Found 33 collections related to Musical theater -- New York (State) -- New York

Fred Ebb was a lyricist and librettist for Broadway musicals and motion picture and television projects. With composer John Kander, Ebb wrote scores for many acclaimed successful musicals. This collection contains scripts, scores and production files pertaining to Ebb's musicals as well as photographs, awards, personal and business files and extensive scrapbooks Ebb kept on each of his shows and other aspects of his life and career. less

Peter Stone (1930-2003) was an American writer of musicals, plays, films and television shows in the second half of the twentieth century. Stone was the first writer to win an Emmy Award, an Academy Award and a Tony Award. The Peter Stone papers (1757-2003, bulk dates 1950-2000) document the professional career and personal life of Peter Stone. This collection consists mainly of scripts for Stone's works. Other materials include correspondence, publicity materials, photographs, scores, contracts and programs. less

Michael Stewart (nee Rubin), librettist, lyricist, playwright, and novelist, was born in New York City, where he attended Queens College. He received a Master of Fine Arts in drama from Yale in 1953. Prior to his work on Broadway, Stewart wrote for television and contributed sketches and lyrics to revues. His first effort on Broadway, Bye Bye Birdie, opened in 1960 and won Stewart his first Tony as its author. During his career in the musical theater Stewart also worked on Carnival!, Hello, Dolly!, 42nd Street, George M!, Barnum, I Love My Wife, Mack and Mabel, and The Grand Tour. Among his collaborators were the writer Mark Bramble, and the composers Cy Coleman, Jerry Herman, Bob Merrill and Jule Styne. less

The Paper Bag Players is a company of adults who create and perform original, contemporary, musical theater for children. The records document the administrative activities of the Paper Bag Players, and to a lesser degree, their performances. Material includes production files; financial files; fan mail from children; collateral material and ephemera; scrapbooks; a small quantity of original artwork; and Audio and Video material. less

Richard Lewine was a musical theater composer, an author of works of scholarship on musical theater and a theater and television producer, working mainly from the 1930s through the 1980s. This collection includes personal files, scores, scripts, production files, programs and oversized items pertaining to Lewine's career, life and films, stage musicals and television programs written or produced by Lewine. less

The Richard Rodgers Papers consist of correspondence, photographs, posters, newspaper clippings, and other material related to the career of Richard Rodgers. There is a small series of production files which includes materials on THE KING AND I, SOUTH PACIFIC and OKLAHOMA! The primary strength of the collection lies in the inclusiveness of the business correspondence; there are both complimentary and uncomplimentary letters, indicating that Rodgers did not edit the collection to eliminate unfavorable information. Another strength of the collection lies in the amount of correspondence with his collaborators, particularly Oscar Hammerstein II. There is, however, no direct correspondence between Rodgers and his first collaborator Lorenz Hart and there are few references to Hart. Although there are a considerable amount of letters from Rodgers to his wife, there are very few from her to him. There is also a small amount of correspondence related to Dorothy Rodgers political and literary activities. less

The AMAS Musical Theatre production files consist of documentation for thirty-six plays produced by AMAS, including both original plays and well known plays such as "It's so nice to be civilized," "Bojangles," "Jam," "Juba," "Blackberries," and "The buck stops here." Revivals have included "Bye Bye Birdie," "Carousel," and "My Fair Lady." A variety of material can be found in the files; however not every kind of material will be available for each production. The following list provides a sampling of files: attendance sheets; audition sheets, budgets, cast lists/contact sheets; casting lists and notices; contracts; costume inventories; cue sheets; equity contracts; flyers and programs; memoranda and correspondence; music and lyrics; performance reports; production schedules; rehearsal logs, schedules and reports; reviews; scene breakdown sheets; scripts-blocking/production/master/music; set design and illustrations/lighting/props; sound; stage manager's notes; and VIP lists. Additionally, the collection includes background information about AMAS and Rosetta LeNoire, AMAS's Eubie Blake Youth Theatre, programs and flyers for productions not represented in the files, and certificates awarded to AMAS. less

Adolph Green (1915-2002) was a lyricist and librettist of Broadway musicals, a Hollywood screenwriter and occasional performer. This collection contains his scripts and programs. The majority of the productions covered were written by Green and his constant collaborator, Betty Comden. less

Charles Strouse is a composer of stage and film musicals, known for such musicals as Bye Bye Birdie (1960), Applause (1970) and Annie (1977). He occasionally writes his own lyrics, but usually collaborates with a lyricist. His most frequent lyricist is Lee Adams, though he has also worked with Martin Charnin, Alan Jay Lerner, Richard Maltby Jr. and Stephen Schwartz. The majority of the materials in this collection are scripts and scores from Strouse’s shows from the 1960s through 2000. The collection also includes clippings, correspondence, production files and programs. less

Harold Prince (b. 1928), is a producer and director of theater, film and opera, but is best known for his work on Broadway musicals. Prince, who is commonly known as Hal Prince, began his career in 1948 as an assistant in the office of Broadway director and producer George Abbott. During his early years with Abbott, he made valuable connections with Robert E. Griffith, who would later become his producing partner and Ruth Mitchell, who would be his longtime assistant and production supervisor. Griffith and Prince scored a huge success in their first producing project, The Pajama Game (1954) and had many subsequent Broadway hits until Griffith's death in 1961. Prince began directing with the play, A Family Affair (1962). He has gone on to have a notably prolific career, directing and/or producing many landmark Broadway musicals, including Cabaret (1966), West Side Story (1957), Fiddler on the Roof (1964), Follies (1972), Evita (1979) Sweeney Todd: The Demon Barber of Fleet Street (1979) and The Phantom of the Opera (1987). Principal collaborators on musical theater productions include the songwriters Stephen Sondheim; Jerry Bock and Sheldon Harnick; John Kander and Fred Ebb; Larry Grossman; Betty Comden and Adolph Green; and Andrew Lloyd Webber. In addition to musicals and plays, Prince also has directed operas and two feature films, and appeared in many documentaries and tributes; in 1974 he published an autobiography, Contradictions: Notes on Twenty-Six Years in the Theatre. This collection consists of scores to Broadway musicals directed and produced by Harold Prince from the 1950s through the 1980s, arranged alphabetically by show title and by song title within each show. In the cases of Sweeney Todd and certain conductor scores for A Doll’s Life, as noted, where the complete score existed, it has been left in running order. The bulk of the collection consists of scores from A Doll’s Life, by Larry Grossman and Betty Comden and Adolph Green, including oversized conductor scores and full orchestra parts. The collection also covers, with near completeness the scores to Andrew Lloyd Webber and Tim Rice’s Evita, (1979) Jerry Bock and Sheldon Harnick’s She Loves Me (1963) and Stephen Sondheim’s A Little Night Music, (1973) Side by Side by Sondheim (1977) and Sweeney Todd (1979). Items of special interest in the collection are unused materials from A Doll’s Life and Pacific Overtures. less

Harold Richard Atteridge (1886-1938) was a playwright who wrote musical shows for the theatre in New York City. Collection consists of correspondence, accounts and other papers, 1909-1939, relating to Atteridge's career and business dealings. Subjects include royalties, copyright, and requests for Atteridge to write lyrics and scenes for new plays. less

The Leland Hayward Papers reflect the activities of Hayward’s business office during his active years as a theatrical, motion picture and television producer. The majority of the collection relates to the various works Hayward produced in those three media, represented by correspondence, scripts, production materials, photographs, scrapbooks and financial records. The papers also include office files and some personal photographs. less

Collection consists of audio-visual materials representing selected productions that Jerry Bock wrote between 1960 and 2006. While there are some items containing complete audio or video productions of the shows, the majority are unpublished pre-production materials, including rehearsals, demo recordings, and "working copies" of songs, including a song about the race horse "Fly so free". There are also some documentary materials, such as awards show footage and radio shows about the productions. Many of the items are from Bock's more popular Broadway shows, including Fiddler on the Roof, The Rothschilds, She Loves Me, and Fiorello! Also represented are some of Bock's less well known works including 1040, (a show about the tax code), Happy Birthday Mr. Abbott, and Regarding the Lindsay Years, as well as many of his children's musicals including Brandon Finds his Star, The Land of Broken Toys, Danny and the Dragon, The Magic Journey, and the Adventures of Pinocchio. less

The Jerry Bock papers primarily document the professional activities of the prime twenty years of his composing career, as well as his later works, and do not offer much, if any, insight into his personal life. Vocal scores, lead sheets, and sketches for all of his musical productions produced on Broadway, including The Apple Tree, The Body Beautiful, Fiddler on the Roof, Fiorello!, Mr. Wonderful, The Rothschilds, She Loves Me, and Tenderloin are represented in the papers. Also present are a significant number of pop songs that Bock wrote with Sheldon Harnick and Larry Holofcener in addition to many for which he supplied his own lyrics. Business correspondence can be found within the production it relates to; many productions also include documents such as notes, cast information, ticket stubs, ephemera, and photographs. The collection does not contain Bock's personal correspondence; the few personal papers here are either work or school-related. less

Joe Layton (1931-1994) was an Emmy and Tony award-winning American choreographer, director, and producer of stage productions, television specials, and live concerts. The Joe Layton papers (1931-1992) document his professional career and his marriage to actress Evelyn Russell. The collection includes correspondence, photographs, production binders, scrapbooks, scripts, and sound and video recordings. less

Johnson-Liff Associates was a casting agency, founded by Geoffrey Johnson and Vincent Liff in 1975, and dissolved in 2002. This collection contains office records, such as audition notes, casting ideas, headshots, resumes and submissions relating to films, television programs and theatrical productions cast by Johnson-Liff Associates. less

Claire Joseph Nichtern (1920-1994) was an American producer of Broadway and Off-Broadway plays and musicals in the second half of the twentieth century. The Claire Nichtern papers (1962-1987) document Nichtern's professional career. The bulk of the collection consists of production files for Broadway and Off-Broadway plays and musicals produced by Nichtern, who was president of Warner Theatre Productions from 1979-1985. The collection also contains a small amount of office files, scripts, and posters. There is very little personal material in the collection. less

The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection. less

Richard Rodgers (1902-1979) was an American composer and producer, well known for his collaborations with lyricists Lorenz Hart and Oscar Hammerstein II. The Richard Rodgers music papers contain scrapbooks, published vocal scores, and drafts of his autobiography, Musical Stages. less

Geraldine Fitzgerald (1913-2005) was an actor, director, and writer who emigrated from Ireland to New York City in 1938. She was active in film, theater and television from 1932 to 1991, receiving an Academy Award nomination for a supporting role in Wuthering Heights (1939). This collection, dating from 1944 to the 1990s (bulk dates 1970s-1990s) primarily documents Fitzgerald's work as a director and writer and, to a lesser extent, as an actor. The musical production Sharon's Grave (later retitled Sharon) is represented heavily in the files. In the early stages of the production, Fitzgerald worked closely with playwright Bill C. Davis. Her Everyman Theatre Company, a Brookyln-based street theatre company co-founded with Franscican monk Jonathan Ringkamp (1929-1986), is also represented in the collection. less

Joseph Stein (1912-2010) was an American playwright and librettist, best known for his book for the musical Fiddler on the Roof. The Joseph Stein papers (1955-1993) document Stein's professional life with scripts, a small amount of other production materials, and business correspondence. Stein's musicals The Baker's Wife and Rags are most extensively represented in this collection. less

The Jane and Gordon Connell papers date from 1923-2015, and are comprised of correspondence, music scores, photographs, reviews, scripts, theatre programs, audio recordings, and videos showcasing the careers of the couple. The collection's focus is predominantly on the Connells' professional lives and the theatre, radio, and television productions in which they performed. less

The Workshop of the Players Arts Foundation, Inc. (WPA) Theatre was an Off Off-Broadway theater that existed from 1971 to 2000. Kyle Renick served first as its Managing Director then, starting in 1982, as its Artistic Director. This collection consists of materials dedicated to the WPA Theatre and some personal papers from Renick. The WPA material includes production photographs, correspondence, administrative documents, awards, meeting minutes, and contracts. Renick's personal materials include his agendas from the 1980s, correspondence, clippings, photographs, non-theatrical research, and a caricature of him by Al Hirschfeld. less