Found 56 collections related to Theater -- Production and direction

The Living Theatre was founded by Judith Malina and Julian Beck in 1947. The records consist of scripts and related performance papers. Also included are business papers, financial records, clippings, diaries, photographs and correspondence. There is little material reflecting the personal lives of Malina and Beck. less

Del Hughes (1909-1985) was an American theater performer, stage manager, and television director. The Del Hughes prompt books date from 1943 to 1968 and represent twenty-four Broadway productions shown at various New York City theaters. The material in this collection documents the performance and technical elements involved in Broadway theater production. less

Guy Bolton (1884-1979) was a British-American playwright, librettist, and novelist. He wrote more than 50 plays and musicals, many of which were collaborations with P.G. Wodehouse and George and Ira Gershwin, including Oh, Lady! Lady!, Oh, Boy! Oh, Kay!, and Anything Goes. The American Play Company records on Guy Bolton date from 1911 to 1965 and contain correspondence, contracts, financial statements, and other legal papers that document the negotiation process and royalty agreements made for Bolton's compositions represented through the American Play Company. less

Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence. less

The Lenox Hill Players was a theater company that was active in New York City in the 1920s. The company's board of directors included Jerome Seplow, who went on to sit on the board of the Ensemble Theatre in 1934. The Lenox Hill Players records date from 1922 to 1930 and include meeting minutes, correspondence, scripts, financial records, legal records, a scrapbook, ephemera such as tickets, and Seplow's 1929 day planner. Meeting minutes date from 1926 to 1929 and document administrative and financial decisions as well as the company's creative decision-making process. There is correspondence between the Lenox Hill Players and playwright Lynn Riggs regarding his play A Lantern to See By, which was produced by the company in 1928. The collection contains a script for The Subway by Elmer Rice (produced by the Lenox Hill Players in 1929) and two versions of the script for A Lantern to See By. Financial records include a list of subscribers for the company's first, second, and third seasons from 1926 to 1929. Legal records include actors' contracts for The Dark Mirror (1928). The scrapbook contains clippings about the company's productions from 1922 to 1929. Ensemble Theatre records date from 1934 to 1935 and consist of meeting minutes, multiple versions of the script for A Character Intrudes by Charles S. Costello, and a letter from the company to drama critic John Mason Brown. The letter describes the Ensemble Theatre's approach to drama and the influence of the Moscow Art Theatre on their acting technique. less

Diana Hunt worked in the theater from the 1920s through the 1990s, first as a performer, and later as a production assistant to the Shubert family, as a talent agent, and sometimes as a director. Her papers date from 1926 to 1995, and include biographical information, business correspondence, photographs, and contracts. The collection contains her letters to, from, and regarding her clients, and photographs of clients such as Paul Roebling, Billy Dee Williams, Cherry Hardy, and Hunt's friend Beverly Sills. There are contracts for Maria Karnilova and Theodore Ward. The bulk of the correspondence is short letters. The collection includes a copy of a three-page letter from David O. Selznick, dated 1956, in which he critiques Hunt's proposed contract for Roebling. There are also memoranda to and from John Shubert, dating from 1944 to 1950, when Hunt was his assistant. The collection includes some production photographs, notably of The Corn is Green (1948), which Hunt co-directed. There is a letter, a program, and photographs from the Broadway-Hollywood Revue with Perry Como, which Hunt directed in 1949. The earliest materials in the collection are 1926 photographs of Cherry Hardy and of vaudeville performers Virginia and Maxine Loomis. less

The Theatre Guild, established in 1919 by Theresa Helburn, Lawrence Langner, Philip Moeller, and Helen Westley, is an American theatrical association. Since its inception, the Theatre Guild has produced over 200 original theatrical productions, many of which have become Broadway classics. The Theater Guild records (1949-1952) document the Theatre Guild's administrative activities during the planning and execution of the production of Carousel at the Stoll Theatre in London in 1950, and Oklahoma! for the 1951 Berlin Arts Festival. less

Sumner Arthur Long (1921-1993) was a writer for television, theater, and film. His papers document his career from 1950 to 1989. The bulk of the collection consists of theater and television scripts from plays such as Never Too Late and Angela and television series such as Lassie. In addition to scripts, the collection contains correspondence, contracts, and other material related to Long's theatrical works, notably Never Too Late, which was produced on Broadway in 1962. less

The Workshop of the Players Arts Foundation, Inc. (WPA) Theatre was an Off Off-Broadway theater that existed from 1971 to 2000. Kyle Renick served first as its Managing Director then, starting in 1982, as its Artistic Director. This collection consists of materials dedicated to the WPA Theatre and some personal papers from Renick. The WPA material includes production photographs, correspondence, administrative documents, awards, meeting minutes, and contracts. Renick's personal materials include his agendas from the 1980s, correspondence, clippings, photographs, non-theatrical research, and a caricature of him by Al Hirschfeld. less

John Mangano was a stage director, actor, writer, stage manager and theater administrator. The John Mangano papers, dating from around the 1940s to 1988, document Mangano's life and career through scripts, photographs, correspondence, art, writings, and programs. less

Abe Feder (1909-1997) was an American lighting designer for theater, interior spaces, urban environments, and architecture. The Springer Opera House collection of Abe Feder lighting designs date from 1932 to 2004 and focus on the theatrical portion of Feder's career. less

The Theatre Guild Technical Drawings and Other Production Materials primarily consist of miscellaneous technical drawings and other items documenting various productions put on by the independent production company. The contents of the individual files on productions, mainly dating from the 1920s and 1930s, vary, but may include ground plans, stage plans, and light and/or property plots. less

Rowland Stebbins (1882-1948) was a New York theatrical producer who worked under the name Laurence Rivers, Inc. He began his professional life as a stockbroker, started producing plays during the 1920s, and in 1929 became a full-time theatrical producer. Collection consists of correspondence and production records of Laurence Rivers, Inc. Correspondence, 1933-1947, with playwrights, actors, agents, theatrical unions and organizations, theater managers, and others, reflects the day-to-day operation of the firm's office. Also includes circulars, legal agreements and other communications from the League of New York Theaters; and Stebbins's correspondence with Union College, 1935-1947. Production records contain correspondence, memoranda, financial papers, legal documents, photographs, and printed matter. less

The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection. less

The Harold Clurman papers contain notebooks and journals, director's annotated scripts, manuscript drafts and annotated typescripts of Clurman's books, and photograph scrapbooks documenting his career as a director, critic and writer. The materials span from 1935 through 1978 and give an interesting look at Clurman's work and thought process as a director. Notebooks contain his ideas on plot and character development, as well as casting notes and ideas for plays which he directed, while the scripts contain his director's annotations and compliment the notebooks for research and study of Clurman's techniques as a director. Drafts and typescripts of Mr. Clurman's three books: On Directing; All People Are Famous; and Ibsen show these works as they evolved. Finally, the photograph scrapbooks give a pictorial representation of specific plays including AWAKE AND SING and foreign productions of THE ICEMAN COMETH and LONG DAY'S JOURNEY INTO NIGHT. less

This collection contains the records of HB Playwrights Foundation and the personal and professional papers of its founders, actors Herbert Berghof and Uta Hagen. The Foundation was formed in New York City in 1964 to allow a space for playwrights, actors, directors, and designers to develop their plays in an experimental environment free from commercial limitations. Material relating to the HB Playwrights Foundation includes extensive production material and a small amount of administrative files. Files relating to Berghof and Hagen consist of correspondence, appointment books, diaries, photographs and photo albums, production files, scrapbooks, and a small amount of personal material. less

This collection contains the records of HB Studio, an acting school founded by actor Herbert Berghof in New York City in 1945, and the personal and professional papers of Berghof and his wife, actress Uta Hagen. Material includes correspondence, administrative files, appointment books, diaries, photographs and photo albums, production files, scrapbooks, a small amount of personal material, and sound and video recordings. less

Collection consists of correspondence and other papers of Hyde. Includes correspondence with French actors and dramatists, and correspondence while Hyde was in Paris acting as foreign agent for the New Theatre in New York City. Topics include the building of the theater, financial and policy matters, and choosing and producing plays. Also, documents relating to the organization of the New Theatre. Correspondents include Winthrop Ames, Gabriel Astruc, Eugène Brieux, Lucien and Sacha Guitry, Jean Richepin, and Henry R. Winthrop. less

Gertrude Appelbaum (also known as Apple) worked in the theater as a casting and production assistant for various producers including Howard Lindsay, Russel Crouse and Guthrie McClintic. She was also a business manager for the Theatre Guild (1964-1965), and personal manager for various actors. In 1947 she formed an investment syndicate comprised of investors with small sums to invest in Broadway productions. Collection consists of incoming letters to Appelbaum, mostly letters of thanks for her notes, from actors, producers, playwrights, drama critics and others. Correspondents include Peter Cushing, Paul Ford, Guthrie McClintic, and Burgess Meredith. less

The Emeline Roche Collection (1815-1988) consists of the Emeline Roche Papers (1815-1988) and the Jane Cowl Papers (1884-1949). The collection came in two installments: first after 1950 from Emeline Roche, the rest after her death from her executor and friend, Henry Grady. less

Theatrical producer, Dwight Deere Wiman produced 56 plays and musicals in 26 years on Broadway making his most distinctive imprint in the musical comedy and revue fields. He was born on August 8, 1895 in Moline, IL, a direct descendant of John Deere, inventor of the steel plow and founder of what became Deere and Co., the farm equipment company and family business in Moline. After World War I service, graduation from Yale, and two years in the family business, Wiman and friends organized an independent film production company, Film Guild, in Astoria (Queens), 1920-1924. When that dissolved due to marketing difficulties, he formed a partnership in 1925 with William A. Brady, Jr. presenting 23 plays in New York of which 5 or 6, including Road to Rome, were profitable. That partnership ended on friendly terms in 1929 as only Wiman was interested in musical theater. From 1930 until his death on January 20, 1951, Wiman produced and occasionally directed his own shows including works by Paul Osborn, John Van Druten, Clifford Odets and others, and had a long association with Rodgers and Hart. During World War II he was director of entertainment for the Red Cross in Britain. Papers consist of draft and mimeo scripts by Marc Connelly, Howard Lindsay, Clifford Odets, Paul Osborn, Robert E. Sherwood, John Van Druten, and others; programs and playbills; press books; and miscellaneous production materials including set designs by Jo Mielziner. Represented are "Babes in Arms" (1937), "Command to Love" (1927), "The Gay Divorce" (1932), "I Married an Angel" (1938), "Letters to Lucerne" (1941), "The Little Show" (1929), "Morning's At Seven" (1939), "On Borrowed Time" (1938), "The Racket" (1927), "The Road to Rome" (1927), and many other titles. Also included are miscellaneous business records and correspondence, as well as several orchestrations by Frederick Loewe and Arthur Schwartz. A single 1922 contract is all that pertains to his film production company. There is no personal material in the collection. less

Collection consists chiefly of correspondence from prominent theater and literary figures relating to Lockhart's work at the Annie Russell Theater. Includes correspondence regarding the 1931-1932 production of Hamlet and miscellaneous accounts for the construction of the theater. less

Florence Ryerson (1892-1965) was an American playwright and screenwriter. Collection consists of Ryerson's diaries, correspondence, notes, and memoranda. Work diaries kept by Ryerson, chiefly at her homes in Beverly Hills and Canoga Park, California, describe her life and work; the writing of her plays with the aid of her husband, Colin Clements, including "Harriet," based upon the life of Harriet Beecher Stowe, "June Mad," "Strange Bedfellows," and "Welcome Home"; her work as a screenwriter for Metro-Goldwyn-Mayer; and her personal life. Also, correspondence with literary agents and producers, and production notes and memoranda relating to the staging of "Harriet" in New York City in collaboration with Charles MacArthur and Helen Hayes. Includes references to stage and screen personalities and Ryerson's reaction to international events in the World War II period. less

Collection consists of correspondence, stage managers'reports, receipt books, roster and salary records, and some personal papers of Dillingham. Correspondence, 1903-1927, of Dillingham and his associates Bruce Edwards and Fred G. Latham with theatrical people relates mainly to the casting and production of shows at the Globe Theatre and at the Hippodrome. Some of the correspondence concerns the management of the road shows on tour in the United States. Records include stage managers' reports, 1910-1911 and 1926- 1927; receipt books, 1906-1907, 1913-1914 and 1920-1928, recording box office receipts for shows at the Globe Theatre; and roster and salary records, 1908-1909. Also, personal and miscellaneous papers, some of which were removed from the R.H. Burnside Papers, containing Dillingham's memoirs of his life in the theater, last will and testament, notebook, and research notes. less

Donehue was a director working primarily for the New York stage and television in the 1950s and 1960s. He also directed two films in Hollywood. The collection includes personal correspondence; production files containing notes, letters, partial scripts, cast lists, contracts and financial papers; complete scripts, many for television shows; clippings of reviews; and a few manuscripts and photographs. less

William Churchill De Mille (1878-1955) was an American playwright, producer and director. He wrote a number of stage plays and produced them with David Belasco from 1902 to 1914 before becoming one of the pioneers of the motion picture industry. He founded the drama department at the University of Southern California and taught there until 1953. Collection consists of manuscripts and typescripts of De Mille's writings. Writings include play scripts, scenarios, lectures, reminiscences of his career in the motion picture industry, and typescript of children's fairy tale he co-authored. less