his activities as a political expatriate in West Africa and Guyana. Significant correspondents include fellow African-American expatriates and friends Maya Angelou, Herman Kofi Bailey, Sylvia Boone, William Branch, Tom Feelings, David DuBois, Preston King, Jim Lacy, Calvin and Elinor Sinnette, and Alice Windom. Other correspondents are John Henrik Clarke, Jules Dassin, Ossie Davis and Ruby Dee, James Forman, Richard Gibson, Gloria Joseph, Woodie King, Paul Mann, William Marshall, Truman Nelson, and Conor Cruise O'Brien. less

Born Yves Francois Lubin in Haiti in 1957, Assotto Saint was a New York-based gay activist, poet, and performance artist who edited two anthologies of black gay poets in the early 1990s. He founded a publishing house, Galiens Press, which published his book of poems Stations and the anthologies Here to Dare and The Road Before Us. In addition, Saint also wrote and produced several theater pieces, including Risin' to the Love We Need and New Love Song. Saint was the founder and artistic director of Metamorphosis Theater and the lead singer of the rock band Xotica. He died of HIV-related diseases in 1994. The Assotto Saint papers consist of correspondence and writings by Saint, manuscripts and letters from authors featured in his anthologies as well as other gay writers, printed matter, and some personal papers. less

The collection contains poems recited in the film, contracts, newspaper ad layouts, advertisements, press releases, a press kit, foreign correspondence regarding theater inquiries, national and international reviews of the film, articles about the cast members and legal documents relating to the suit brought by Hassan, et al. less

Personal and professional papers, writings, office files and printed matter documenting Preston Wilcox's dual career as an educator and community organizer. Included are biographical and autobiographical narratives; some correspondence and organization files; an extensive writings series; proposals, minutes, reports and other documents dating from 1958 to 1965 pertaining to the East Harlem Project, the East Harlem Summer Festival, and the Massive Economic Neighborhood Development (MEND); confidential files from the 1964 Princeton Summer Studies Program, the pilot project for the pre-college Upward Bound program; compilations of material on public schools, decentralization and community control; and Afram's surviving records. Some of the main themes explored in the writings are: decentralization and parental decision-making, community organization and economic development, Black Power versus integration, social policy and white racism, empowering the poor, and black studies and black schools. The Afram files comprise the following subseries: Administrative, Publications, Parent Participation in Follow Through, Malcolm X Lovers Network and Vertical Files. The latter two categories are compilations of articles and other printed matter, with editorial notes by Wilcox, on Malcolm X, and on selected topics and personalities, including education, community control, reparations, Harlem, Marcus Garvey, Martin Luther King, Jr., Kwame Toure (Stokely Carmichael) and Leonard Jeffries. less

Born in Britain, Allan Morrison was a combat correspondent during World War II. He accompanied the liberation forces into Paris towards the end of the war. On becoming a naturalized United States citizen, in 1946 Morrison officially changed his surname to Allan Malcolm Morrison. In the 1940s, he began a career at Ebony magazine which continued for more than 25 years. On two occasions (1961 and 1965), John H. Johnson wrote letters commending Morrison for his service to the Johnson Publishing Company. Collection consists of several letters and a few miscellaneous items, including Morrison's naturalization certificate (1946). Included are a 1946 "thank you letter" from Walter White, Executive Secretary of the NAACP, making positive comments about the content of an article done by Morrison on the White family; two letters from J.G. Gude, August 18, 1963, one introducing Morrison to Blair Clark, then chief of CBS news operations, the other informing Morrison about the introduction; and two letters from John H. Johnson, 1961 and 1965. There is also a letter from the US Information Agency, 1965 cancelling a contract with Morrison for his failure to produce a manuscript. less

Jeremy Randolph was an African American actor, poet, playwright, and founder of two independent publishing houses, Rannick Playwrights Company and Amuru Press. The Jeremy Randolph papers primarily document the activities of Randolph's small, independent black publishing company, Amuru Press, during the brief period from 1972 to 1974. less

The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann Shockley, Childress's FBI file, diaries, calendars, interviews, educational materials, family letters, files for her two husbands, and biographical information about Childress. Significant correspondents include writers Kay Bourne, Harold (Hal) Courlander and Susan Koppleman. less

The AMAS Musical Theatre production files consist of documentation for thirty-six plays produced by AMAS, including both original plays and well known plays such as "It's so nice to be civilized," "Bojangles," "Jam," "Juba," "Blackberries," and "The buck stops here." Revivals have included "Bye Bye Birdie," "Carousel," and "My Fair Lady." A variety of material can be found in the files; however not every kind of material will be available for each production. The following list provides a sampling of files: attendance sheets; audition sheets, budgets, cast lists/contact sheets; casting lists and notices; contracts; costume inventories; cue sheets; equity contracts; flyers and programs; memoranda and correspondence; music and lyrics; performance reports; production schedules; rehearsal logs, schedules and reports; reviews; scene breakdown sheets; scripts-blocking/production/master/music; set design and illustrations/lighting/props; sound; stage manager's notes; and VIP lists. Additionally, the collection includes background information about AMAS and Rosetta LeNoire, AMAS's Eubie Blake Youth Theatre, programs and flyers for productions not represented in the files, and certificates awarded to AMAS. less

The W.E.B Du Bois collection consists of a small body of speeches, articles, correspondence and related material primarily authored by Du Bois. Of special interest is a typescript, with editorial comments, of the first two chapters of Du Bois' autobiography Dusk of Dawn: An Essay Toward an Autobiography of a Race Concept (1940). The collection also includes a typescript of an article entitled "Miscegenation" (1935). There are thirteen speeches and a book review ranging in subject matter from "The Talented Tenth," to a tribute to Dr. Carter F. Woodson, race relations, labor issues, Franklin D. Roosevelt, and Mahatma Gandhi. One of the speeches "What the Negro Wants in 1948," was delivered at a meeting of the NAACP. less

Clergyman, author and educator. Steward became a minister in the African Methodist Episcopal Church in 1861 and served congregations in Macon, Georgia, Brooklyn, New York, Philadelphia, Wilmington, Delaware, Washington, D. C., and Port-au-Prince, Haiti. He was also the chaplain for the 25th Infantry where he served in the Philippine Islands and Cuba. In 1907 he joined the faculty of Wilberforce University, with which he was associated until his death, serving as vice-president, chaplain and professor of history, French and logic. Correspondence, writings, deeds, documents related to the African Methodist Episcopal Church, and journals. The journals constitute the largest section of the papers and cover his early years in the ministry in Georgia (1868-71), Haiti (1873), where he established a church in Port-au-Prince, and Philadelphia (1880s); his chaplaincy in Ft. Missoula and the Philippine Islands (1890s); and his years at Wilberforce University (1907-24). The journals contain a variety of items and are not arranged chronologically: drafts of sermons, essays, speeches; accounting notes; lecture notes and course notes. Two journals record marriages, baptisms and funerals performed by him in the Philippines. The correspondence includes letters to Steward from his children, Frank, Charles, Theophilus Bolden, Gustavus, his brother William and a letter from John W. Cromwell. less

Author. Born and raised in New York City, Wylie was educated at Boston University where he studied comparative literature. Corrected manuscripts of the novels THE HOMESTEAD GRAYS (New York: G.P. Putnam, 1977), THE SIGN OF THE DAWN (New York: Viking Press, 1981), THE LOST REBELLION (New York: Trident Press, 1971), and THE RED EARTH. less

The Edward Boatner papers reflect his activities as composer, choral conductor, music professor and author of music textbooks. The music in the collection consists of scores for "Freedom Suite," his musical comedy "Julius Sees Her in Rome, Georgia," and his opera "Troubled in Mind." There are also scores for four gospel songs written by Boatner, and voice parts for selections from his musical play, "He Will Answer.". less

George Rich Metcalf (born Feb. 5, 1914 in Auburn) was a white American N.Y. State Senator; president of the National Committee Against Discrimination in Housing; an activist; businessman; journalist; author; and philanthropist. In 1948, he became chairman of the Auburn Housing Authority before being elected to the New York State Senate in 1950. He authored many bills regarding fair housing, civil rights, and public health. In 1965, he left the Senate to write about racial injustice. He authored four books, including two books on Black history. During the 1970s, he taught Black history at Auburn Community College. He died on May 30, 2002. The George R. Metcalf research files are comprised of research material for Metcalf's two books, Black Profiles (13 biographies of prominent African Americans living and deceased), and Up from Within: Today's Black Leaders (a biographical sequence of emerging Black personalities and their contributions to the "Black revolution" in America). Material consists of clippings, correspondence, typescripts, transcribed interviews, notes, and miscellaneous printed material. The material covers notable figures including Martin Luther King, Jr., Malcolm X, Roy Wilkins, Shirley Chisolm, W.E.B. Du Bois, Rosa Parks, Thurgood Marshall, Medgar Evers, Jackie Robinson, Eldridge Cleaver, Whitney Young, Jr., Harriet Tubman, Edward Brooke, Julian Bond, James H. Meredith, and Andrew Brimmer, among others. less

The T. Thomas Fortune Scrapbook consists primarily of clippings of Fortune's articles from the "New York Age," 1890-1898, in which he discussed events and issues affecting African Americans nationwide as well as overseas. There are also articles from other newspapers such as the "Evening Telegram, the "New York Sun," the "Texas Morning News, the "Galveston Daily" and the "Brooklyn Daily Eagle," some of which he authored, and articles written about him by fellow journalists, 1889-1904. less

Maya Angelou (1928-2014) was one of the most renowned and celebrated voices in American literature. The Maya Angelou papers consist of original manuscripts, computer generated typescripts, galleys, and proofs of published work as well as manuscripts for unpublished work and dozens of poems. Additionally, there is personal and professional correspondence, teaching files, printed matter, and materials from public and academic appearances and engagements. less