Nelson, Richard, 1938-1996
Billy Rose Theatre Division | *T-Vim 2000-014
26.6 linear feet (121 boxes)
The work represented in this collection includes designs for Broadway, Off-Broadway, regional productions, international tours, and Nelson's plans for the Ronald Reagan Library. The materials are light plots, lighting sections, channel hookups,...
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The work represented in this collection includes designs for Broadway, Off-Broadway, regional productions, international tours, and Nelson's plans for the Ronald Reagan Library. The materials are light plots, lighting sections, channel hookups, dimmer hookups, instrument schedules, shop orders, magic sheets, cue sheets, focus charts, scripts, and supporting design documents. Professional papers include resume material and documentation of Nelson's Lucida Corporation.
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Musser, Tharon
Billy Rose Theatre Division | *T-Vim 2007-020
37.5 linear feet (90 boxes, 1 tube); 143.36 kb (4 computer files)
Tharon Musser was a prominent 20th-century American lighting designer, working on theatre, dance, opera, special events, and industrial shows. The Tharon Musser lighting designs and papers contain materials collected and created by Musser over the...
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Tharon Musser was a prominent 20th-century American lighting designer, working on theatre, dance, opera, special events, and industrial shows. The Tharon Musser lighting designs and papers contain materials collected and created by Musser over the course of her career. The majority of this collection consists of lighting files that Musser designed for productions and companies. Other items include programs, posters, professional files, and personal files.
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Bill T. Jones/Arnie Zane and Company
Jerome Robbins Dance Division | (S) *MGZMD 477
82.15 linear feet (183 boxes, 22 tubes, 13 oversize folders)
The Bill T. Jones/Arnie Zane Dance Company, established in 1982 by American dancer/choreographers Bill T. Jones and Arnie Zane, has performed worldwide in over 200 cities in 40 countries. The Bill T. Jones/Arnie Zane Dance Company records document...
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The Bill T. Jones/Arnie Zane Dance Company, established in 1982 by American dancer/choreographers Bill T. Jones and Arnie Zane, has performed worldwide in over 200 cities in 40 countries. The Bill T. Jones/Arnie Zane Dance Company records document the work of the Company and its creators from 1970 to 2016. The collection contains dance and sound cue sheets, lighting and stage plots, photographs, programs, correspondence, posters, sheet music and lyrics, financial and legal documents, and audio and video recordings.
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Skelton, Thomas R.
Jerome Robbins Dance Division | (S) *MGZMD 115
The Thomas Skelton papers represent his professional career as lighting designer from the early 1950s to his death in 1994. The bulk of the collection consists of light plots, cue sheets, ground plans, draftings and other papers related to his...
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The Thomas Skelton papers represent his professional career as lighting designer from the early 1950s to his death in 1994. The bulk of the collection consists of light plots, cue sheets, ground plans, draftings and other papers related to his career in dance, theater, and opera. The collection also includes some teaching papers, correspondence, interviews, newspaper clippings, and programs. Other miscellaneous material includes travel and foreign language literature accumulated by Skelton in the course of his various professional trips. The collection also includes some scenic designs and costume information retained by Skelton from individual productions. Although Skelton did occasional scenic design, most of this additional material is the work of other crafts people. Included among the papers are also lighting designs executed by others. When identified, these are listed in subseries for 'Other Designers' in each category. The production files should be consulted for full credits for a project. The materials were received with an inventory in database format. The collection has been arranged and described with separate series for material relating to theater (including opera and variety) and dance. Organization of production files has been maintained generally the way files were originally kept. Oversized light plots and designs were separated from the production files and transferred to oversized boxes. Original identification numbers of the draftings have been maintained. Where letters formerly were used to identify boxes of rolled draftings, they now identify the drawers in which the material is currently stored. In some cases, draftings listed in the database were not found with the collection.
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Morrison, Paul, 1906-1980
Billy Rose Theatre Division | *T-VIM 1981-010
5.2 linear feet (11 boxes)
Paul Morrison (1906-1980), whose prolific theatrical career began in New York with the Theatre Guild and Group Theatre, designed sets, lighting and costumes for more than 60 Broadway productions, often working in multiple capacities. This...
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Paul Morrison (1906-1980), whose prolific theatrical career began in New York with the Theatre Guild and Group Theatre, designed sets, lighting and costumes for more than 60 Broadway productions, often working in multiple capacities. This collection includes many of his scenic and lighting designs and a few costume designs, as well as notes and sketches.
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Fuller, Loie, 1862-1928
Jerome Robbins Dance Division | (S) *MGZMD 121
.5 linear feet (3 boxes)
Chiefly comprised of two notebooks (ms., ink). The first is entitled "Lecture on radium" by Loie Fuller (59 leaves); also includes a draft letter to a friend (20 p. at end of vol.), signed and dated Jan. 24, 1911, including mention of the success...
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Chiefly comprised of two notebooks (ms., ink). The first is entitled "Lecture on radium" by Loie Fuller (59 leaves); also includes a draft letter to a friend (20 p. at end of vol.), signed and dated Jan. 24, 1911, including mention of the success of Anna Pavlova and Vaslav Nijinsky in Paris. The second contains a draft of the lecture on radium (25 leaves) and extensive notes (25 leaves) about visiting Thomas Edison in his laboratory, light, phosphorescence, radium, Madame Curie's discovery of radioactive matter, stage lighting, the work of the English scientist William Crookes, barefoot dancing, the problem of deformed feet, etc., 1911.
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Theatre Guild
Billy Rose Theatre Division | *T-Vim 1978-007
.21 linear feet (1 box)
The Theatre Guild Technical Drawings and Other Production Materials primarily consist of miscellaneous technical drawings and other items documenting various productions put on by the independent production company. The contents of the individual...
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The Theatre Guild Technical Drawings and Other Production Materials primarily consist of miscellaneous technical drawings and other items documenting various productions put on by the independent production company. The contents of the individual files on productions, mainly dating from the 1920s and 1930s, vary, but may include ground plans, stage plans, and light and/or property plots.
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Watson, Lee
Billy Rose Theatre Division | *T-Mss 1990-028
25.99 linear feet (39 boxes, 2 oversized folders, 40 tubes)
The Lee Watson papers date from 1941 to 1989 and document his career as a lighting educator and designer for theater, opera, and other live events. The collection holds lighting and scenic designs, photographs, slides, and production files that...
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The Lee Watson papers date from 1941 to 1989 and document his career as a lighting educator and designer for theater, opera, and other live events. The collection holds lighting and scenic designs, photographs, slides, and production files that contain programs, newspaper articles, scripts, and technical lighting materials.
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Fisher, Jules
Billy Rose Theatre Division | *T-Mss 1979-002
46.57 linear feet (97 boxes, 21 tubes). 5.28 gigabytes (1013 computer files)
Jules Fisher and Peggy Eisenhauer are American lighting designers, working primarily on the Broadway stage. The Jules Fisher and Peggy Eisenhauer papers and designs date from 1960 to 2005 and contain the work of Fisher and Eisenhauer both...
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Jules Fisher and Peggy Eisenhauer are American lighting designers, working primarily on the Broadway stage. The Jules Fisher and Peggy Eisenhauer papers and designs date from 1960 to 2005 and contain the work of Fisher and Eisenhauer both individually and in partnership for theatrical productions, dance performances, concerts, and other live events. Fisher's architectural lighting designs, theatre and auditorium lighting plans, and film option files are also included. The collection contains scripts; lighting plots, lighting sections, ground plans, and other technical drawings; design notes and memoranda; correspondence; and contracts.
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New York Shakespeare Festival Productions;Papp, Joseph
Billy Rose Theatre Division | *T-Mss 1993-028
851.5 linear feet (1803 boxes)
The New York Shakespeare Festival records (1954-1992) measure approximately 850 linear feet and consist of scripts, correspondence, inter-office memoranda, production materials, reports, financial records, photographs, and memorabilia. The records...
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The New York Shakespeare Festival records (1954-1992) measure approximately 850 linear feet and consist of scripts, correspondence, inter-office memoranda, production materials, reports, financial records, photographs, and memorabilia. The records reflect the origin and activities of the New York Shakespeare Festival, its general administration, and the staging of its productions, including their creation, management, booking, and promotion. The files of the Casting Office, except in the form of carbon copies in other series, are not included in this archive. There are also gaps in the files of the Associate Producer. Contracts were removed and require special permission of the curator to access. Oral history materials in Series I and some correspondence in Series V are restricted until the year 2043 in order to protect the privacy of individual persons. Series XIV (Oversized Materials) is not fully processed and is currently unavailable for research.
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Rosenthal, Jean, 1912-1969
Billy Rose Theatre Division | *T-Mss 1993-005
2.2 linear feet (5 boxes, 1 oversized folder)
Jean Rosenthal (1912-1969) was a stage lighting designer whose work included productions of the Martha Graham Dance Company, the Metropolitan Opera, the Dallas Civic Opera, the American Ballet Theatre, and Broadway shows such as
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Jean Rosenthal (1912-1969) was a stage lighting designer whose work included productions of the Martha Graham Dance Company, the Metropolitan Opera, the Dallas Civic Opera, the American Ballet Theatre, and Broadway shows such as
A Funny Thing Happened on the Way to the Forum (1962) and
I Do! I Do! (1966). She founded a theatrical supply business, Theatre Production Service, in 1940. The Jean Rosenthal professional files date from 1954 to 1970 (bulk 1961 to 1969). The collection contains business records; clippings about Rosenthal and productions she worked on; programs from her productions; articles by Rosenthal, including drafts with handwritten corrections; and resumes and promotional photographs of Rosenthal. Business records pertain to Rosenthal's work as a designer, especially for the Martha Graham Company; her work as a theater consultant; and the Theater Production Service. The business records contain documents such as contracts, expense reports, production schedules, job applications, and related correspondence. Martha Graham Dance Company files contain memoranda and reports from the company's board of directors, in addition to materials directly concerning Rosenthal's employment. The business records include a file on a lighting design class that Rosenthal taught at the Lester Polakov Studio of Stage Design. The collection also contains design documents for the Martha Graham Dance Company at the American Dance Festival in 1967, consisting of two light plots, a dimmer schedule, and a lighting instrument schedule.
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Cernovich, Nicola
Jerome Robbins Dance Division | (S) *MGZMD 407
1.75 linear feet (3 boxes, 7 oversized folders)
Nicholas Cernovitch is a lighting designer for dance and theater. The Nicholas Cernovitch designs (1965-1982) consist of lighting design drawings and documents for Les Grands Ballets Canadiens and other dance companies.
Jacobs, Craig
Billy Rose Theatre Division | *T-Mss 2019-007
1.46 linear feet (4 boxes)
The
Chicago stage manager records documents the original touring production of
Chicago. Written by Bob Fosse and Fred Ebb, with music by John Kander,
Chicago debuted...
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The
Chicago stage manager records documents the original touring production of
Chicago. Written by Bob Fosse and Fred Ebb, with music by John Kander,
Chicago debuted on Broadway in 1975. The original touring production of the show ran from 1977 to 1978. Craig Jacobs served as stage manager during the original Broadway run and touring production from 1975 to 1978. The records in the collection give a concise look at the various production elements of the Broadway and touring shows including casting information, set and lighting designs, music scores, and script changes.
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Feder, Abe H.
Billy Rose Theatre Division | *T-Vim 2017-047
30.93 linear feet (80 containers)
Abe Feder (1909-1997) was an American lighting designer for theater, interior spaces, urban environments, and architecture. The Springer Opera House collection of Abe Feder lighting designs date from 1932 to 2004 and focus on the theatrical...
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Abe Feder (1909-1997) was an American lighting designer for theater, interior spaces, urban environments, and architecture. The Springer Opera House collection of Abe Feder lighting designs date from 1932 to 2004 and focus on the theatrical portion of Feder's career.
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Miller, Craig J., 1950-1994
Jerome Robbins Dance Division | (S) *MGZMD 476
30.12 linear feet (58 boxes, 10 tubes, 4 oversize folders); 831 kilobytes (32 computer files)
Craig Miller (1950-1994) was an American lighting designer who worked in dance, opera, theater, and musical performances. The Craig Miller designs and papers date from 1969 to 1994 and document Miller's short but prolific career through designs...
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Craig Miller (1950-1994) was an American lighting designer who worked in dance, opera, theater, and musical performances. The Craig Miller designs and papers date from 1969 to 1994 and document Miller's short but prolific career through designs and documents relating to productions on which Miller worked; his early work; correspondence; business files, and photographs.
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Weiss, Marc B.
Billy Rose Theatre Division | *T-Vim 2006-014
7.88 linear feet (14 boxes, 8 oversized folders, 4 tubes)
Marc B. Weiss was a theater lighting designer. The Marc B. Weiss design files date from 1968 to 1994 and contain lighting plots, hanging plans, cue sheets, focus charts, and scripts.
Century Lighting, Inc.
Billy Rose Theatre Division | *T-Mss 1993-047
.2 linear feet (1 box)
The Century Lighting, Inc. designs consist of technical drawings of stage lighting control systems produced by the New York-based company. Designs include a portable switchboard for My Fair Lady (1957), a cue control system (labeled...
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The Century Lighting, Inc. designs consist of technical drawings of stage lighting control systems produced by the New York-based company. Designs include a portable switchboard for My Fair Lady (1957), a cue control system (labeled "Semi-automatic Punch") for the Arena Stage in Washington (1961), and various designs for the Delacorte Theater (1963), the Fort Worth Center for the Performing Arts (1965), and the 1964 New York World's Fair. The World's Fair designs are for the Chrysler exhibit, the General Electric exhibit, and the Spanish Pavilion.
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Parichy, Dennis
Billy Rose Theatre Division | *T-Vim 2013-155
99.92 linear feet (168 boxes, 69 tubes). 1.7 gigabytes (3510 computer files)
The Dennis Parichy lighting designs and papers, dated 1964 to 2009, document Dennis Parichy's career as an American lighting designer for Broadway, Off-Broadway, and regional theatres. This collection holds lighting designs, scripts, contracts,...
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The Dennis Parichy lighting designs and papers, dated 1964 to 2009, document Dennis Parichy's career as an American lighting designer for Broadway, Off-Broadway, and regional theatres. This collection holds lighting designs, scripts, contracts, playbills, memos, notes, production calendars, fabric swatches, and audio recordings.
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