- unitdate
-
{"value"=>"1924-2004", "type"=>"inclusive", "normal"=>"1924/2004"}
{"value"=>"undated", "type"=>"inclusive"}
- date_inclusive_start
-
1924
- date_inclusive_end
-
2004
- keydate
-
1924
- unittitle
-
{"value"=>"Series I: Correspondence"}
- physdesc
-
{"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"243 folders"}], "supress_display"=>true}
- scopecontent
-
{"value"=>"<p>This series contains personal and professional correspondence from colleagues, students, cast members, organizations and others. Most letters are in English. Some correspondence between Nimura and Japanese associates is in Japanese (with some translation). Of particular interest are folders holding Nimura's and Kay's correspondence, which include a 39-page handwritten manuscript by Nimura in Japanese (probably a historical account), and the informal, handwritten notes between Yeichi Nimura and Lisan Kay in English regarding the daily upkeep of studio \"61\" at Carnegie Hall. A steady flow of correspondence with Masao Fujiwara spans the decades and reveals his importance to Nimura and Kay as a Japanese liaison, administrator and friend who oversaw many of Nimura's projects and posthumous tributes. Correspondence with Aiko Ohtaki provides information regarding Ballet Arts of Carnegie Hall in Tokyo.</p>"}
- arrangement
-
{"value"=>"<p>An alphabetical arrangement by last name, corporate name, or government organization, chronologically arranged within the folder.</p>"}
- extent_statement
-
243 folders
- unitid
-
{"type"=>"local_mss", "value"=>"964714"}
- date_start
-
1924
- date_end
-
2004