Found 87 collections related to Photoprints

Collection consists of correspondence and author files of the Macmillan Company. General correspondence, 1892-1914, contains letters from authors, publishers, booksellers, paper manufacturers, literary agents, as well as internal correspondence from editors, agents, field representatives, and academic book reviewers. Much of the correspondence deals with the publication of scholarly works and textbooks in the sciences, social sciences, humanities, and religion. Foreign correspondence, 1898-1914, includes letters to and from publishers and literary agents, mostly in Great Britain. Correspondence with Macmillan & Co. in London, 1891-1915, concerns publishing plans, negotiations for British and American editions of various works, copyright matters, etc. George Platt Brett, Sr.'s letterbooks consist of his outgoing letters from 1889 to 1907. Other letterbooks are of Kate Stephens, Children's Dept., 1898-1900, and the Subscription Dept., 1901-1902. Author files, 1894-1960, contain personal and business correspondence of Macmillan's major authors, their literary agents, legal counsel, and families with the Bretts and Macmillan editors. In addition to letters, the files often include memoranda, contracts, typescripts, press releases and publicity materials, legal records, press clippings, or photographs. The most extensive files in this series concern the publication of works such as Gone With the Wind, Forever Amber and the Cyclopedia of American Agriculture. less

Benjamin Ricketson Tucker (1854-1939) was the publisher of the anarchist publication Liberty from 1881 to 1908, and The Radical Review, 1877 and 1878; owner of the Unique Bookshop in New York City; specialist in and translator of Pierre Joseph Proudhon; and publisher of works considered radical at the time, such as Walt Whitman's Leaves of Grass, Tolstoy's Kreutzer Sonata, and Oscar Wilde's Ballad of Reading Gaol. After his bookstore was destroyed by fire in 1908, Tucker moved to France and lived there until his death. Collection consists of correspondence, business and personal records, manuscripts of Tucker's translations from Proudhon, scrapbooks, photographs, material concerning his relationship with Victoria Claflin Woodhull, and anarchist books, periodicals and pamphlets. Correspondence, some of which is in French, dates from ca. 1866 to 1950. Tucker's correspondents were friends, political colleagues, readers of Liberty, and representatives of journals, publishing houses, and various organizations. Miscellaneous papers, 1870s-1930s, include records of the Unique Bookshop, of Liberty and The Radical Review, and of Tucker's activities as a book publisher; photographs (chiefly cabinet card and carte de visite portraits) of radicals and others, notably major European cultural figures; biographical miscellany of a variety of political and cultural figures; manuscript of Tucker's autobiography; and autobiographical file with correspondence, notes, essays, and other personal papers. Scrapbooks, 1870s-1930s, contain clippings of articles on political, literary and other topics. Also, large group of anarchist books, periodicals and pamphlets, 1860s-1970s, in various languages; some engineering books; books and pamphlets published by Oriole Press; and books and other printed materials on medical matters. less

E.Y. "Yip" Harburg, Academy Award winning lyricist created the lyrics for the Academy Award winning film The Wizard of Oz, as well as the Broadway shows Finian's Rainbow, Bloomer Girl, and Flahooley . Among his principal collaborators were Harold Arlen, Vernon Duke, Burton Lane, Arthur Schwartz and Jerome Kern. He died in Los Angeles in 1981. The collection is primarily business papers, scripts, research notes, notes for lyrics and production ideas from 1929 to 1981. Papers deal mainly with the professional life of Harburg. His political ideology and opinions can be seen in his lyrics, research notes and clippings files. Though there is little mention of his being blacklisted in 1945, his attitudes on government and politics indicates how he may have fallen victim to the McCarthyites and the House Un-American Activities Committee. less

Collection contains correspondence, addresses and speeches, writings, diaries, miscellaneous papers, photographs, and printed matter that document Finley's varied career. Correspondence, 1892-ca.1939 reflects his professional activities, organizational memberships, biography of Grover Cleveland, and recreational interests. Addresses and speeches, ca. 1902-1940, consist of autograph manuscript and typescript texts of Finley's presentations to groups, such as schools, learned societies, chambers of commerce, and at commencements and patriotic celebrations. Many of the speeches are accompanied by correspondence, clippings, programs, menus, and photographs. Writings include manuscript and typescript drafts of his books, miscellaneous prose writings, poems, and scrapbooks of clippings of editorials by Finley published in the New York Times for the period 1921 to 1940. Diaries consist of personal diaries, 1910-1919, and desk calendars, 1922-1940. Miscellaneous papers include correspondence, letters of introduction, personal notes, travel documents, clippings, and other memorabilia relating to his European trips from 1921 to 1929. There are also postcards, genealogical papers, receipts, menus, programs, and papers relating to railroad arbitration, 1913-1914; New York State Contitutional Convention, 1915; and New York State Agricultural Advisory Board, 1915. less

The Lillian Gish papers (75 lf.) span the years 1909-1992 and consist of correspondence including letters from friends, family, fans and business associates, personal papers, business, legal and financial documents, scripts, writings, photographs including early D.W. Griffith silent film photographs both candid shots taken during shooting and film stills, portraits by famous photographers, personal and family photographs, publicity and production photographs and snapshots, scrapbooks on the careers of both Dorothy and Lillian Gish, programs for early silent films and theatrical productions, clippings and ephemera that document the life and career of Lillian and Dorothy Gish from the early 1900's until Lillian's death in 1993. less

60 items of correspondence from Arnold and Gertrud Schoenberg to Marya Freund ; 121 items of correspondence from other musicians concerning performances of Schoenberg's works ; 31 programs and brochures, all with works of Schoenberg and all including Marya Freund ; 4 reviews (including 3 clippings) of the Dec. 15, 1921, Paris performance of Pierrot Lunaire ; Marya Freund's account of her first meeting with Arnold Schoenberg ; Marya Freund's notebook about the 1927 Paris Schoenberg Festival ; 28 photographs, 14 of Schoenberg either alone or with his family and 14 of Gurrelieder performances ; 2 portaits of Marya Freund and 1 of Arnold Schoenberg on which 1 of his letters is written. A narrative description of and notes on the Schoenberg correspondence and an English paraphrase of each Schoenberg letter accompany the collection as well as an English translation of Marya Freund's account. Also included are brief notes on other correspondents by Marya Freund's son Doda Conrad. Among the correspondents are: Nadia Boulanger, Luigi Dallapiccola, Max Deutsch, Roberto Gerhard, Jascha Horenstein, Rudolf Kolisch, Rene Leibowitz, Darius Milhaud, Maria Peragallo, Pietro Scarpini, Hermann Scherchen, Erwin Stein, Edward Steuermann, Egon Wellesz, and Jean Wiéner. less

Aline MacMahon was born May 3, 1899 in McKeesport, Pa. After studying and performing with the Neighborhood Playhouse Theatre, she made her Broadway debut in THE MIRAGE (1921). She appeared in over 50 plays, among them THE EVE OF SAINT MARK (1942); ROMEO AND JULIET (1959); CORIOLANUS (1965); THE MADWOMAN OF CHAILLOT (1961); and TRELAWNY OF THE 'WELLS' (1975). Miss MacMahon also had a distinguished film career. Her 43 films include notable productions such as FIVE STAR FINAL (1931); ONCE IN A LIFETIME (1932); KIND LADY (1935); AH, WILDERNESS (1935); DRAGON SEED (1944) for which she won an Oscar nomination; THE SEARCH (1948) and ALL THE WAY HOME (1963). She appeared, as well, on radio and television. She died in October 1991. The Aline MacMahon Papers consist of correspondence, programs and photographs which document her career and personal life. The correspondence includes early dealings with the Shuberts and fan mail. Photographs include both personal and professional images. There are also transcripts of oral history interviews highlighting her life and career. less

Edward F. Caldwell & Co. of New York City, founded in 1894, designed and manufactured lighting fixtures and ornamental bronze and ironworks. In 1957 the company re-emerged after tax liquidation as the E.T. Caldwell Lighting Company. The president was Edward T. Caldwell. Collection consists mainly of sketches, with correspondence, financial documents, design records, invoice books, ledgers and photographs from the Caldwell firm and additional business records of the Plastic Illuminating Company. Personal correspondence, 1958-1959, contains letters to Edward T. Caldwell from his friends and acquaintances. Business correspondence, 1956-1959, is with customers after the re-organization of the company. Financial documents, 1938-1957, include logs of transactions, bank statements and income tax returns. Draughtman's sketches of lighting fixtures are done in pen and ink. Group schedule of designs, 1930-1949, are sketches of multiple lighting fixtures required for specific jobs. Design records, 1900-1941, contain information and sketches of lighting fixtures. Invoice books, 1943-1946, include descriptions of materials shipped with prices and information about customers. Also, records of material received, 1955-1956; ledgers, 1953-1956; shipment records, 1951-1954; employees' salary records, 1953-1956; index to customers; and records, 1947-1957, of the Plastic Illuminating Company (probably a subsidiary of the Caldwell Company) including order books, receipts and disbursements, and checkbooks. Leo Spier's letters, in German, to his mother, who was E.T. Caldwell's housekeeper, are restricted. less

Emily Ford Skeel (1867-1958) was a bibliographer, editor and philanthropist. Her parents were Gordon Lester Ford (1823-1891), a railroad and real-estate magnate and collector of Americana, and Emily Fowler Ford (1826-1893), a poet. Like her older brothers Worthington Chauncey Ford (1858-1941) and Paul Leicester Ford (1865-1902), Skeel did historical research and compiled bibliographies on Parson Weems and Noah Webster. She and her husband, Roswell Skeel, Jr. (1866-1922), contributed time and money to various organizations and causes concerned with social reform or environmental conservation. Collection consists of correspondence, notes, scrapbooks, photographs, and printed matter relating to Skeel's professional and personal activities. General correspondence, 1871-1958, includes letters about her bibliographic and editorial work as well as letters of Skeel and her husband with family and friends, librarians, archivists, and academics. There is correspondence with various organizations and societies concerned with social and educational issues and with the Single Tax measures of Henry George. Personal and family correspondence, 1871-1950, contains correspondence with family members, relatives and personal friends, and other correspondence that is personal in nature. Financial and household correspondence, 1913-1946, consists of letters with banks and stockbrokers, general business letters and correspondence from Skeel's years in Martha's Vineyard. Bibliographic notes are made up of material Skeel gathered for her work on Webster and original manuscript of the Webster bibliography. Minor series includes notes about Weems, memoranda, writings, student notebooks, personal and family papers with genealogical information, commonplace books, accounts and account books, and maps. Also, scrapbooks compiled by Emily and Roswell Skeel; photographs of family members and residences, prominent people and various other subjects; and printed matter, such as clippings, pamphlets, prints and ephemera. less

The Liberal Party of New York State, the most successful third party in the United States in the twentieth-century, was organized in New York City in l944 by two prominent trade union leaders, David Dubinsky, president of the International Ladies Garment Workers Union, and Alex Rose, president of the United Hatters, Cap and Millinery Workers Union. The records (1936-2002) contain correspondence (mainly) of the executive director, Ben Davidson; records of the publicity director; administrative records; the Trade Union Council of the Party; minutes of the New York County Liberal Party and of the State Committee of the American Labor Party; press releases; printed ephemera and scrapbooks of clippings and memorabilia. less

Correspondence, texts of speeches, articles, columns and statements written by Paul Robeson and his wife, Eslanda Goode Robeson, photographs, news clippings, and press releases documenting Robeson's artistic and political activities. Correspondence pertains to Robeson's artistic career, and includes letters written by Eslanda Robeson regarding her husband's difficulties as a result of his association with the Soviet Union. Additional correspondence, reports, news clippings, contracts, and printed matter were generated by Robeson's national tours from 1952 to 1956. Included are materials about the concert and riot which took place in Peekskill, N.Y. during one of Robeson's performances, 1949; correspondence and legal papers referring to Robeson's difficulties in his effort to have his United Stattes passport restored; and letters by William Patterson and W.E.B. Du Bois. Also included are files on various organizations associated with Robeson in the 1950s, including the Council on African Affairs, the National Negro Labor Council, and the World Peace Council. less

Town Hall was founded in 1894 by six prominent suffragists under the name League for Political Education to continue the struggle for women's rights by raising political consciousness. Robert Ely was director of the League from 1907 to 1937. The Town Hall building, erected with funds raised by public subscription, was opened in 1921 as "a meeting place, clearing house for ideas, forum, lyceum, concert hall, school, and college." In 1935 George Denny, associate director of the League and later president, created America's Town Meeting of the Air, a radio program to foster discussion of political, social and economic concerns. The name of the institution was changed in 1938 to The Town Hall, Inc. and in 1956 it became affiliated with New York University. Collection contains correspondence, memoranda, minutes, reports, financial records, transcripts, publicity materials, photographs, and scrapbooks of newsclippings concerning the League for Political Education and Town Hall, Inc. League for Political Education records consist of correspondence and minutes, 1935-1937, of the executive and other committees. Records of America's Town Meeting of the Air, 1935-1956, include general correspondence, letters from listeners, office memoranda, audience mail reports, speakers aid materials, correspondence of the director of radio and television operations, publicity materials, photographs, and newsclippings. Collection contains Town Hall records, such as correspondence, financial and legal papers, transcripts of lectures, printed matter, and photographs, from the Historical Dept., Concert Dept., Short Courses Division, and other units of the institution. less

The Paul Muni papers span the years 1920 through 1967 and consist of correspondence, photographs, clippings, scrapbooks, personal papers and writings documenting his career as an actor of stage and screen. The correspondence contains letters from many notables of the day and often discuss Muni's political and professional opinions. Correspondents include: Maxwell Anderson, Sherwood Anderson, Rex Beach, Noel Coward, Albert Einstein, Lion Feuchtwanger, John Golden, Arthur Hopkins, Helen Morgan, Dick Powell, Billy Rose and Blanche Yurka. Personal papers contain many programs and personal photographs as well as a notebook written by Muni in Hebrew or Yiddish and a sketch of him by Staats Cotsworth. Scrapbooks in the collection are primarily clippings with reviews and articles about Muni and his roles in plays and movies. However three of the scrapbooks document trips taken by him and his wife to Paris, Vienna and Israel. Other items of note include autographed photographs from friends and a photograph of Muni with Amelia Earhart on the set of The WOMAN I LOVE. less

NYPL Archives Record Group 10 consists of visual materials that document New York Public Library buildings, programs, staff and predecessor institutions from 1875 to the present. Formats include photoprints, negatives, transparencies, albums, drawings, prints and postcards. less

Collection consists of office files, which constitute the core of the administrative records of the corporation, plus contracts, minutes, press releases and clippings, photographs, phonotapes, phonograph recordings, and films. General files contain correspondence, memoranda and other records reflecting the activities of principal officers and departments involved in the administration, construction, maintenance, and promotion of the Fair and to the participation of public and private exhibitors including numerous foreign governments. Engineering files consist of records of the director of engineering and chief engineer concerning the construction and demolition of the Fair and include correspondence, memoranda, technical plans and drawings, progress reports, contracts, and invoices. Permit Office materials consist of correspondence, applications, permits, photographs, and architectural plans and drawings. Import Clearance Dept. records include correspondence and other papers related to the importation of exhibitors' goods. Secretary's files consist of minutes, 1959-1968, of the board of directors; minutes, 1959-1971, of meetings of members, directors and the executive committee; agendas; correspondence; and desk diaries. Labor Relations Counsel files contain correspondence, 1961-1966, with officials of trade unions, exhibitors, contractors, and concessionaires; minutes; memoranda; and contracts between exhibitors/concessionaires and labor unions. less

The collection includes photographs, original drawings for set and costume designs, and blueprints; as well as miscellaneous exhibition materials such as catalogs, labels, display case notes, programs, and periodicals containing material about the operas. Set and costume designers include Frederick John Kiesler, Nathalie Swan, Bruno Funaro, Daniel Brenner, and others. Most of the photographs were taken by Samuel H. Gottscho. less

Francis Patrick Walsh (1864-1939), an American lawyer and political reformer, was one of the chief architects of the legislative struggle against industrial exploitation of children and an advocate of Irish and anti-imperialist causes. He also fought for civil liberties and was a labor partisan and staunch New Dealer. Collection consists of correspondence, 1907-1939, with professional and political colleagues, friends, family, and others. There also are correspondence and papers, 1915-1939, concerning Irish affairs, the Committee on Industrial Relations, Louise Bryant, the Democratic National Committee, National Progressive League for F.D.R., the 1929 strike of textile workers in Passaic, N.J., the Spanish Civil War, and the Tom Mooney case. The rest of the collection consists of papers relating to Walsh's legal practice; some photographs of Walsh, his family, Eamon De Valera and others; a few posters dealing with Tom Mooney; and clippings, periodicals, newsletters, bulletins and other printed material about civil liberties, the Democratic Party, the Spanish Civil War, the National Woman's Party, child labor, the labor movement, and World War I and the Paris Peace Conference. less

Paul Kester (1870-1933) was an American dramatist and author. He wrote popular novels and also plays which were produced on Broadway with well-known American and British actors. His older brother, Vaughan Kester (1869-1911) was a journalist and novelist who wrote short stories and assisted Paul with his plays. Harriet Watkins Kester was their mother and Jessie Jennings Kester was married to Vaughan Kester. Collection consists of correspondence, literary manuscripts and personal papers of Paul Kester and his brother Vaughan covering their work as dramatists and their correspondence with people in the performing arts. Harriet Watkins Kester's and Jessie Jennings Kester's personal papers are included in the collection. The bulk of Paul Kester's papers is correspondence with actors, actresses, playwrights, producers, publishers, and script writers. His personal letters, 1888-1924, are mainly to his mother, brother and sister-in-law and many of the letters refer to his daily activities as a playwright. Writings contain his working notes and drafts of some of his plays and novels. Miscellaneous papers include photographs of the Kester family and small collections of other individuals' papers. Vaughan Kester's papers contain incoming letters from colleagues; outgoing letters, 1891-1907, to his mother and to Paul Wilstach; writings; and miscellaneous papers. Papers of Harriet Watkins Kester consist of correspondence, 1874-1926, with her sons Paul and Vaughan about their careers and with her daughter-in-law Jessie; and writings, diaries and other materials. Jessie Jennings Kester's correspondence, 1899-1914, is with friends, her brother-in-law and mother-in-law, and with various members of the Kester and Watkins families. Also includes scrapbooks with press notices of Paul Kester's novels and plays. less

William John Wilgus (1865-1949) was a civil engineer who worked for the New York Central and Hudson River Railroad. By 1899 he was the chief engineer for construction and maintenance of way and in 1903 became vice-president in charge of construction. During those years he supervised the planning and construction of Buffalo Union Station, the Weehawken (N.J.) Terminal and the modern Grand Central Station. In 1907 Wilgus opened his own consulting practice and advised railroad companies on construction and improvement projects for states and municipalities including several concerned with the improvement of passenger and freight transportation in the New York Metropolitan area. During World War I he directed transportation for the Allied Expeditionary Forces in France. After his retirement from private practice in 1930, he devoted much of his time to writing and research on military and civilian transportation issues while working in the private sector. Collection consists of records that document Wilgus' professional activities as a civil engineer. New York Central and Hudson River Railroad papers, 1895-1931, include correspondence; research notes, articles and pictures, engineering reports, minutes, legal papers, photographs and other materials relating to the new Grand Central Station and electrification of the suburban lines leading into it, and the rehabilitation and expansion of the railroad's other lines. American Expeditionary Forces records, 1915-1933, contain correspondence, writings and translations by Wilgus, writings by others, and source materials concerning military transportation during World War I. Private consulting practice records, 1908-1930, of his consulting firm in New York City consist of materials about New York transportation and major railroad projects and of general client files. Public service activities series, 1933-1945, contains papers relating to various projects on which he worked. American Society of Civil Engineers records, 1914-1930, include Wilgus' papers as member and president of the New York chapter in 1920-1921, and records of the United Engineering Society. His writings, research notes and related correspondence, 1913-1947, contain essays, notes, correspondence, and printed materials on issues of military reorganization, transportation and war preparedness. Also, artifacts, such as medals, awards and certificates, and photographs and charts. less