Found 4 collections related to Friml, Rudolf, 1879-1972

Michael Stewart (nee Rubin), librettist, lyricist, playwright, and novelist, was born in New York City, where he attended Queens College. He received a Master of Fine Arts in drama from Yale in 1953. Prior to his work on Broadway, Stewart wrote for television and contributed sketches and lyrics to revues. His first effort on Broadway, Bye Bye Birdie, opened in 1960 and won Stewart his first Tony as its author. During his career in the musical theater Stewart also worked on Carnival!, Hello, Dolly!, 42nd Street, George M!, Barnum, I Love My Wife, Mack and Mabel, and The Grand Tour . Among his collaborators were the writer Mark Bramble, and the composers Cy Coleman, Jerry Herman, Bob Merrill and Jule Styne. The papers are for the most part made up of drafts and scripts of Stewart's works (his major productions, as well as works that were not produced) They also include correspondence, programs, clippings, scrapbooks, appointment books, examples of Stewart's work for television and film projects, and his fiction writing. less

Michael Stewart (nee Rubin), librettist, lyricist, playwright, and novelist, was born in New York City, where he attended Queens College. He received a Master of Fine Arts in drama from Yale in 1953. Prior to his work on Broadway, Stewart wrote for television and contributed sketches and lyrics to revues. His first effort on Broadway, Bye Bye Birdie, opened in 1960 and won Stewart his first Tony as its author. During his career in the musical theater Stewart also worked on Carnival!, Hello, Dolly!, 42nd Street, George M!, Barnum, I Love My Wife, Mack and Mabel, and The Grand Tour. Among his collaborators were the writer Mark Bramble, and the composers Cy Coleman, Jerry Herman, Bob Merrill and Jule Styne. less

The Otto Harbach Papers include correspondence, business papers, scripts, scores, lyrics, personal papers, photographs, and printed matter documenting his personal life and career, and also a particular period in the American musical theater, from ca. 1908-1938, when Harbach created most of his works. Correspondence is mainly between Harbach and his family in Salt Lake City, and later with his son William. Family members include his brothers, Arthur, James, Julius, and William Hauerbach, and his sister and brother-in-law, Sadie and Avern Poulton. Included in the small amount of correspondence from friends and colleagues are several interesting letters from Arthur Hammerstein, Oscar Hammerstein, Jerome Kern, and Carl Sandburg. The collection is particularly strong in covering the business aspects of Harbach's work, documented with contracts, copyright, and royalty information. Scripts form the largest series and include copies of most of Harbach's works. The scores are mostly for HAYFOOT-STRAWFOOT (music by Jerome Kern) and COUNTER MELODY (music by Peter De Rose) and are notable for the holographs that make up part of the scores for HAYFOOT-STRAWFOOT. There is also a good collection of photographs, including family, colleagues, ASCAP events, friends, and a selection of production photos. Personal papers include genealogical information, writings other than scripts, ephemera and a long oral history interview conducted by William Harbach shortly before his father's death. less

The Railroad hour was a program which presented excerpts of famous musical comedies, as well as original stories, for radio audiences. Each half-hour episode of the program presented the highlights of one musical. Gordon MacRae was the host and leading man for each episode; his leading ladies came from radio and the Metropolitan Opera. less