Found 181 collections related to Sound recordings

These audio tapes were collected by Teiji Itō and consist of many of his musical compositions, performances, interviews, and lectures. Music tapes consist primarily of works for the theater, but additionally there are several major dance and film compositions. Most of the works are not attributed to any specific date, but several film score recordings are known to have been created in the early 1950's (earliest in 1952). The span of dates assigned by the composer to certain works is 1962 - 1982. less

Eleven of the thirteen recordings in the collection were made by Williams in 1948 at a New Orleans carnival booth facility. These recordings primarily feature Williams reading his poems, including selections from In the Winter of Cities. Williams also participates in apparently impromptu comic sketches with friends. less

The collection contains commercial and noncommercial sound recordings and noncommercial films and videos collected by Rosa Ponselle from 1926 to 1981, covering her career and retirement; recordings of memorial tributes to Ponselle were added to the collection from 1982 to 1987. less

Ruth Rubin was a folkorist and a noted performer of Yiddish folksong. Her performances in New York included recitals at Carnegie Hall and at Town Hall. She was born in Montreal in 1906. These noncommercial recordings were collected by Ruth Rubin and consist primarily of field recordings of Yiddish folksong and folklore that she made in New York City and Montreal. She classifies this material into children's songs, drinking songs, folklore, love songs, poverty songs, and other categories. The collection also contains many folksong performances by Rubin herself, radio programs featuring Yiddish folksong, as well as several of her lectures and interviews. less

The Rhoda Levine Papers document the career of the opera director, mainly through files on each of the many stage and opera productions on which she worked as dancer, choreographer or director. The papers contain annotated scores and libretti; costume, stage and set designs; choreographic, rehearsal and performance notes; programs; clippings; photographs; and audio/visual recordings. less

The collection consists of noncommercial recordings primarily of opera performances from 1936 to 1981 by major American and European houses, collected and in many cases recorded by Richard McGuinn. Opera houses represented include the Bayreuth Festival, Covent Garden, La Scala, Lyric Opera of Chicago, Metropolitan Opera, Salzburg Festival, San Francisco Opera, and the Vienna State Opera. The recordings were privately made in-house or from radio broadcasts. less

The collection consists of noncommercial recordings of radio broadcasts of primarily classical music. The largest portion of the collection consists of broadcast of The New York Philharmonic, with selected concerts from 1952-1963. Conductors of the New York Philharmonic concerts on these recordings include Franco Autori, Leonard Bernstein, Guido Cantelli, Dmitri Mitropoulos, Paul Paray, George Szell, and Bruno Walter. Guest soloists include Claudio Arrau, Robert Casadesus, Van Cliburn, Clifford Curzon, Rudolf Firkušný, Zino Francescatti, Jascha Heifetz, Myra Hess, Byron Janis, Martha Lipton, Artur Rubinstein, Irmgard Seefried, Rudolf Serkin, and Richard Tucker. less

The papers reflect the personal life and career of Robin Hardy, Canadian-born gay activist, writer and editor of action/adventure fiction who emigrated to the United States from Canada in 1984. The papers consist of Hardy's personal and family correspondence; editorial correspondence and papers reflecting his work as a writer and editor; clippings of published articles; typescript drafts and outlines of stories, novels and other writings, including his book on the AIDS epidemic, The Crisis of Desire ; personal miscellany including high school and college compositions; diaries; photographs; printed matter relating to AIDS; and sound and video recordings. less

Ronald Sanders was an author, teacher, and lecturer on Jewish history and related topics. His papers include correspondence with family and friends, as well as other authors of note such as Yehuda Amichai, Sir Isaiah Berlin, Peter Gay, Shlomo Katz, Bernard Malamud, Alma and Isaac Bashevis Singer, and Elie Wiesel; drafts, research notes and audiotaped interviews for his books and articles; class and lecture notes; several unpublished works; his college papers; and some personal materials from his travels. less

The collection contains Tuckers' appearances on radio programs, interviews, live night club performances, and various unissued studio recordings. Some of the radio programs represented in the collection are: Blue Ribbon Town; Frank Sinatra Show; It's Time for Pabst; and the Philco Hour. Other performers represented in the collection are: her pianist and orchestra leader, Ted Shapiro, Ben Bernie, Judy Garland, Frank Sinatra, and Orson Welles. less

These recordings, collected by Harrison W. Davis, offer a representative selection of addresses made by Franklin Delano Roosevelt during his presidency. The bulk of the collection consists of sixteen of the thirty-one "Fireside Chats" (four recordings are incomplete), and ten State of the Union addresses, dating from 1936 to 1945 (the address of January 6, 1945 is incomplete). In addition, the collection contains addresses to Congress delivered on May 16, 1940, on December 8, 1941, and on March 1, 1945, as well as speeches made at the 1940 and 1944 Democratic National Conventions. less

Shirley Carter Burden (1908-1989), a descendant of Cornelius Vanderbilt, was a prominent American photographer, best known for his pictorial essays exploring aspects of Catholic culture, racial intolerance, and architectural heritage. Burden promoted the appreciation of photography through service on the boards and advisory committees of several museums, including the Museum of Modern Art, and was a long-time supporter and chairman of the board of Aperture. Colleagues and friends included, among others, Edward Steichen, Dorothea Lange, Ansel Adams, Minor White, and Thomas Merton. The collection reflects Shirley Carter Burden's post-World War II career as a commercial architectural photographer and fine art photographer, particularly his publications and exhibitions. Correspondence, negative indexes, reviews, contracts, gift lists, proof copies and reference materials document the publication of Behold thy Mother, The Chairs, God Is My Life, I Wonder Why, Presence and The Vanderbilts in My Life, and projects concerning Ellis Island. Exhibitions of Burden's work and other projects are documented in correspondence, royalty and shipping receipts, exhibition floor plans, publicity material, invitations to openings, reviews, and a guest book. The collection also contains miscellaneous correspondence; business records; records of his private collection; and subject files on other photographers, particularly Dorothea Lange and Ansel Adams. Also present is a phonograph recording of Burden's 1965 interview on "Open End" about Behold thy Mother. Some of Burden's photographs are scattered throughout the collection. less

Raphael Patai (1910-1996) was a cultural anthropologist specializing in Jewish and Arab cultures. His papers, 1903-2011, document his career through extensive correspondence with colleagues, drafts and manuscripts of his many publications, lectures, research notes, photographs, scrapbooks, and sound and video recordings. The collection includes files created by his daughter, Daphne Patai, after his death, and correspondence and writings of his father, Jozsef Patai. less

These materials consist of audio tapes, videotapes and films that were culled from the organizational records and personal papers collected by the International Gay Information Center. They include audio recordings of interviews, meetings, lectures, radio and television shows, and live performances. There are also videotapes from the Open Channel cable show and several gay erotic films. less

Consists of taped interviews, conducted by Gerald Berkowitz, for his book 'New Broadways: theatre across America: approaching a new millennium.' Interviewees include Andre Bishop, Gigi Bolt, Gregory Boyd, Bill Bushnell, Ben Cameron, Alexander H. Cohen, Robert Falls, Michael Feingold, Bernard Gersten, Jon Jory, Woody King, Eric Krebs, Theodore Mann, Ruth Mayleas, Julia Miles, Gregory Mosher, Laura Pels, Lloyd Richards, David Richtenthal, Tim Sanford, Suzanne Sato, Ben Sprecher, Scott Steele, Howard Stein, John Sullivan, and George C. White. Discussions center around Off-Broadway and regional theater. Theaters such as the Alley Theatre, Goodman Theatre, Lincoln Center Theater, O'Neill Center, Circle Repertory Theatre, Circle in the Square, Actors Theatre of Louisville, Los Angeles Actors Theatre and Playwrights Horizons are discussed. less

The Jean Cocteau Repertory Theatre company formed in 1971 in New York City by Eve Adamson that staged productions of both classic and contemporary plays, with a core of permanent, resident actors. The Jean Cocteau Repertory Theatre Records contain administrative files, publicity materials, production files, photographs, sound and video recordings, and a small amount of financial records, that document over three decades of theatrical productions performed by the Cocteau. less

Collection consists of non-commercial sound recordings separated from the Joe Reisman collection of scores (located in the NYPL Music Division). Recordings include demo tapes compiled by Reisman, orchestral session tapes (primarily of Reisman's arrangements for Reader's Digest Music), recordings of Reisman's music for television shows including 'The Cop and the Kid' and the unproduced show 'The Aeromeds', and other recordings possibly submitted to Reisman for his review. less

Israel David Fishman (1938-) is best known for founding the Task Force on Gay Liberation (TFGL), a section of the Social Responsibilities Round Table of the American Libraries Association. His papers document the early years of TFGL, Fishman's collaboration with other activists, and the issues surrounding being an openly gay professional in the late-1960s and early-1970s. less

Jamake Highwater (born circa. 1930) was the director and choreographer for the San Francisco Contemporary Dancers from 1954 to 1967, and a rock music journalist and travel writer from the late 1960s through the mid-1970s. From 1975 on, he was been primarily a lecturer and an author of fiction and non-fiction, dealing mostly with American Indian arts and culture, and with myth and ritual in general. Based in New York from 1967 until the mid-1980s, Highwater moved to Los Angeles in 1992 and died in 2001.The papers include writings by Highwater in published and typescript form, correspondence, photographs, slides, audio tapes, and films and videos, mostly pertaining to Highwater's work in modern dance and as a writer and public speaker. less

James Barton was a character actor and veteran of burlesque and Broadway. Collection includes sound recordings of many radio and television programs that Barton performed in, as well as private recordings of interviews, songs, and theatrical performances. less

H. Wiley Hitchcock, an American musicologist, was influential in advancing the study of American music in the United States. He was a noted scholar of Charles Ives and Henry Cowell, and the founder and longtime director of the Institute for the Studies of American Music (ISAM) at Brooklyn College, City University of New York. His papers document his research, writings and other scholarly activity, and the work done by ISAM during his tenure as director (1971-1993). less

Herbert Mitgang (1920- ), author, editor, journalist, and motion-picture producer, was managing editor of the U.S. Army newspaper Stars and Stripes, during World War II. After his war service, he joined the New York Times as a copy editor and reviewer. He served as supervising editor of the Sunday Times drama section from 1955 to 1962, editorial writer and member of the editorial board from 1963 to 1964 and again from 1967 to 1976. From 1964 to 1967 he was assistant to the president and the executive editor of CBS News and produced several documentary films. He taught at City College in New York, was a visiting lecturer at Yale University and served as president of both the Authors' League and the Authors' Guild. Since 1976 Mitgang has been a cultural correspondent and book reviewer for the New York Times. In addition to his work at the Times and CBS, he has written articles, novels and biographies and has edited several books. Collection consists of correspondence, writings, files relating to publications, notes, clippings, photographs, motion pictures, recordings, videotapes, and memorabilia that document Mitgang's activities as a journalist, author, editor, and film producer. Papers include general correspondence, 1945-1979; New York Times editorial correspondence, 1970-1976; and correspondence concerning Authors' Guild, 1957-1979, Authors' League, 1962-1973, and Times Op-Ed page. Also, typescripts, notes, clippings, and other materials for his articles, reviews, biographies, novels, scripts, and other writings; and files, 1983-1988, collected by Mitgang for his book Dangerous Dossiers. Other items consist of photographs, notebooks, awards, teaching notes, clippings, Stars and Stripes scrapbook, cartoons, and memorabilia. Materials relating to his documentaries include scripts and notes, films, videotapes and audio recordings of programs produced for CBS News; these include documentaries on Carl Sandburg, Henry Moore, and Jimmy Walker, and interviews with David Ben-Gurion, Anthony Eden, Admiral Gene R. La Roque and Helen Wolff. less

Hilda Simms (1920-1994) was an actress best known for playing the title role in the American Negro Theater production of Anna Lucasta that moved successfully to Broadway in 1944. Her acting career also included film, television, and radio broadcasts. The Hilda Simms papers date from the 1930s to 1994 (bulk dates 1940s-1950s) and document her career as an actress; her work on creative arts and drug treatment programs in New York; and her personal life. less

This collection contains the records of HB Playwrights Foundation and the personal and professional papers of its founders, actors Herbert Berghof and Uta Hagen. The Foundation was formed in New York City in 1964 to allow a space for playwrights, actors, directors, and designers to develop their plays in an experimental environment free from commercial limitations. Material relating to the HB Playwrights Foundation includes extensive production material and a small amount of administrative files. Files relating to Berghof and Hagen consist of correspondence, appointment books, diaries, photographs and photo albums, production files, scrapbooks, and a small amount of personal material. less