Peoples' voice cafe
Music Division | JPB 06-10
0.5 linear feet (1 box)
The Peoples' Voice Cafe Records includes correspondence, clippings, flyers and other publicity material, and administrative records of the Peoples' Voice Cafe. The collection's contents date from 1979 to 1986, documenting the early and formative...
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The Peoples' Voice Cafe Records includes correspondence, clippings, flyers and other publicity material, and administrative records of the Peoples' Voice Cafe. The collection's contents date from 1979 to 1986, documenting the early and formative years of the organization.
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Peter Wexler, Inc
Jerome Robbins Dance Division | (S) *MGZMD 186
3 linear feet (6 boxes)
This collection was created by Peter Wexler, Inc., and contains work done for the San Francisco Ballet Association for a temporary theater feasibility study in May 1994.
Cantata Singers (New York, N.Y.)
Music Division | JPB 06-73
16 linear feet (29 boxes)
The Cantata Singers was one of the first groups in the United States to attempt authentic performances of Baroque music and set a standard for basing performances on expert direction supported by methodical research. The Cantata Singers Records...
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The Cantata Singers was one of the first groups in the United States to attempt authentic performances of Baroque music and set a standard for basing performances on expert direction supported by methodical research. The Cantata Singers Records consists of those records which the non-profit organization retained over the course of some 37 years in operation including materials related to their concerts as well as correspondence, administrative files, minutes of the organization’s meetings, financial records, and documentation of their incorporation.
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Cherry, Ewing, d. 1969
Billy Rose Theatre Division | *T-Mss 2001-020
.21 linear feet. (1 box of material)
Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in...
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Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances.
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Serlin, Oscar, 1901-1971
Billy Rose Theatre Division | *T-Mss 1977-002
25.15 linear feet (62 boxes)
Oscar Serlin (1901-1971) was an American theatrical producer in the first half of the 20th century, most famous for the long-running play Life with Father. This collection consists of his personal and professional papers.
Evans, Maurice, 1901-1989
Billy Rose Theatre Division | *T-Mss 1979-001
31.5 linear feet.; 97 boxes
The Maurice Evans papers contain correspondence, production materials, photographs, programs and scripts that document his role as an actor, director and production.
Pollikoff, Max
Music Division | JPB 86-1
11 boxes, 39 x 30 x 8 cm. or smaller; 11 boxes, 39 x 30 x 8 cm. or smaller
A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished...
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A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time.
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Baum, Morton, 1905-1968
Jerome Robbins Dance Division | *LPA Mss 1992-001
12.7 linear feet (32 boxes)
Morton Baum was the chair of City Center’s Finance Committee from 1943 to 1968. In the 1960s he became its managing director. City Center was responsible for presenting many of the most important dance, music, opera and drama companies in New York...
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Morton Baum was the chair of City Center’s Finance Committee from 1943 to 1968. In the 1960s he became its managing director. City Center was responsible for presenting many of the most important dance, music, opera and drama companies in New York City during the middle of the 20th Century. Baum was also instrumental in bringing that same quality of the arts to the newly-formed Lincoln Center for the Performing Arts Inc. The collection consists of administrative and financial material used in the creation and running of City Center. It also includes administrative and financial material about the creation of Lincoln Center of the Performing Arts.
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Hamilton, Nancy
Billy Rose Theatre Division | *T-Mss 1985-006
19 linear feet (26 boxes)
Nancy Hamilton was an American actress, playwright, lyricist, director and producer. She worked in the New York theater from 1932-1954. This collection includes personal files, scripts, production materials, scores, photographs and scrapbooks.
Wagner, Minna, 1809-1866
Music Division | JOB 91-33
19 items
Anonymous ms. poem addressed to Minna Planer as Sena in Solomon's Judgment, 1833 Feb. 14 ; 15 ALS, including 2 from Anton Hübsch of Königsberg, offering engagements at various theaters in Germany, 1833 Dec. 23 - 1836 March 6 ; 1 ALS from Minna...
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Anonymous ms. poem addressed to Minna Planer as Sena in Solomon's Judgment, 1833 Feb. 14 ; 15 ALS, including 2 from Anton Hübsch of Königsberg, offering engagements at various theaters in Germany, 1833 Dec. 23 - 1836 March 6 ; 1 ALS from Minna Planer, Magdeburg, 1833 Dec. 27, to an unspecified theater director stating her conditions ; contract between Minna Planer and Anton Hübsch of the Königsberg Theater, 1836 March 28 ; newspaper, Unterhaltungsblätter, Königsberg, 1836 Nov. 5, containing an article on Minna Planer as an actress. A draft letter for Minna Planer in the hand of Richard Wagner is cataloged separately (NYPW91-A75). A ms. stagebook with Minna Planer's silent part in Auber's Die Stumme von Portici has been cataloged separately in the Books File (NYPG91-B1045).
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Bosworth, Patricia
Billy Rose Theatre Division | -Mss 2006-009
7 linear feet (16 boxes)
The Patricia Bosworth Papers consist largely of her manuscripts and research files for
Montgomery Clift: A Biography (Harcourt Brace Jovanovich, 1978), but also contains material relating to other writings and...
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The Patricia Bosworth Papers consist largely of her manuscripts and research files for
Montgomery Clift: A Biography (Harcourt Brace Jovanovich, 1978), but also contains material relating to other writings and professional activities.
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Ter-Arutunian, Rouben, 1920-
Jerome Robbins Dance Division | (S) *MGZMD 277
17.68 linear feet (43 boxes, 1 tube)
Rouben Ter-Arutunian (1920-1992) was a scenic and costume designer whose work was represented in ballet, opera, theater, and television. The Rouben Ter-Arutunian papers contain personal and professional materials from his 40 year career as a...
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Rouben Ter-Arutunian (1920-1992) was a scenic and costume designer whose work was represented in ballet, opera, theater, and television. The Rouben Ter-Arutunian papers contain personal and professional materials from his 40 year career as a designer. The collection holds address books, contracts, correspondence, date books, design files, exhibit materials, family papers, notebooks, photographs, scrapbooks, slides and writings.
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Morley, Ruth
Billy Rose Theatre Division | *T-Mss 1998-024
38 linear feet (70 boxes)
The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and...
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The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection.
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Maltby, Richard, 1914-1991
Music Division | JPB 12-11
32.6 linear feet (123 boxes)
The Richard Maltby Sr. papers hold scores, correspondence, business papers, photographs, clippings, and scrapbooks. The vast majority of the collection consists of scores and parts for arrangements and compositions by Maltby as well as by his...
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The Richard Maltby Sr. papers hold scores, correspondence, business papers, photographs, clippings, and scrapbooks. The vast majority of the collection consists of scores and parts for arrangements and compositions by Maltby as well as by his staff arrangers (primarily Al Muller and Red Bone), most of which are for jazz big band.
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Smith, Joe, 1884-1981
Billy Rose Theatre Division | *T-Mss 1981-015
2 linear feet (3 boxes)
Joe Smith and Charlie Dale were partners in one of vaudeville’s most famous and successful comedy acts, later translating many of their most popular sketches to other media, including radio, motion pictures and television. The Smith and Dale...
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Joe Smith and Charlie Dale were partners in one of vaudeville’s most famous and successful comedy acts, later translating many of their most popular sketches to other media, including radio, motion pictures and television. The Smith and Dale Papers include contracts, correspondence, photographs, scripts and other professional material from the team, as well as clippings documenting their joint career and Smith’s activities after Dale’s death.
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Greenspan, Sara, 1894-1968
Billy Rose Theatre Division | *T-Mss 1968-005
.21 linear feet (1 box)
The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the...
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The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the business manager of the prestigious production company for twenty years before retiring in 1963.
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Radio Writers Guild
Billy Rose Theatre Division | *T-Mss 1977-001
37.5 linear feet, (90 boxes)
The Radio Writers Guild Records consist of correspondence, contracts and minutes for the years 1930 to 1958. The materials regarding the RWG is limited to the Guild as a national organization and to the activities of the Eastern Region. While...
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The Radio Writers Guild Records consist of correspondence, contracts and minutes for the years 1930 to 1958. The materials regarding the RWG is limited to the Guild as a national organization and to the activities of the Eastern Region. While there are some contracts between the Western Region and their local radio stations, there is little correspondence within the Western Region and almost none within the Mid Region. The membership records of the Western and Mid Regions, in this collection, only reflect transfers of Mid Region and Western Region members to and from the Eastern Region.
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American Play Company
Billy Rose Theatre Division | *T-Mss 1966-002
49.14 linear feet (117 boxes)
The American Play Company was a New York theatrical agency which represented authors and rights-holders and assisted in the negotiation of theatrical and film licensing. The American Play Company records contain administrative files, contracts,...
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The American Play Company was a New York theatrical agency which represented authors and rights-holders and assisted in the negotiation of theatrical and film licensing. The American Play Company records contain administrative files, contracts, literary department correspondence, and scripts relating to the theatrical rights management business.
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Scourby, Alexander, 1913-1985
Billy Rose Theatre Division | *T-Mss 1986-002
6.05 linear feet (15 boxes)
The Alexander Scourby Papers document the professional career of the prolific actor and narrator through contracts, correspondence, photographs, scripts, and other material. Although he had a long and varied career as an actor and narrator on...
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The Alexander Scourby Papers document the professional career of the prolific actor and narrator through contracts, correspondence, photographs, scripts, and other material. Although he had a long and varied career as an actor and narrator on stage, screen, and radio, Alexander Scourby considered his most important work to be the performances he gave as a voice actor in the Talking Books recordings he made for the American Foundation for the Blind.
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Steinert, Alexander, 1900-1982
Music Division | JPB 06-62
2.5 linear feet (11 boxes)
Alexander Lang Steinert (1900-1982) was a composer, conductor, and pianist who worked in television, film, and radio, as well as concert settings. The Alexander Steinert Papers consists primarily of the composer’s collection of published scores,...
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Alexander Lang Steinert (1900-1982) was a composer, conductor, and pianist who worked in television, film, and radio, as well as concert settings. The Alexander Steinert Papers consists primarily of the composer’s collection of published scores, the majority of these arranged for piano and four hands. The collection also contains scrapbooks as well as contracts and correspondence that detail some of the highlights of Steinert’s professional career.
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Hill, William J
Music Division | JPB 97-64
1 item
Terms for William J. Hill to perform for 3 months as a tenor in California in the operas, operettas and pieces in the Richings Repertoire, and for his wife Kate to sing such singing parts as Maguire shall direct.
Frank, Alexander, 1866-1939
Billy Rose Theatre Division | *T-Mss 1940-002
1 portfolio (4 folders)
Alexander Frank (1866-1939), was a stage actor, first in England and then, after 1900, in the United States, where he was also a motion picture actor and director. Born in Boston, England, Alexander Frank initially worked as a political secretary...
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Alexander Frank (1866-1939), was a stage actor, first in England and then, after 1900, in the United States, where he was also a motion picture actor and director. Born in Boston, England, Alexander Frank initially worked as a political secretary for a Member of Parliament, but turned instead to acting. After receiving his early training from Sir Henry Irving and making a number of appearances on the London stage, he came to the United States around 1900. Mr. Frank acted opposite many of the leading actors of his era, and belonged to the companies of such major figures as James K. Hackett and Olga Nethersole. Mr. Frank acted in several films between 1913 and 1920, and also directed, but later restricted himself to stage work as a performer. Mr. Frank's last major role was in Elsie Schauffler's play Parnell in 1935, in which he portrayed British Prime Minister William E. Gladstone, whom he had met in his youth. The Alexander Frank papers span 1902-1920 and consist of contracts, correspondence, and a notebook. The collection is split between contracts for various plays and theatrical companies, and correspondence, encased in mylar, consisting of letters of recommendation from Mr. Frank's past employers to prospective ones. There is also a small notebook, which holds four pages of sketchy pencilled notes concerning Medieval England.
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Kalich, Bertha, 1874-1939
Billy Rose Theatre Division | *T-Mss 1991-005
8 linear feet (23 boxes)
This collection comprises the papers of the Polish singer and actress Bertha Kalich who immigrated to the United States in 1895. Once in the United States, she became a celebrated star of the Yiddish theater, with active roles in theater as well...
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This collection comprises the papers of the Polish singer and actress Bertha Kalich who immigrated to the United States in 1895. Once in the United States, she became a celebrated star of the Yiddish theater, with active roles in theater as well as cinema, until 1928 when she succumbed to illness. One of her best known roles was the title character of the play
Magda and Lilla Olrick in Jacobi's
Riddle Woman. The collection consists of correspondence, personal and professional papers, and theatrical memorabilia from Bertha, her husband, Leopold Spachner, and daughter Lillian Kalich Spachner concerning her stage career and is primarily in English with some materials in German, Yiddish, and Hebrew.
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Marsh, Audrey, 1911-
Music Division | JPB 06-76
1.8 linear feet (2 boxes)
The American singer Audrey Marsh had a successful career singing in performance and on commercial radio. Her papers contain correspondence, clippings, concert programs, journals, photographs and personal papers.
Composers' Forum (U.S.)
Music Division | JPB 12-01
11 linear feet (27 boxes)
The records of the Composers' Forum document the history of the organization from 1935 to 2002. They hold correspondence, concert programs, press releases, clippings, grant applications and other development files, board meeting minutes and...
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The records of the Composers' Forum document the history of the organization from 1935 to 2002. They hold correspondence, concert programs, press releases, clippings, grant applications and other development files, board meeting minutes and correspondence, photographs, membership files, concert production files, concert discussion transcripts, historical essays and scrapbooks.
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Salter, Bert
Music Division | JPB 99-14
5 items
Contracts granting Bert Salter permission to use in perfomance recordings of the music and marionettes in the likenesses of Buddy De Franco, Gloria Parker, George Shearing, Barry Valentino, and the Frank Petty Trio.
Chicago Allied Arts, Inc
Jerome Robbins Dance Division | (S) *MGZMD 175
0.63 linear feet (2 boxes)
The Chicago Allied Arts, Inc. Records are chiefly comprised of correspondence, contracts, financial records, and drafts of legal documents concerning the establishment and operations of the short-lived organization, which produced an innovative...
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The Chicago Allied Arts, Inc. Records are chiefly comprised of correspondence, contracts, financial records, and drafts of legal documents concerning the establishment and operations of the short-lived organization, which produced an innovative series of programs of new music and dance in Chicago from 1924-1927.
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Proulx, Annie
Henry W. and Albert A. Berg Collection of English and American Literature | Berg Coll Proulx MSS 1935-2010
178 linear feet (356 manuscript boxes), 3715 megabytes (2478 computer files)
Annie Proulx is a novelist, short fiction writer, historian, and essayist. She was born in Norwich, Connecticut, in 1935, to Lois Nellie Gill Proulx, a painter and amateur naturalist, and George N. Proulx, the vice-president of a textile mill. Her...
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Annie Proulx is a novelist, short fiction writer, historian, and essayist. She was born in Norwich, Connecticut, in 1935, to Lois Nellie Gill Proulx, a painter and amateur naturalist, and George N. Proulx, the vice-president of a textile mill. Her first collection of short fiction, Heart Songs and Other Stories, was published in 1988. In 1990, she completed her debut novel, Postcards, for which she won the 1993 PEN / Faulkner Award for Fiction. Her second novel, The Shipping News, won the Pulitzer Prize, the National Book Award, the Irish Times International Fiction Prize, and the Heartland Award for Fiction. Accordion Crimes, her third novel, was published in 1996. In 1997, she was awarded the Dos Passos Prize for Literature. In 1998, her story “Brokeback Mountain” won the National Magazine Award, The New Yorker Award for fiction, and the O. Henry Prize. It was adapted, in 2005, for a Paramount Pictures film by Larry McMurtry and Dianna Ossana, and was directed by Ang Lee. Her second collection of short fiction, Close Range: Wyoming Stories, was published in 1999; the lead story, “The Half-Skinned Steer,” was selected by John Updike for the Best American Stories of the Century (1999). In 2000, Proulx’s short story collection Close Range: Wyoming Stories won The New Yorker Award for fiction. Her fourth novel, That Old Ace in the Hole, was published in 2002. This was followed by two collections of short stories: Bad Dirt: Wyoming Stories 2 (2004) and Fine Just the Way It Is: Wyoming Stories 3 (2008). In 2008, she also published and edited Red Desert: A History of a Place, a collection of 38 essays of which she wrote 10. Bird Cloud: A Memoir, was published in 2011, and is named for the painstakingly designed and hand-crafted home she had built for herself in Wyoming, on a 640-acre nature preserve through which runs the North Platte River. Organized into 23 series: Series 1: Writings by Annie Proulx ; Series 2: Artwork by Annie Proulx ; Series 3: Correspondence ; Series 4: Research ; Series 5: Other Projects Series 6: Works by Others ; Series 7: Photographs ; Series 8: Genealogical Papers ; Series 9: Personal Records ; Series 10: Address Books and Monthly Planners ; Series 11: Ephemera ; Series 12: Material related to the estate of Lois Gill Proulx ; Series 13: Publisher’s Artwork and Promotional Material ; Series 14: Material Related to Scheduled Literary Events ; Series 15: Awards ; Series 16: Property Records ; Series 17: Publishing and Other Contracts ; Series 18: Miscellaneous Printed ; Series 19: Electronic Records ; Series 20: Audio Cassettes, VHS, DVDs, CDs ; Series 21: Restricted Material ; Series 22: Realia ; Series 23: Financial Papers.
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Smith, Jabbo, 1908-1991
Music Division | JPB 97-65
2.11 cubic ft. (5 boxes)
"Jabbo" Smith, born Cladys Smith in 1908 in Pembroke, Georgia, was an African-American jazz trumpeter, trombonist and singer. He died in St. Louis in 1991. The collection consists of autobiographical material; correspondence with Lorraine Gordon...
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"Jabbo" Smith, born Cladys Smith in 1908 in Pembroke, Georgia, was an African-American jazz trumpeter, trombonist and singer. He died in St. Louis in 1991. The collection consists of autobiographical material; correspondence with Lorraine Gordon and others (1957-1991); financial receipts; medical records; contracts and agreements; passports and other official documents; performance files, news articles, press releases and programs (1930-1991), including information on One Mo' Time, Chicago Kool Jazz Festival, and Jazz Fest Berlin; scrapbooks and photographs of Smith, Wynton Marsalis, Louis Armstrong, and others (1982-1991); and an account book (1969-1973) with aphorisms.
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Curtis, Jack, 1942-
Billy Rose Theatre Division | *T-Mss 2001-019
.1 linear feet (1 portfolio), 40 cm
Jack Curtis was a theatrical manager. The Jack Curtis contracts date from autumn 1937, and consist of sixteen copies of the same 'standard minimum' contract for actors. There are thirteen contracts for the play BORN IN A TRUNK, and three contracts...
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Jack Curtis was a theatrical manager. The Jack Curtis contracts date from autumn 1937, and consist of sixteen copies of the same 'standard minimum' contract for actors. There are thirteen contracts for the play BORN IN A TRUNK, and three contracts for Aurania Rouverol's play PLACES PLEASE, each signed by a different actor. There is also a brief contract offering BORN IN A TRUNK star Lillian Emerson a bonus contingent upon the play's box office performance.
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