Found 3 collections related to Adams, Ansel, 1902-1984

Shirley Carter Burden (1908-1989), a descendant of Cornelius Vanderbilt, was a prominent American photographer, best known for his pictorial essays exploring aspects of Catholic culture, racial intolerance, and architectural heritage. Burden promoted the appreciation of photography through service on the boards and advisory committees of several museums, including the Museum of Modern Art, and was a long-time supporter and chairman of the board of Aperture. Colleagues and friends included, among others, Edward Steichen, Dorothea Lange, Ansel Adams, Minor White, and Thomas Merton. The collection reflects Shirley Carter Burden's post-World War II career as a commercial architectural photographer and fine art photographer, particularly his publications and exhibitions. Correspondence, negative indexes, reviews, contracts, gift lists, proof copies and reference materials document the publication of Behold thy Mother, The Chairs, God Is My Life, I Wonder Why, Presence and The Vanderbilts in My Life, and projects concerning Ellis Island. Exhibitions of Burden's work and other projects are documented in correspondence, royalty and shipping receipts, exhibition floor plans, publicity material, invitations to openings, reviews, and a guest book. The collection also contains miscellaneous correspondence; business records; records of his private collection; and subject files on other photographers, particularly Dorothea Lange and Ansel Adams. Also present is a phonograph recording of Burden's 1965 interview on "Open End" about Behold thy Mother. Some of Burden's photographs are scattered throughout the collection. less

Judith Mara Gutman is a New York-based author of books on popular and academic topics, and a specialist in the field of the social history of photography. The collection consists of personal and professional correspondence; typescript drafts and supporting material of her writings; course and lectures notes; files from the estate of Herbert George Gutman and sound recordings. less

The Crowell-Collier Publishing Company, American publishers of popular periodicals and educational and technical manuals, was incorporated in 1920 as the Crowell Publishing Company. The name was changed to Crowell-Collier in 1939, and to Crowell, Collier and Macmillan, Inc. in 1965. The firm published American Magazine, Collier's Magazine, The Country Home, Woman's Home Companion, and National Weekly. Collection consists of correspondence, readers' reports, typescripts, proofs, memoranda, and photographs relating to the publishing activities of Crowell-Collier. Records are mainly correspondence, 1931-1950, of the editors of the magazines published by the firm, with the bulk concerning Collier's and Woman's Home Companion. Editors' correspondence with authors, literary agents, photographers, and cartoonists reflects the changes in editorial policy and shifts in popular taste during the period between the early thirties and the mid-fifties. Collection also includes inter-office correspondence, 1933, 1946; readers' reports, 1933; edited authors' typescripts and editors' proofs of articles, short stories, and serialized novels published in Collier's from 1935 through 1955, with some correspondence and editorial memoranda; and a few photographs. less