Found 5 collections related to Swanson%2C Gloria%2C 1897-1983

The Sombrero Playhouse, founded in Phoenix, Arizona, in 1949, was for many years a popular venue for touring productions featuring prominent performers, including a number of Hollywood luminaries. Founded by artistic director Richard Charlton, the Sombrero Playhouse became during its heyday perhaps the major performing arts center between Dallas and Los Angeles, attracting celebrity players such as Groucho Marx, Tallulah Bankhead, Ginger Rogers, Gloria Swanson, Bob Cummings, Celeste Holm, Shelley Winters, Margaret O'Brien, ZaSu Pitts, Pat O'Brien, Walter Pidgeon, John Raitt, and others. These actors usually toured in established works, but new plays were occasionally tried out at the Sombrero, such as William Inge's NATURAL AFFECTION, which premiered in Phoenix in 1962, a year prior to its Broadway run. The Sombrero Playhouse papers consist mostly of clippings from Arizona newspapers and magazines dated between 1961 and 1964, but primarily from 1962 and 1963, concerning current productions at the Sombrero Playhouse. Much of the material consists of feature stories on the star performer of the current show, usually including biographical information about the performer along with excerpts from a recent, local interview. There is also general information about the theater and its founding artistic director Richard Charlton, about the Galaxy Gallery, an art gallery adjacent to the theater operated by Richard's wife Helen Charlton, and the Backstage Club, a restaurant in the same complex which began as a club for actors appearing in Sombrero productions. The material from 1964 speaks of plans to build a new Phoenix Performing Arts Center. less

The Robert Benney research materials include photographs, clippings, posters, playbills, and ephemera relating to his career as a portraitist of stage and screen personalities. The bulk of the material spans 1926 to 1947, and consists of photographs, and clippings of Benney's work depicting New York stage performers in their roles. Many photographs and clippings depict entire stage scenes, and, in addition to stage actors, there are photographs and clippings of musicians, dancers, comics, and radio personalities, and a small number of items relating to films of the period. less

The George DeMott papers consist of correspondence, some diaries/appointment books, contracts, photographs, and scrapbooks. This material is almost all business related, and there are no significant personal papers. The papers are divided into two distinct parts, with some overlap: items such as contracts and correspondence that relate to the career of Mr. DeMott, and items such as posters, brochures, etc., that he collected, and placed into scrapbooks. The section of the DeMott papers devoted to Booking Agencies and Agents (Series IV) is divided into 18 sub-series, and contains a great deal of correspondence detailing the difficulties George DeMott and his wife Fanny faced booking their act into schools. The scrapbooks comprise the bulk of the collection and contain a variety of items, including clippings, posters, brochures, correspondence, handbills, fliers, photographs, and programs. The oversized material includes a poster and a road map. less