{"value"=>"<p>This series contains correspondence, contracts, clippings, biographies, photographs, programs, and set and costume designs. It is arranged by subject.</p> <p>Many of the files are for opera companies in Europe and America that Sciutti worked with as a either performer (1950s - early 1980s) or director (1980s - mid-1990s). Companies with significant content include Teatro Massimo in Palermo, the Lyric Opera of Chicago, the Canadian Opera Company, the Glyndebourne Festival Opera, the Salzburger Festspiele, and the Theater der Stadt Koblenz. Some of the company files hold contracts and programs, but most contracts and programs are filed under their respective headings. Files fo companies Sciutti worked with as a director, particularly Teatro Massimo, hold set and costume designs in addition to correspondence. Some costume designs include fabric samples and full-color drawings.</p> <p>Other files hold general correspondence with Sciutti's managers, S. A. Gorlinsky, Columbia Artists Management, and Interart Establishment Vaduz. Most of the correspondence with presenters in Italy is in Italian.</p> <p>The programs span Sciutti's career and include opera performances, solo recitals, and her later role as director. The news clippings mostly document her work from the mid-1960s onward.</p>"}