Living Theatre (New York, N.Y.)
Billy Rose Theatre Division | *T-Mss 1988-005
The Living Theatre was founded by Judith Malina and Julian Beck in 1947. The records consist of scripts and related performance papers. Also included are business papers, financial records, clippings, diaries, photographs and correspondence. There...
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The Living Theatre was founded by Judith Malina and Julian Beck in 1947. The records consist of scripts and related performance papers. Also included are business papers, financial records, clippings, diaries, photographs and correspondence. There is little material reflecting the personal lives of Malina and Beck.
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Burnside, R. H. (Robert Hubberthorne), 1873-1952
Billy Rose Theatre Division | *T-Mss 1952-002
34.4 linear feet (76 boxes)
Showman R.H. Burnside (1870-1952) was born in Glasgow to a theatrical family. His career began at London's Savoy Theatre in the 1880's where he worked backstage for the D'Oyly Carte Opera Company on its original productions of Gilbert and Sullivan...
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Showman R.H. Burnside (1870-1952) was born in Glasgow to a theatrical family. His career began at London's Savoy Theatre in the 1880's where he worked backstage for the D'Oyly Carte Opera Company on its original productions of Gilbert and Sullivan operettas. After moving to America, Burnside staged over 200 shows during his career, including many musicals for which he wrote music, libretti and lyrics. He was most closely identified with his direction of the popular musical extravaganzas at N.Y.'s Hippodrome Theatre between 1908-1923.
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American Place Theatre (Organization)
Billy Rose Theatre Division | *T-Mss 2002-025
124.55 linear feet (305 boxes)
The American Place Theatre is a not-for-profit theater founded in 1963 in New York City to aid in the advancement of learning in all aspects of the dramatic arts, including the development and advancement in writing, direction, and production of...
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The American Place Theatre is a not-for-profit theater founded in 1963 in New York City to aid in the advancement of learning in all aspects of the dramatic arts, including the development and advancement in writing, direction, and production of plays. The American Place Theatre Company records document almost five decades of theatrical work produced by the American Place Theatre and the administrative activities of the theater. The bulk of the collection consists of production files that span from 1963 until the 2008-2009 season. The records also contain administrative files that represent the day-to-day operations of the American Place Theatre, minutes of the board of trustees, extensive correspondence of Director Wynn Handman, scripts, and posters.
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Lincoln Center Theater (New York, N.Y.)
Billy Rose Theatre Division | *T-Mss 1991-024
20.38 linear feet (39 boxes, 19 other items)
The Lincoln Center Theater was formed as a non-profit in 1985 to present and develop theatrical works and make the performing arts accessible to a wide audience through the use of low cost and free tickets for culturally under-served populations....
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The Lincoln Center Theater was formed as a non-profit in 1985 to present and develop theatrical works and make the performing arts accessible to a wide audience through the use of low cost and free tickets for culturally under-served populations. The Lincoln Center Theater records hold production files from the group's early seasons (1985-1990) as well as files documenting the group's 1985 restructuring and transition from earlier management. There are also financial and facilities rental materials from the theater's time under the Lincoln Center Theater Company which managed the physical theater's operations from 1979 to 1985.
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Hughes, Del, 1909-1985
Billy Rose Theatre Division | *T-Mss 1987-013
2.94 linear feet (7 boxes)
Del Hughes (1909-1985) was an American theater performer, stage manager, and television director. The Del Hughes prompt books date from 1943 to 1968 and represent twenty-four Broadway productions shown at various New York City theaters. The...
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Del Hughes (1909-1985) was an American theater performer, stage manager, and television director. The Del Hughes prompt books date from 1943 to 1968 and represent twenty-four Broadway productions shown at various New York City theaters. The material in this collection documents the performance and technical elements involved in Broadway theater production.
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Lehr, Wilson
Billy Rose Theatre Division | *T-Mss 2014-107
1.26 linear feet (3 boxes)
Wilson Lehr (d. 1982) was Director of Theater in Brooklyn College's Department of Speech and Theater. His prompt books are for Brooklyn College productions that he directed between 1959 and 1975. Each prompt book contains a script or score with...
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Wilson Lehr (d. 1982) was Director of Theater in Brooklyn College's Department of Speech and Theater. His prompt books are for Brooklyn College productions that he directed between 1959 and 1975. Each prompt book contains a script or score with blocking notes, technical cues, dialogue changes, and other annotations. Some of the prompt books contain additional material such as programs and fliers. The collection contains prompt books for
The Apothecary (1965),
Celebration (1975),
The Critic (1960),
Cymbeline (1960),
A Funny Thing Happened on the Way to the Forum (1968),
Der Jasager (1965),
Kiss Me, Kate (1964),
Love for Love (1964),
The Male Animal (1961),
Pantagleize (1973),
Rhinoceros (1963),
Romeo and Juliet (1959), original musical
Rubber Nickels (1972),
A Streetcar Named Desire (1966), and three Harold Pinter plays:
The Collection,
A Slight Ache, and
A Night Out (1967).
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Stahl, Irwin
Billy Rose Theatre Division | *T-Mss 1990-017
10.71 linear feet (16 boxes, 6 volumes, 1 oversized folder)
Irwin Stahl was a theatrical director, playwright, actor, and educator. The Irwin Stahl theater files date from 1893 to 1988 and contain scripts, sheet music, programs, clippings, sketches, notes, photographs, and scrapbooks.
Bolton, Guy, 1884-1979
Billy Rose Theatre Division | *T-Mss 2013-108
.84 linear feet (2 boxes)
Guy Bolton (1884-1979) was a British-American playwright, librettist, and novelist. He wrote more than 50 plays and musicals, many of which were collaborations with P.G. Wodehouse and George and Ira Gershwin, including
Oh,...
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Guy Bolton (1884-1979) was a British-American playwright, librettist, and novelist. He wrote more than 50 plays and musicals, many of which were collaborations with P.G. Wodehouse and George and Ira Gershwin, including
Oh, Lady! Lady!,
Oh, Boy! Oh, Kay!, and
Anything Goes. The American Play Company records on Guy Bolton date from 1911 to 1965 and contain correspondence, contracts, financial statements, and other legal papers that document the negotiation process and royalty agreements made for Bolton's compositions represented through the American Play Company.
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Samrock, Victor
Billy Rose Theatre Division | *T-Mss 2002-008
8.9 linear feet (16 boxes, 13 volumes)
Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files...
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Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence.
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Lenox Hill Players
Billy Rose Theatre Division | *T-Mss 2014-106
1.05 linear feet (2 boxes, 4 volumes)
The Lenox Hill Players was a theater company that was active in New York City in the 1920s. The company's board of directors included Jerome Seplow, who went on to sit on the board of the Ensemble Theatre in 1934. The Lenox Hill Players records...
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The Lenox Hill Players was a theater company that was active in New York City in the 1920s. The company's board of directors included Jerome Seplow, who went on to sit on the board of the Ensemble Theatre in 1934. The Lenox Hill Players records date from 1922 to 1930 and include meeting minutes, correspondence, scripts, financial records, legal records, a scrapbook, ephemera such as tickets, and Seplow's 1929 day planner. Meeting minutes date from 1926 to 1929 and document administrative and financial decisions as well as the company's creative decision-making process. There is correspondence between the Lenox Hill Players and playwright Lynn Riggs regarding his play
A Lantern to See By, which was produced by the company in 1928. The collection contains a script for
The Subway by Elmer Rice (produced by the Lenox Hill Players in 1929) and two versions of the script for
A Lantern to See By. Financial records include a list of subscribers for the company's first, second, and third seasons from 1926 to 1929. Legal records include actors' contracts for
The Dark Mirror (1928). The scrapbook contains clippings about the company's productions from 1922 to 1929. Ensemble Theatre records date from 1934 to 1935 and consist of meeting minutes, multiple versions of the script for
A Character Intrudes by Charles S. Costello, and a letter from the company to drama critic John Mason Brown. The letter describes the Ensemble Theatre's approach to drama and the influence of the Moscow Art Theatre on their acting technique.
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Hunt, Diana, 1942-
Billy Rose Theatre Division | *T-Mss 1993-044
.29 linear feet (2 boxes)
Diana Hunt worked in the theater from the 1920s through the 1990s, first as a performer, and later as a production assistant to the Shubert family, as a talent agent, and sometimes as a director. Her papers date from 1926 to 1995, and include...
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Diana Hunt worked in the theater from the 1920s through the 1990s, first as a performer, and later as a production assistant to the Shubert family, as a talent agent, and sometimes as a director. Her papers date from 1926 to 1995, and include biographical information, business correspondence, photographs, and contracts. The collection contains her letters to, from, and regarding her clients, and photographs of clients such as Paul Roebling, Billy Dee Williams, Cherry Hardy, and Hunt's friend Beverly Sills. There are contracts for Maria Karnilova and Theodore Ward. The bulk of the correspondence is short letters. The collection includes a copy of a three-page letter from David O. Selznick, dated 1956, in which he critiques Hunt's proposed contract for Roebling. There are also memoranda to and from John Shubert, dating from 1944 to 1950, when Hunt was his assistant. The collection includes some production photographs, notably of
The Corn is Green (1948), which Hunt co-directed. There is a letter, a program, and photographs from the Broadway-Hollywood Revue with Perry Como, which Hunt directed in 1949. The earliest materials in the collection are 1926 photographs of Cherry Hardy and of vaudeville performers Virginia and Maxine Loomis.
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Rosenthal, Jean, 1912-1969
Billy Rose Theatre Division | *T-Mss 1993-005
2.2 linear feet (5 boxes, 1 oversized folder)
Jean Rosenthal (1912-1969) was a stage lighting designer whose work included productions of the Martha Graham Dance Company, the Metropolitan Opera, the Dallas Civic Opera, the American Ballet Theatre, and Broadway shows such as
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Jean Rosenthal (1912-1969) was a stage lighting designer whose work included productions of the Martha Graham Dance Company, the Metropolitan Opera, the Dallas Civic Opera, the American Ballet Theatre, and Broadway shows such as
A Funny Thing Happened on the Way to the Forum (1962) and
I Do! I Do! (1966). She founded a theatrical supply business, Theatre Production Service, in 1940. The Jean Rosenthal professional files date from 1954 to 1970 (bulk 1961 to 1969). The collection contains business records; clippings about Rosenthal and productions she worked on; programs from her productions; articles by Rosenthal, including drafts with handwritten corrections; and resumes and promotional photographs of Rosenthal. Business records pertain to Rosenthal's work as a designer, especially for the Martha Graham Company; her work as a theater consultant; and the Theater Production Service. The business records contain documents such as contracts, expense reports, production schedules, job applications, and related correspondence. Martha Graham Dance Company files contain memoranda and reports from the company's board of directors, in addition to materials directly concerning Rosenthal's employment. The business records include a file on a lighting design class that Rosenthal taught at the Lester Polakov Studio of Stage Design. The collection also contains design documents for the Martha Graham Dance Company at the American Dance Festival in 1967, consisting of two light plots, a dimmer schedule, and a lighting instrument schedule.
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Meyer, Richard
Billy Rose Theatre Division | *T-Mss 1998-001
.72 linear feet (1 box, 3 oversized folders)
Richard Meyer was technical director for the Mabou Mines production of
Through the Leaves. The show was produced at the Women's Interart Center (1984) and the Public Theater (1985 and 1990), and was also presented at the...
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Richard Meyer was technical director for the Mabou Mines production of
Through the Leaves. The show was produced at the Women's Interart Center (1984) and the Public Theater (1985 and 1990), and was also presented at the Festival de Théâtre des Amériques in Montreal in 1985 and the Israel Festival in Jerusalem in 1986. The show's set design was by Douglas Stein and lighting design was by Frances Arsonson. The Richard Meyer production files for
Through the Leaves date from 1984 to 1990 and document the technical aspects of constructing, maintaining, and reproducing the show in different venues. Documents in the collection include lighting hookups and cues, sound cues, stage manager's checklists, and technical drawings such as light plots and ground plans. The collection also contains programs from the Festival de Théâtre des Amériques and the Israel Festival.
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Theatre Guild, 1919-
Billy Rose Theatre Division | *T-Mss-2004-024
.42 linear feet (1 box)
The Theatre Guild, established in 1919 by Theresa Helburn, Lawrence Langner, Philip Moeller, and Helen Westley, is an American theatrical association. Since its inception, the Theatre Guild has produced over 200 original theatrical productions,...
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The Theatre Guild, established in 1919 by Theresa Helburn, Lawrence Langner, Philip Moeller, and Helen Westley, is an American theatrical association. Since its inception, the Theatre Guild has produced over 200 original theatrical productions, many of which have become Broadway classics. The Theater Guild records (1949-1952) document the Theatre Guild's administrative activities during the planning and execution of the production of Carousel at the Stoll Theatre in London in 1950, and Oklahoma! for the 1951 Berlin Arts Festival.
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Jeffrey Richards Associates
Billy Rose Theatre Division | *T-Mss 1995-011
11.76 linear feet (28 boxes)
Jeffrey Richards Associates is a New York City-based theatrical press agency and production office founded in 1977 by press agent and producer Jeffrey Richards. The records contain press materials for the Broadway and Off-Broadway shows that the...
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Jeffrey Richards Associates is a New York City-based theatrical press agency and production office founded in 1977 by press agent and producer Jeffrey Richards. The records contain press materials for the Broadway and Off-Broadway shows that the agency represented from 1976 to 1994 and, to a lesser degree, the agency's shifted focus from publicity to production in the mid-1990s.
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Long, Sumner Arthur, 1921-
Billy Rose Theatre Division | *T-Mss 2015-032
10.01 linear feet (25 boxes, 1 oversized folder)
Sumner Arthur Long (1921-1993) was a writer for television, theater, and film. His papers document his career from 1950 to 1989. The bulk of the collection consists of theater and television scripts from plays such as
Never Too...
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Sumner Arthur Long (1921-1993) was a writer for television, theater, and film. His papers document his career from 1950 to 1989. The bulk of the collection consists of theater and television scripts from plays such as
Never Too Late and
Angela and television series such as
Lassie. In addition to scripts, the collection contains correspondence, contracts, and other material related to Long's theatrical works, notably
Never Too Late, which was produced on Broadway in 1962.
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Negro Ensemble Company
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 345
89.38 linear feet (217 boxes)
The records of the Negro Ensemble Company (NEC), 1967-1993 document the work of the most successful African-American theatrical company in the United States to date. In addition to information about the productions, the records also document the...
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The records of the Negro Ensemble Company (NEC), 1967-1993 document the work of the most successful African-American theatrical company in the United States to date. In addition to information about the productions, the records also document the growth of the company through the development of its administrative structure and of the funding base that keeps a theatrical company alive. The collection is divided into three series, thirteen subseries, and eighteen sub-subseries.
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Skelton, Thomas R.
Jerome Robbins Dance Division | (S) *MGZMD 115
The Thomas Skelton papers represent his professional career as lighting designer from the early 1950s to his death in 1994. The bulk of the collection consists of light plots, cue sheets, ground plans, draftings and other papers related to his...
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The Thomas Skelton papers represent his professional career as lighting designer from the early 1950s to his death in 1994. The bulk of the collection consists of light plots, cue sheets, ground plans, draftings and other papers related to his career in dance, theater, and opera. The collection also includes some teaching papers, correspondence, interviews, newspaper clippings, and programs. Other miscellaneous material includes travel and foreign language literature accumulated by Skelton in the course of his various professional trips. The collection also includes some scenic designs and costume information retained by Skelton from individual productions. Although Skelton did occasional scenic design, most of this additional material is the work of other crafts people. Included among the papers are also lighting designs executed by others. When identified, these are listed in subseries for 'Other Designers' in each category. The production files should be consulted for full credits for a project. The materials were received with an inventory in database format. The collection has been arranged and described with separate series for material relating to theater (including opera and variety) and dance. Organization of production files has been maintained generally the way files were originally kept. Oversized light plots and designs were separated from the production files and transferred to oversized boxes. Original identification numbers of the draftings have been maintained. Where letters formerly were used to identify boxes of rolled draftings, they now identify the drawers in which the material is currently stored. In some cases, draftings listed in the database were not found with the collection.
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WPA Theater
Billy Rose Theatre Division | *T-Mss 2020-004
15.27 linear feet (32 boxes, 6 tubes, 3 oversize folders)
The Workshop of the Players Arts Foundation, Inc. (WPA) Theatre was an Off Off-Broadway theater that existed from 1971 to 2000. Kyle Renick served first as its Managing Director then, starting in 1982, as its Artistic Director. This collection...
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The Workshop of the Players Arts Foundation, Inc. (WPA) Theatre was an Off Off-Broadway theater that existed from 1971 to 2000. Kyle Renick served first as its Managing Director then, starting in 1982, as its Artistic Director. This collection consists of materials dedicated to the WPA Theatre and some personal papers from Renick. The WPA material includes production photographs, correspondence, administrative documents, awards, meeting minutes, and contracts. Renick's personal materials include his agendas from the 1980s, correspondence, clippings, photographs, non-theatrical research, and a caricature of him by Al Hirschfeld.
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Mangano, John
Billy Rose Theatre Division | *T-Mss 1992-021
1.67 linear feet (3 boxes)
John Mangano was a stage director, actor, writer, stage manager and theater administrator. The John Mangano papers, dating from around the 1940s to 1988, document Mangano's life and career through scripts, photographs, correspondence, art,...
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John Mangano was a stage director, actor, writer, stage manager and theater administrator. The John Mangano papers, dating from around the 1940s to 1988, document Mangano's life and career through scripts, photographs, correspondence, art, writings, and programs.
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Acting Company (Theatrical group)
Billy Rose Theatre Division | *T-Mss 2018-011
49.87 linear feet (63 boxes, 144 volumes)
The Acting Company is a New York City-based repertory theater company founded by John Houseman and Margot Harley in 1972. The Acting Company records, dating from 1968 to 2017, offer extensive documentation of the Company's history. They contain...
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The Acting Company is a New York City-based repertory theater company founded by John Houseman and Margot Harley in 1972. The Acting Company records, dating from 1968 to 2017, offer extensive documentation of the Company's history. They contain voluminous stage and technical notes and instructions; programs, promotional literature, administrative files, and clippings; a comprehensive set of stage and promotional photography; and audio and video recordings.
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Naked Angels (Theater company)
Billy Rose Theatre Division | *T-Mss 2017-030
7.01 linear feet (18 boxes, 1 oversize folder); 17.8 gigabytes (3,928 computer files)
Naked Angels is a New York City based company of actors, producers, playwrights, and designers who create and perform works primarily for theater. The collection provides a record of the company's performance activities from 1987 to 2012 through...
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Naked Angels is a New York City based company of actors, producers, playwrights, and designers who create and perform works primarily for theater. The collection provides a record of the company's performance activities from 1987 to 2012 through programs; scripts; photographs; flyers, posters; administrative material; lighting plots; and some stage and costume notes.
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Feder, Abe H.
Billy Rose Theatre Division | *T-Vim 2017-047
30.93 linear feet (80 containers)
Abe Feder (1909-1997) was an American lighting designer for theater, interior spaces, urban environments, and architecture. The Springer Opera House collection of Abe Feder lighting designs date from 1932 to 2004 and focus on the theatrical...
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Abe Feder (1909-1997) was an American lighting designer for theater, interior spaces, urban environments, and architecture. The Springer Opera House collection of Abe Feder lighting designs date from 1932 to 2004 and focus on the theatrical portion of Feder's career.
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Miller, Craig J., 1950-1994
Jerome Robbins Dance Division | (S) *MGZMD 476
30.12 linear feet (58 boxes, 10 tubes, 4 oversize folders); 831 kilobytes (32 computer files)
Craig Miller (1950-1994) was an American lighting designer who worked in dance, opera, theater, and musical performances. The Craig Miller designs and papers date from 1969 to 1994 and document Miller's short but prolific career through designs...
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Craig Miller (1950-1994) was an American lighting designer who worked in dance, opera, theater, and musical performances. The Craig Miller designs and papers date from 1969 to 1994 and document Miller's short but prolific career through designs and documents relating to productions on which Miller worked; his early work; correspondence; business files, and photographs.
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Belasco, David, 1853-1931
Billy Rose Theatre Division | *T-Mss 1931-001
Actor, manager, playwright, director, producer and theater owner, David Belasco was one of the outstanding personalities of the American theater at the turn of the century. He is most notable for his exotic stage productions, famous for their...
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Actor, manager, playwright, director, producer and theater owner, David Belasco was one of the outstanding personalities of the American theater at the turn of the century. He is most notable for his exotic stage productions, famous for their lavishness and scenic realism, and his discovery and training of actors such as Mrs. Leslie Carter, Blanche Bates, David Warfield and Frances Starr. He made good use of the mechanical inventions of his day including innovations in the use of lighting, was involved in the fight against the Theatrical Syndicate, and wrote plays of his own, mostly collaborations and adaptations of sentimental melodrama. The collection contains Belasco correspondence with actors and others, 53 scrapbooks of photographs by White Studio and Byron Studio of Belasco productions [1898-1930], and 30 rolls of microfilm of scrapbooks of clippings [1898-1930] (*ZAN-*T-279).
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Antoon, A. J. (Alfred Joseph), 1944-1992
Billy Rose Theatre Division | *T-Mss 1992-040
The papers of A. J. Antoon contain scripts, photographs, correspondence, writings, contracts and financial papers. Annotated scripts and items from productions Antoon directed make up the bulk of the collection. The collection also contains...
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The papers of A. J. Antoon contain scripts, photographs, correspondence, writings, contracts and financial papers. Annotated scripts and items from productions Antoon directed make up the bulk of the collection. The collection also contains written works by Antoon including two screenplays.
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Chute, Susan
Billy Rose Theatre Division | *T-Mss 1999-022
Collection consists of production material from nine plays reflecting the work of Susan Chute, as well as her work as design associate/assistant. Includes scripts, lighting plots, notes, schedules, scenic breakdowns, contact sheets, equipment...
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Collection consists of production material from nine plays reflecting the work of Susan Chute, as well as her work as design associate/assistant. Includes scripts, lighting plots, notes, schedules, scenic breakdowns, contact sheets, equipment lists, etc. While some titles consist of the script alone, or script and a single lighting plot, the titles with extensive lighting documentation are LA CADUTA DE' DECEMVIRI, THE FLOWERING PEACH and JEKYLL & HYDE.
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Theatre Guild
Billy Rose Theatre Division | *T-Vim 1978-007
.21 linear feet (1 box)
The Theatre Guild Technical Drawings and Other Production Materials primarily consist of miscellaneous technical drawings and other items documenting various productions put on by the independent production company. The contents of the individual...
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The Theatre Guild Technical Drawings and Other Production Materials primarily consist of miscellaneous technical drawings and other items documenting various productions put on by the independent production company. The contents of the individual files on productions, mainly dating from the 1920s and 1930s, vary, but may include ground plans, stage plans, and light and/or property plots.
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Stebbins, Rowland, 1882-1948
Manuscripts and Archives Division | MssCol 2867
4.2 linear feet (13 boxes)
Rowland Stebbins (1882-1948) was a New York theatrical producer who worked under the name Laurence Rivers, Inc. He began his professional life as a stockbroker, started producing plays during the 1920s, and in 1929 became a full-time theatrical...
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Rowland Stebbins (1882-1948) was a New York theatrical producer who worked under the name Laurence Rivers, Inc. He began his professional life as a stockbroker, started producing plays during the 1920s, and in 1929 became a full-time theatrical producer. Collection consists of correspondence and production records of Laurence Rivers, Inc. Correspondence, 1933-1947, with playwrights, actors, agents, theatrical unions and organizations, theater managers, and others, reflects the day-to-day operation of the firm's office. Also includes circulars, legal agreements and other communications from the League of New York Theaters; and Stebbins's correspondence with Union College, 1935-1947. Production records contain correspondence, memoranda, financial papers, legal documents, photographs, and printed matter.
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Schnitzer, Robert C.
Billy Rose Theatre Division | *T-Mss 1999-028
19.25 linear feet (43 boxes)
The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory...
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The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection.
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